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PALEFACE 

THE PHILOSOPHY OF THft 
« MELTING-POT * 

By 

WYNDHAM 

LEWIS 


LONDON 

CHATTO & WINDUS 

1923 



PRINTB* IN UltKAT BRITAIN 
BV T 4ND A 4 ONsI A III > L1I> 
AT JIIK IMVI-RsITY Pill ss 
b DIN HI KCill 



PREFACE 

P ART II of this essay was written during a 
visit to the United Stales (summer 1927): 
siiK*e it#> first appearance in Enemy So. J it 
lias been somewhat modified and other material has 
been incorporated in it. Tlv* pari entitled ‘A Moral 
Situation 5 and the passages coming beneath the 
lulling A Model Melting-pot 5 have been written 
during the last few months, and are published here 
for tin* first tune. 

For w T hut our white skin is worth, symbolically or 
otherwise, it is in America that its destinies are to- 
day most clearly foreshadowed : the essential un^ 
versahty of the problems provided for the Palefaces 
of America by the mdian factor m Latin America, 
by the Negro in North America and the West Indies, 
and by the proximity of Asia to the western shores 
of the United States, makes the ir attitudes in faee of 
them of some moment to Europeans. And though 
there is no White Man’s Burden in Europe at present, 
the isolation of Europe is rather artificial; and so, 
politically, even, the* cpiestions lightly touched upon 
in this book are not insignificant. In other respects, 
humanly, and artistically, there is an inexhaustible 
fund of simple amusement m consciousness of pig- 
ment. Colour is not perhaps so fundamental a 
thing as form, but it is, beyond dispute, m many 
respects of more immediate importance to men. 
Gentlemen prefer blonde's, for instance — that w r as a 
question of pigment , and what a popular subject it 
proved ! But gentlemen prefer, as far as their 



PALEFACE 


own persons are concerned, sunburn and a certain 
swarthiness. How fymnctte, however, would the 
masculine mind suffer gentlemen to become, in a 
search forOie virile? — is it possible for gentlemen to 
be too ‘ dago 9 and too ‘dark ,? And then there must 
be a certain number of blond gentlemen. 

But ultimately whiteness is, in a pigmentary 
sense, aristocratic, pefnaps — the proper colour for 
a ‘gentleman and blackness irretrievably prole- 
tarian. May not this be an absolute, established 1 m 
our senses? Then the dispute about cuticles would 
be seen to be another facet of the general assault 
upon privilege. Whiteness of skin if, like ermine, it 
is a symbol of rank, must be suspect to the democrat . 
The most humble Babbitt possesses something en\i- 
able, to which, besides, intellectually and socially, 
he has no right — namely his ‘pale ’ face. Bui I need 
not insist: colour is not only controversial, it is for 
the human being of symbolical importance — it is 
able to dw r arf stature, put intelligence in the shade, 
challenge quartermgs: pallor and divinity are quite 
possibly m some way associated m our human eyes 


WYNDHAM LEWIS 



CONTENTS 


PART I 

A * MORAL SITUATION* 

•1. TIu* Future of the Palt face Position page 3 
2. If the Redskin were in our Position 4 

* 3. ^TIk* Etlues at the Rasis of the Colour 

Question 7 

4. The Cause of ‘God and the People ’ 8 

5. Passing ‘the point beyond which there 

seems no longer to be either good or e\ il ’ 10 

6. ‘Every man both by law and common 

sentiment is recognized as basing a 
“suum” ’ 12 

7 Our World has become an almost purely 

Elftiial Place 15 

8. Esprit de Peau 17 

9. IIow sou must beware of too much sprit 

de pean' It) 

10 The While m Lin same Roat as t he Hlack 22 

11. The Paleface, that "negation of colour,’ as 

seen by Du Bois 27 

12. The Black, and the Paleface Widdlcclass 

Democratic Ideal 48 

18. A German Vision of Black rmu* White 40 

14. White Phobia in France 52 

15 The Effect of the Pictures of the White 

Man's World upon the East 58 

1C. Final Objections to me as ‘Champion’ 67 

Conclusion 70 

vn 



PALEFACE 


PART II 


PALEFACE 

« 

Introduction page 97 

Suction I. Romanticism and Complexes 
1. The Paleface m cives Ihe Dubious Pre- 
sent of an ‘Inferiority Complex* 118 

2 While Hopes with a ‘Complex’ 111 

8. The opposite v Supi norit v Complex' •• 

tlirust at the same lime upon the Un- 
willing Mack • 11G 

k The Nature of Mr, Mencken's Responsi- 
bility 118 

5. Wlial is 4 Change ’ or 4 Protore ss,' and ai r 

they One or Many? 119 

0 From White Settler to Poor City- White 124 

7 "Aimncana’ of Mencken 127 

S. ‘Complexes’ as between Whites 187 

9. The American Rnby 189 

10 Was Walt Whitman the Fatlur of t lie* 

American Rabv ? 140 

11. The Healthy Attitude ot tin American 

to Ins " Rabvlon ' 1 12 

12 Sherwood Amleison 148 

18. Th< KssentialRomantieismol theRetum 

to tlie 4 Se\aire’ and the ‘Primitn e’ 111 
1 k Possessed by ‘a Dark Demon’ 1 4G 


Sec tiun ll : The ‘ Inferiority Com pi ex ’ or 
in * Romantic White, anl> Student 
Suicides 

1. Romance oil its Last (Physical) Legs 149 


Vill 



/ CONTENTS 

2. The Consciousness of One Branch of 

Humanity is the •Annihilation, oi 
Another Branch page 153 

3. When the ‘Consciousness’ or Sout of a 

Racc.is Crushed, the Race Collapses 155 

4. Dr. Berman and the Suicide Epidemic 

• among the Whites of the United Slates 1 57 

5. Races similarly rumc/1 l>v the White 

• Man 101 

6. Behaviourist ‘ Summer Conversation ’ ICG 

7. # Race or Ideas? ICO 

Section III: ‘Love? Wiiat IIo! Smell- 


ing Strangeness’ 

1. ‘We Whites, creatures of spii it.’-- D II. 

Lawrence 174 

2. Mr. Law rcnce.i Follow ci of the Bergson- 

Spcngltr School 17C 

3 Spengler and the ‘Musical’ Conscious- 
ness 178 

4. Communism, Feminism, and the Un- 

conscious found in the Mexican Ind- 
ian by Mr. Lawrence 180 

5. The Indian a ‘Ditliyranibic Spectator’ 184 
G. The Under- Parrot and t he Over-Dog 186 

7. Evolution, a la Mexicamc: (genre cata- 

clvsnnque, a la Marx) 187 

8. Race or Class Separation by means of 

‘Dimension’ 192 

9. An Invitation to Suicide addressed to 

the White Man 193 

10. ‘Spring was coming on fast m Southern 

Indiana’ 197 


IX 



PALEFACE 

• | 

1 1 . ‘ Torrents of Spring 5 ‘ page 200 

12. The Dread of Stxual Impotence 203 

13. The Manner of Mr Anderson 201. 

11. ‘Rrfltal Realism’ turn the Sophistica- 
tion of Freud 207 

15 The Black Communism ol Anderson 200 

10 ‘Whul ho* Smelling Strangeness’ 211 

17 Tlit* - P<»( lie’ Indian 212 

IS The Mississippi and the Manufacture!* 21 1* 
10. Passages Irom Poo) H htfr !?I0 

20. The* Conti adiet ion between the Com- 

munist Kmotionalitv of Mr. Anderson 
and Ins impulses to countei the 
Machine Vge 210 

21. White \SentimentaliU 222 

22. l I \ms1i I was a Nigger" 223 

23 "The* Kid 225 

21. The* Fanfods 232 

25 •(Jnc , is J and the Noble Redskin 233 

20. Machine s emits Men 235 

27. Ilenn For«l and the 'Pool White ’ 230 

Conclusion 

1. The* While Machine and its Complexes 238 

2. 4 Interim it} / and njtlulriwd 4 Rack <o 

Nat in e ; 239 

3. The Revolutionary Roek-dnll and the 

Laws of Time 242 

4 The ‘Jump’ from Noa-Nos* to Class- 

Wiii 214 

5. How all Backwaid Steps lia\e to be 

represented as Feu ward Steps 247 


x 



CONTENTS 

0 A Working" Definition of the ‘Senti- 
mental 1 page 218 

7. Every Age has been ‘a Machine Age’ 249 

8 What is ‘the West 1 i * 252 

9. The Intellect ‘Solidifies 1 (The Argu- 
ments ad\ anced here ui tin lr relation 
. to the Thomisl Position) 253 

10. Tlie Necessity for a Ncjv Conception of 

•“the West, 1 and of ‘tlic Classical 1 255 

if. IIow the Black and the White might 

# li\ c and let liv e 257 

12 The pait Race lias always played m 

Class 262 

13. Black Laughter in Russia 263 

14. White Laughtir 269 

A Final Proposal A Model Ml lting-Pot 273 
Appendix JMoTiiL.it India 289 

Index 301 


XI 




I’AHT I 


A MpiiAL SITUATION ’ 




A - MORAL SITUATION 1 

§ 1. The Future nj the Paleface Position 

N OW that mv essay Paleface is to appear 
almost # mtacl as pari oi this book, I hope 
by what 1 shall say in tin* opening pages to 
make it impossible tomisintcrf)i el lis cbift too much. 
• I have been denounced as a ‘cfinnipion ' 01 saviour,' 
anfl’that charge l must deal with once and for all, if 
only to be able to prosecute my tune! ion of ‘impar- 
tial observer/ Alter a couple of \ears or eighteen 
months more of intense anti-Paleface propaganda, 
such champions will in lad ense. That I regard 
as fanlv obvious. A \ariety of either astute or 
indignant men (persons actually pale with rage, or 
(‘1st persons re licet mg that they might as well get 
ho/ncU'inginii oft Ik possession of oui traditional hue, 
since up to the picsent it lias not exactly been an 
ass< t) are at fins moment, upon that we can depend, 
preparing to assume that loJe. 

To all these boliwirs I wash a prosperous outcome 
to their spirited endeavours At hrst their lot w r ill 
be a hard one. They w ill haw* to idealize us a little, 
J expect — our jwlc faces haw been so systematically 
blackened. And it will of course be difficult to prove 
that the Paleface is heller than his Black or Yellow 
brother, not only because it is not true, but also 
because it is so unpopular a notion. 

My position is that I am ready and most anxious 
to assist all those who suiter from paleness of com- 
plexion and all those under a cloud because their 
grandfathers exterminated the Redskins, or bought 

8 



PALEFACE 


and sold cargoes of Blacks. Mv sense of what is just 
suffcis when I obsrrv sonic poor honest little palc- 
lac(d threo-pound-a-wet k clerk oi mechanic being 
bullied b\‘ the hferarv Borzoi big-guns of Mr. Knopf, 
and lold to go and kiss the toe of t he nearest Negress, 
and ask her humbly (as befits the pallid and unpig- 
mented) to be his hnd( i also am eomulsed with 
a little laughter at 1 he sol< mint \ wit li which so often 
these discussions me ]>m mu d the mcasuicriK nts of' 
cranial index, o( lip brain and <\r, m which \hc 
Boi/oi 4 in\< sligalor" will indulge, t lie high scientific 
plane in shoil upon which so much of I Ins matter 
is gushed forth. But tin re are strict limits to mv 
ability to help, and these I must now deline. 

Meantime I again publish and foretell that the 
tune will come (and that lmmediateh) w r hcn, upon 
the dail\ ‘starn d and red-billed ' appearance before 
the footlights oi some indignant righteous figure (his 
facecorkt d to look black) despatched by Mr. Knopf 
or Mi. Mencken oi Mi. Plomcr to abuse and ridicule 
the aiuhenee (squatting beneath lun., pale both w T it h 
natural pigment and with equally understandable 
alarm), and to tell them what a lousy lot they 
are, an extremely pah figure will either arise from 
among the speetalois and dramatically approach the 
stage, or else will <»ppiar out of a trap, -*p defend 
from the ceiling, or merely stalk fiomthr wings, and 
w ? c shall h.ear w'hat we shall hear. 


§ ! 2 If the Redshn* *r in our Position. 

This fiist csmu, entitled A ‘ moral situation is 
de\oted to showing the part played by the puritan 



IF THE REDSKIN WERE IN OUR POSITION 

• 

morality m the present situation. T do not of course 
mean that without that hui*h, double-fan d and 
doublo-edgod. deeply sentimental rode the world- 
scene would not ha\< changed d»astieall\? What I 
do mean is that tin* transformation of on; society, 
consequent upon the technical limmphs of sea nee, 
would have been combated perhaps m a moie 
rational at mosplu te -not, as at picsinl, thick with 
a mcdimal gloom ol bloodshot iightcoiiMiess. 

Historically, tlu lniseha f that lesidesm unbridled 
moral righteousness can be* described as follows.-- 
Having wiped out 01 subjugated all peoples who 
had not had tlu* advantages of a elmstian training 
in gentleness, humilitv, and othei-worldhness, the 
pmitan Pali faces ot \nu rini and Kuiojh* iiatuialJv 
win very eimtnte ami tiled to make lip for it to 
those who were lift. Quantities of edilSmg hooks 
(which were translated into all language's) w*ie pro- 
duced, pointing out what a bc«»sl the* Paleface was. 
Then were just a ft w Pale laces who tried te> blull it 
out and announc* d soundly that they were ‘blond 
beasts' —but such sc i tancs abuse d both their brother 
Palefaee*s and tlieir imported Pale (ialilcuu’ (iod 
into the* bargain sotli.d made ne> dilfercnce. 

There is no especially sc'ntimental or <*\t*n mis- 
guided uuncim lit of ('mancipation today, anywhere* 
m the world, that the' typical protest ant moralist can 
oppose, on an} lexical ground Foi /eg/e ullu he is 
committed to e\cry sentimental moral value what- 
ever. 1 do not #of course mean that w'e* should 
behave like* Redskins, but it is not quite pointless to 
note that wen the Redskins where todav the Whites 
are, technically paramount in a mixed population, 

5 



PALEFACE 


no ‘Colour Question 5 could ‘possibly have arisen. 
The supreme beauty significance and limitless superi- 
ority of the copper shin, that of Choctaw or Blnck- 
foot, over skins of all other colours, would be a 
settled axiom and doctrine no hipt of any other 
point of \ic\\ would ever pass the se\ere red lips of 
tin Red legislators and then fellow ltedskins. Also, 
the Redskin being notoriously taciturn, there would 
not be much even of that : then 1 would be ntJ’neod of ' 

i f 

palaver, of course, whatever. -In short, it is con- 
science that makes cowards, or saints, or just senti- 
mental pinky-pinky little* Palefaces of us, that is the 
truth of the mat ter: and yet we are as harsh as evei 
with each other, m business and in private life, and 
there is home chance that we may wipe each other 
completely out — where, with the disappearance of 
the White skin, the Colour question would auto- 
matically cease. 

A question is lying m wait for nu : ‘Are you not 
then upon the sick 1 of conscience —you despise the 
Christian ethic ? 1 Hut it is to that I wished to lead, 
and I answer promptly- ‘Oh no — you have quite 
mistaken my meaning You expect too much of 
me, or too little, according to the point of view. 
Th< “principle of an absolute* value m the human 
person as such," of wlumvn i itt or order. I am 
eager to advance But you ? I only question if you 
fully understood the nature of your chnstian sacri- 
fice. If )ou do not understand it, then it is useless 
and you ar<* nurclj a fool. When a person as it 
were selfishly immolates himself, in response to some 
very tawrlrv emotional appeal, we call it a senti- 
mentality. Aie jou sure that your asceticism (or 

6 



THE ETHICS OF THE COLOUR QUESTION 

humanitarianism, radicalism, or liberalism^ is not of 
that kind?’ m 

If you want to know the answer to these questions 
of mine, see whether my further analysis outrages or 
annoys you or not. Then vou will know r . 


§ 3. The Ethics at flic Basis oQlhe Colour Question . 

. Tiik European political leaders have been almost 
fantastically sensitive to ethical considerations m 
their policies from time to time — they have seldom 
acted too brutally without afterwards acting too 
gt ntlv, to restore t lie Christian balance. This hyper- 
sensitive condition induced by their proteslant 
Christian training, ol kirk and sunday-school, has 
had its good and bad side, m the sequel: but as 
statesmanship, upon the old jingo basis, it w r as in- 
d< fensible. 

So having isolated in the present situation m 
which our society finds itself the principal motive 
power, that which gi\es it the colour that it has 
though not the form, we can proceed to an examina- 
tion of those ethical principle* at their source. For 
this purpose I will take the very useful Prolegomena 
to Ethics of T. H. Green. (Green was a celebrated 
Oxford moral philosopher, issuing from the revolu- 
tionary philosophy of Hegel, rather earlier than 
Bradley and Bosanquet ) I had better say at once 
that it is a book that appears to me almost typically 
unintelligent. It is indeed representative of that 
blight that morals have insinuated under the skin of 
most Europeans. The sheer sentimentalism of this 
revolutionary piotestant moralist is nevertheless a 

7 



PALEFACE 


ver> i ntt Testing medium through which to look at 
the objects of our present concern. One reason for 
this is that it Mas the characteristic atmosphere 1 of 
anglo-sa^on life, during many years, during which 
the events of today \v ere being prepared, throughout 
the world. • 

§ 4. The Can sc of 'Gob and the People: 

In speaking of the conscientious perplexities of* 
the religious mind, when it linds tin teaching of its 
dogma in conflict with the interest of the; Stale, 
Gro«‘»i "writes . 

‘the same ditlicult\ . . . in earlier days must have 1 
occurred to Quakers and Anabaptists, wheie the 
law derived trom Scnpl mv seemed eont rudietory to 
that of the state, and to those earl} Christian* for 
whom the law which they chsobe\cd in icfusmg to 
sacrilicc retained any authority. In still earlier 
tunes it may have aiiseii m the form ol that con- 
flict bit ween the laws of the fanuh and the law of 
the State, presented in the AnUgont . Noi is the 
ease really dilfcreni when the liiodcm citizen, in 
his capacity as an oilicial or as a soldier, is called 
upon to help in putting down some revolution- 
ary movement which yet presents itself to Ins 
inmost cornu tmn ii> tilt. ( aud< ui ‘ God and the 
People ! M ’ 

Green goes on to consider what must be the atti- 
tude of the philosopher m this painful situation — in 
which God, or conscience, is upon one side, appar- 
ently, and the State, or the organized authority at 
any given moment, upon the othei. lie concludes 

8 



THE CAUSE OF GOD AND THE PEOPLE ’ 

that the philosopher,. hv the effect of his* teaching 
beforehand upon the minds oft lie effective minority, 
may have ^>me useful influence in the moment of 
crisis. 

fc In preparation for the times when conscience 
is thus liable to be divided against itself, much 
practical set vice inav bo rt ndcicd by a philosophy 
which, without depreciating the authority of con- 
science as such, can explain t hi origin of its con- 
flicting deliverances, and, without pronouncing 
unconditional]^ for eithei, can direct the soul to 
the true md. . . .* 

The counsel of such a philosopher as he has been 
considering might ‘have its effect upon the few who 
lead the many, m pripanng the mind through years 
of meditation for the da\s when prompt practical 
dt cision is requited’* that is the point. 

In anv ‘conflict between pm ate opinion and au- 
thority,’ Gm n’s counsel would always be on the side 
of the individual and his independent conscience. 
And indeed to the lull-blooded claims of such a * con- 
science ’ to make a waste-land of our life, Green 
would set positively no bounds at all. TCver\ year 
‘conscience’ must weigh more heavily upon us, as 
Christian men, he uihrms Evciy fresh star that 
swum into our ken is a fiesh burden -—never a new 
delight, alwa\s an added nightmaie. Reflection 
upon the load sir have to carry m comparison 
with the lighthearted Hellene of Antiquity, pro- 
vides Green with a long series of dismal reflections, 
inviting us to an ideal of mechanical and colourless 
asceticism. 



PALEFACE 


» 

§ 5. Passing "the poittf, beyond which there seems no 
longer to be either good or exnU 

To pas*, the barrier described above by Aristotle 
into a non-etlneal region is not part of the asceticism 
of tins particular kind of morale!, lor lus c willing- 
ness to endure even unto complete self-renunciation, 
even to the point of forsaking ail possibility of 
pleasure,’ is envisaged by Green in the most cheer-* 
less manner, m a kind of paroxysm of middleeiass 
nineteenth-century christian-duty, that is calculated 
to make the flesh creep far more thoroughfy than 
could any self-imposed rigours of the gvmnosophist. 

‘To an ancient Greek a society composed of a 
small group of freemen, having recognized claims 
upon each other and using a much larger body of 
men with no such recognized claims as instru- 
ments in their service, seemed the only possible 
society. In such an order of things those calls 
could not be heard which evoke the sacrifices 
constantly witnessed m the nobler lives of Christ- 
endom, sacrifices which would be quite other than 
they are, if they did not involve the renunciation 
of those “pleasures of the soul” and “unimxcd 
pleasures,” as they were reckoned in the Platonic 
psychology, which it did i'*>t <w 4 cm to the philo- 
sophers that there could b< any occasion m the 
exercise of the highest virtue to forgo The calls 
for siu h sacrifices arise from t hat enfranchisement 
of all men which, though m itself but negative m 
its nature, carries with it for the responsive con- 
science a claim on the part of all men to such 
positive help from all men as is needed to make 

10 



‘NO LONGER EITHER GOOD OR •EVIL’ 


t heir freedom real. Where the Greek saw a supply 
of possibly serviceable labour, . . . t he Christian 
eitizcn see* a multitude of persons, who m their 
actual present condition may have no ath ant age 
over the slaves of an ancient state, bul who in 
undeveloped possibility, and in the claims which 
•arise out of that possibility, are all that he him- 
self is. Seeing this, lie finds a necessity laid upon 
linn. # It is no time to enjov the pleasuies of eye 
aricl ear, of search for know ledgi , of ft lendlj inter- 
course, of applauded speech or writing, while the 
mass of men . whom we (helaie to he meant 
with us for eternal destinies, are left without t he* 
chance . . . of making themselves m act what 
m possibility we believe them to be. Interest m 
the problem of social deliverance . . . forbids a 
surrender to enjoyments which are not incidental 
to that work of d< hvciance, whatever the value 
winch they, or the activities to which they belong, 
might otherwise have.’ 

As to this progressive renunciation of ever} ves- 
tige of pleasure, on behalf of this 'principle ot an 
abstract value ui the human person as such,* Green 
says that with ‘every advance tow aids its univi rsal 
application comes a complication ot the ncccssit}, 
under which the conscientious man feels himself 
placed, of sacrificing personal pleasure in satisfaction 
of the claims of human brotherhood. On the one 
side the freedom of everyone to shift for himself . . . 
on the other, the responsibility of everyone for 
everyone, acknowledged by the awakened con- 
science: tlu'ie together jorm a moral situation in which 

11 



PALEFACE 


the good citizen has no leisuredo think oj developing in 
dm piqpotUon his m on /acuities of enjoymt at. (1 
have italicized the last sentence.) • 

The ‘$*bod citizen's’ lot, ha\ ing to forgo more and 
more enjoyment, even ‘the pleasures of the soul’ 
(which it did not so much as occur to a (hetk to 
sacrifice), is indeed a melancholy one, it seems, ,as 
the num hot oi people in tin world increases and 
as the new spa pcis or cinemas inform him, or put 
visibly before* him, moic and more cieatureV lor 
whom he is ‘ responsible/ Tins is study the veiy 
madness of morality, lor theie is no compensating 
beauty such as you get in the gi eat cat liolie mj sties; 
there is nothing but this cold and ever growing, 
dutiful, quantitative usponsibihly 


§0. ‘ Every man both by laic and common sentiment 
is lecognized as having a “si turn'" 

According to Green's expanding principle of ‘the 
common good' there is no limit to such expansion, 
or to the corresponding depression and ascetic con- 
tinence of the conscientious Christian. As k nif*n’ 
we call a hall, liowevti, lx foie animals and things 1 
This at least, for Green, contim s the question to the 
surface of this globe and h# t.vo Lgged ummaK: no 
inhabitant of another woild. or a mere horse or cat 
m tins om% can make us unhappy. Hut to every 
‘man" we should not only postpone our own interest, 
but m Ins behalf, though we navy ne\ er have seen 
him but only heard of him, we should abstain from 
any pleasure, even oj the mind . (The abstaining 
from the ‘pleasures of the mind’ may be a compli- 

12 



EVERY MAN HAS A “ SITTTM ' 


« 

ment to our ncighbonr-m Jus capacity of man/ in 
contradistinction to ‘annual/)* 

• In quoting«the definition of Justice from the hi- 
biitutch (‘Jushcin cst constansct perpetua Voluntas 
suimi cuiqnc tnbuendi’) he wutes ‘e\cry man both 
by law and common sentiment is recognized as 
iuu/inga ‘‘suum ” — that is the typical abstract ex- 
pression of the notion that then* is something due 
from evefy man to e\cry man/ (The nu n principle, 
of course, that e\er\one, of v\hatc\ei caste, creed or 
iacc, ha^» a suuni/ is not siitlicicnt to base our moral 
conduct upon, as we must first know what ‘suiim' 

IS.) 

But m Gre< i/s mow ‘there is no necessary limit 
of numbers or space be\ond which the spiritual 
principle of social relations becomes incfJcctivc/ 
Ills expansm ness is i calls infinite, that is to sa\. 

‘In the whole mow ot life* which [philanthropic 
work] implies, m the objects which inspire it, . . 

a view of life [is implied] in which the maintenance 
of any form of political society scarcely holds a 
place: m which In < s that would be contemptible 
and valueless, if estimated "ith reference to the 
purposes of the State, are nnested with a value 
of their own in virtue of capabilities of some 
society not seen as yet/ 

This readiness of the fanatieal moralist to ignore 
the claims ot ‘any form of political society’ and to 
give up his life frwMhc publicans and sinners, who 
are peculiarly adapted to ‘some society not seen as 
yet/ gives him an unquestionable advantage over 
the Greek, contemporary with Plato: he proves 

13 



PALEFACE 


that the "progress of the species l is not a phantasy. 

-Ycl gf course, to*ihc supcriicial eye, the G^eek 
might be supposed to have t lie best of it. This is 
an absolute mistake. 

‘Now, when we compare the life of service to 
mankind, involving so much sacrifice of pure 
pleasuie, winch is lived by men whom m our con- 
sciences we think iVst, and which they reproach 
themselves for not making one of more complete 
self-denial, with the life of free activity m bodily 
and intellectual exercises, in friendly conyerse, in 
c*vd debate, m the enjoyment of beautiful sights 
and sounds, which v\c commonly ascribe to the 
Greeks . . . vve might be apt, in the tirst view, to 
think that, even though measured not merely bv 
the quantity of pleasure incidental to it but by 
1 lie fulness of the realization of human capabili- 
ties implied m it, the latter kind of life was the 
higher of the two. Man for man, the Greek . . 
might seem to bo intrinsically a nobler being — 
one ol more fully developed powers — than the 
self-mortifying Christian, upon whom the sense 
of duty to a suffering world weighs too heavily to 
allow of Ins gning Irce-ploy to enjoyable activi- 
ties. . / 

‘On the tirst v r icw r * you would fall perhaps into 
that mistake, and as far as tins philosopher's ac- 
count of the situation is concerned no one could find 
it m h;> he irt, or conscience, to bkuue you, 1 beheve. 
1 fmd it impossible to rescue myself from that initial 
error. 


14 



• OUR WORLD ALMOST PURELY KTJIK'AL 

« 

• • 

§7. Our Wo? Id has become a?? mlmost /h/iy/;/ .Ethical 
Place . • 

The ‘moral situation’ which m those quotations 
from Green I h^\c, 1 hope, biought clearly before 
jou, is the moral situation that underlies all tin 
questions that arc agitating us today, — The funda- 
mentals of this situation aro # cloaih explained to 
\ou by these quotations lroin Gun u. It is ‘a moral 
situation/ that is the essential point: our world 
has become an almost puielj ethical place. But 
since the time of Green much progress has been 
made — lie would scarcely recognize it. (If he came 
to life again I .shudder to think of the sheer avoirdu- 
pois of miserable duty that would be added to his 
already staggering load.) There is the same ‘moral 
situation/ but men’s capacity to harm and interim 
wdh <ach other has immensely increased, and lho\ 
ha\c not been slow to take ad\antage of this. So 
side by side we have an evci-inon a smg ethical pres- 
sure — more and more strenuous dreams of moral 
persuasiveness — and a darker and darker cloud ot 
poison-gas always gathering upon the horizon, and 
larger and larger birds oJ prey — m the form of aero- 
planes pregnant with colossal bombs — hovering o\ er 
us: also war-films and wai -books multiply at a 
dumbfounding rate. — So it is an intensely ‘moral 
situation’: soon any ‘ascetic’ worth his salt will 
sink immediately beneath the burden, as he steps 
out of his cradle and looks round — already several 
are mere spectres m our midst, from whose lips 
issue a few sepulchral words at rare intervals. 

Discussing a remark of Matthew Arnold’s regard- 

15 



PALEFACE 


mg righteousness, Samuel B filler made some com- 
ments worth considering in this connection. Among 
other things lie wrote as follows: • 

‘I would join issue with Mr. Matthew Arnold 
on vel another point . I understand him lo imply 
I hat righteousness should be a man’s highest aim 
in life. I do not ljko setting up righteousness 
nor yei anything e^se, as the highest aim m life: 
a man should have any number of little antis about* 
which lie should be conscious and for wine)) he 
should have names, but he should have neither 
name for, nor consciousness concerning, the mam 
aim of his life. Whatever we do we must try and 
do rightly — this is obvious — but righteousness 
implies something much more than this: it con- 
veys to our minds not only the desire to get what- 
ever we have taken in hand as nearh right as 
possible, hut also the general reference of our lives 
to the supposed will of an unseen but supreme 
pow r er. Granted that there is such a power, and 
granted that wc should obey its w r ill, we aie the 
more likely to do this the less w r e concern our- 
selves about the matter and the more w r e confine 
our attention to the things immediately round 
about us. 5 

That has a most agreeable sound after Green : the 
h desire to dogmatise about matters w r hereon the 
Greek and .Roman held certainty to be al once un- 
important and unattainable’ (again Butler’s words) 
grows upon a person or upon a community: and 
though I should not he able to agree w r ith all of 
Butler’s text, the passion for tolerance, at least, 

16 



ESPRIT DE PEAV 


which was such a feature of that light-hearted and 
penetrating philosopher, is surely today a thing of 
which we cannot have enough, as we find ourselves 
hemmed m more and moic by right eousifess and 
intolerance. 

§ 8 Esprit tic Peon. 

• PLAiNifr if no obligation of any soit wen* recog- 
nized,* w f e should not h(* discussing these things at 
all and Ijfie man with the money and the gun w T ould 
do as lie liked. It is true that sik h an event as the 
Civil YY r ar has been accounted for on the ground of 
tin existence of certain economic factors; and from 
what we know of suehcvenls, unadulterated altruism 
is unlikely lo ha\» been the sole incentive. But 
howe\ or impure th< motives that can be smelt out — 
and that is seldom diHicul' ! ho biutal physical 
subject »on of one race to anot hot could not co-cxist 
with such conditions as at present obtain lliiough- 
oul the world. And, once I fiat lirsl radical eman- 
cipation effected, Uk race-prejudice or traditional 
superstition of some absolute or in\stical ‘superi- 
ority’ could not be maintained, either. Step b\ 
step the sensation that he was dealing with a being 
of a lower order was bound to be wormed 01 beaten 
out of i lie a vi rage YVlute. for the simple reason that 
the average White has the same master as the 
average Black: and although that master's skin is 
more or less YVhitc,Jie is not a man of sentiment and 
lie s' cn moque pas mat, as far as the question of skins 
is concerned: what int (‘rests him is what he has to 
pay the hands he employs, naturally, and not their 

B 17 



PALEFACE 


colour. And this applies both m Africa and 
America, or where. er else you get that situation — 
of a master (who happens usually tc be White, but 
that is neither here nor there) and a mixed popula- 
tion of Black and White wage-slaves, of all shades 
of race and creed. 

A belief m racial superiority (such as was enter- 
tained bv the White Brahmin m India for the negri- 
tie population of tlie Dekkan, or such as is still fdt 
by the average uninstructed White American for a 
Negro) is a political factor of great effeetiyeness, of 
course, but only on condition that the political 
power be jealously invested in the hands of a minor- 
ity of a certain skin, and with a flourishing esprit de 
corps or t. sprit dr pcau , as it might be* called, and 
provided real inalienable privileges go with the pig- 
ment. That is only possible in the closed political 
systems represented by Greece, India, China, or, as 
regards America, m the earlier history of the United 
States. 

Where privilege disappears and a pigmentation or 
a laeial descent takes with it no artificial advan- 
tages, these formal beliefs wither at once. For take 
another racial superstition, the most intense and 
inveterate that the world has ever known — namely 
that of the infeuonty of the Jew. A ‘superiority 
complex 5 has, until recently, been enjoyed by every- 
body at the expense of that kind of religious outcast, 
almost ‘untouchable,' of the West. With their im- 
mense intellectual resources, thejustre of tin ir thco- 
logie past, the Jews themselves were lifted above 
this superstition, no doubt. Blit today that par- 
ticular superstition has little chance of survi valm the 

18 



ESPRIT DE PEAU 


bosom of some very average European, left to him- 
self, and confronted in the mechanical jungle of a 
modern city by some Jewish competitor, who prob- 
ably possesses twice as much intelligence as*hc does, 
and whose industry or even mania for work puts 
what is quite likely his very moderate zeal in the 
shade. And when you add to tins the fact of the 
admirable organization of the Jewish consciousness, 
and that Che poor little non-jcwish protagonist will 
have nothing behind him hut our untidy, selfish, 
chaotic political systems, and about as much esprit 
de corps or cspiit dc peau to support him as would 
bo found in a family of guinea-pigs, it is difficult to 
see how that particular sense of superiority could 
have survived m present conditions And indeed 
it has not. That 4 superiority * superstition is, of 
course, the extieme ease: but there is no other top- 
dog-feelmg either, based on tribal or national self- 
feeling, or prestige of skin, which can survive in the 
heart of a wage-slave or cconomu under-dog, m 
touch with men technically of ‘inferior 5 races, in th'* 
same situation as himself, competing with him, when 
no favour of an artificial sort, but indeed rather the 
contrary, is extended to him. 


§9. I low i/ou must beware of too much 'esprit de 
peau' 

Unable to ignore m my analysis of what under- 
lies the literary a nd* pictorial expression of the pre- 
sent time, the political factors so busily at work, I 
find myself with some surprise writing about human 
skins. And under more normal conditions I should 


19 



PALEFACE 


probably be ranged upon the other side of the argu- 
ment. I am reall) r/ driven into the position of the 
Devil's Advocate 1<> some extent (the devil or villam- 
of-thc-piccc being now of course the o\erbearmg, 
stupid, wicked Paleface as seen by the conventional 
revolutionary tract) by the excesses of the anti 
Whites — not, I am afraid, from what I have called 
cspiit <l( pcau . Mat flung violently into that dia- 
bolical position, I did I must sa\ at first find myself 
developing what was a sort of cspiit de pcaUs of a 
quite respectable dimension. I detected myself 
looking with a new complacency upon the White 
skin: there was something about a Paleface , w r as 
there not? that I had overlooked in mv zeal for a 
non-national consciousness: I could scarcely under- 
stand how it had escaped my attention that all these 
familiar light ish masks held something lor my eve, 
nevertheless (blunted by familiarity), that the var- 
nished countenance of a quadioon ora ‘high yallcr,’ 
or the sickly liverish ambers of an Ilavvaian belle, 
did not contain. 

As a consequent e of the sc personal experiences of 
mine (to which I have had to call a halt, but winch 
I shall not forged) I nally believe that we could, if 
we wanted to, get up quite a fellow-feeling for our 
fellow Paleface s What I fear is that as things 
stand at present it would immediately result in our 
looking askance at our lllack and Yellow brothers: 
for everybody has been so long indoctrinated with 
intolerant attitudes of mind, tfial dogmatical me- 
chanical reversals have become the only way that 
the average Pah fact is now able to express himself 
at .ill. So when it suddenly became plain to the 

20 



•BEWARE OF TOO MUCH ESPRIT DE 'PEA U 

enlightened Paleface what admirable people the 
White Europeans, his brothers a*ul sisters, were (how 
far more significant to an unprejudiced and romanti- 
cally-unrottcd outlook the* Paleface girl vvtts than 
the average coloured huh), lie would turn with ail 
unsocial or even anti-social animosity upon tin* 
simple-hearted African, who is m no way respon- 
sible for all these 'Dark Princesses* or the Colour 
phantasies indulged in b\ the llorzoi big-guns and 
some others. 

As fan as I am concerned 1 would rather have 
things as they are than provoke m any way a re- 
action of intolerance*. J3ut then* is no fear of that 
for llu* moment: and when the reaction comes, as 
it must, I hope that what I shall have had to say 
will serve to make ils manifestations less ridiculous, 
.iiul to offer some resistance to the colour-blind 
fanatic who can onlv see one eolom at a time, as it 
were, and not simultaneously embrace a walnut 
brown and an ivory white, as we all should be able* 
to do with ease and conviction. 

If these reactionn i v dangers could lie conjured, 
then l believe that some sort ol cs prit de pyau might 
be cultivated will advantage: for the intensive 
propagation of infer unity-ample av* (m the present 
revolutionary u*\ersak — and all Whites are suspect 
to some extent on account of their privileged posi- 
tion over against t lie Coloured Peoples) is not good 
for the morale of our communities and so alfeets all 
of us indirect 1\ . Assuredly there are limits beyond 
which Green’s counsel of depression and ‘self-morti- 
fication* can be consummated in nothing but sell- 
death : and self-death or suicide is not a step to 

21 



PALEFACE 


\ 

i 

which we should allow ourselves too tamely to be 
led - -if only upon grounds of conscience. We have 
a responsibility of an order unguessed at by Green. 
For, if afil Palefcues in the world were so truly right- 
eous that we as one man succumbed, consequent 
upon the impossible burdens laid upon us b\ r our 
puritan consciences (and I am perfectly ready to 
admit that if we sat down and thought compre- 
hensively enough of* all our sms and those* of all our 
ancestors we should see no alternative but to suc- 
cumb m that manner), why then all the* Blacks, 
after ns (who are even more emotional than we are 
and if anything better ( \ angclists) would follow suit 
as one man, unable to bear the spectacle of this whole- 
sale Tragedy of Conscience, of which they had been 
t he innocent cause. No no ! t he example we ha\ e set 
aliendy to all other peoples of the world lias been 
unfortunate enough, m its mechanical sterility, and 
its Hgrcssjvo philistinism, without taking that fur- 
ther sin upon ourselves. Let us draw back in time. 
Let us keep our noses well in the air. It is the 
White Man’s Burden ! 


§ 10. The White in the same Boat as the Black . 

In § 7 1 was dealing with what is the most power- 
ful argument against the extension of an anti-White 
campaign— namely that the great majority of Pale - 
jaces are now in the same boat as their Coloured 
friends — that obviously they art in the position of 
fellow-slaves, and not of a ‘White Conqueror 5 at all. 
It is even amazing that this should not be at once 
recognized. It is on account of what the communist 

22 



WHITE IN THE SAME BOAT AS BLACK 

would call the * bourgeois * state of nnnd of tlie West 
that this simple fact is novel* noticed. But the 
whole situation (the ‘moral situation’), as it stands, 
appears to mo on the face of it exceedingly false, 
even laughable. One would almost think, while 
reading a tvpical* propagandist book, of the Plomor 
or .Du Bois variety, that their authors had never 
considered (apart from giving* their assent or not) 
the message of the communist, nor wen familiar 
with the picture the latter delights to draw of the 
Capitalist System and its inhuman results. Yet 
they arc communists, for the most part. But tliev 
are bourgeois communists, of our pink Western 
variety. 

I will assemble for your inspection a few of the 
contradictions of this particular ‘moral’ situation. 
First, there arc vociferous advocates or ‘champions’ 
for every description of man in the world toda\ 
except for the White Man. If any one announced his 
intention of becoming that, the Paleface World 
would be amazed. It would lie as though a man 
had proclaimed himself a ‘Champion of the Kaiser’ 
— before the Kaiser s fall ! Everybody assunu s 
that the White Man (and that I take it does not 
mean a handful of magnates but the White Average) 
is an oppressive, overbearing, unintelligent, cruel, 
conceited top-dog — obviously not in need, there- 
fore, of a ‘champion,’ in the way that a poor down- 
trodden Mexican Peon, American Negro, Chinaman 
or Bantu, is. Thu* may be so: but there are hun- 
dreds of thousands of miners and their families in 
England toda> who arc out of work and without the 
proper requirements for animal life. Against the 

23 



PALEFACE 

t 

London parks at night penniless people lie huddled 
in their hundreds. Our streets both day and night 
swarm with every variety of beggar. « All these are 
White People, and they rule the world, suffering to a 
man from 1 superiority ’ complexes. It is a paradox : 
for they have a strange wav of testifying to their 
superiority! 

Bv turning to the 'more prosperous levels of the 
community' you wifit find equally many evidences 
of overweening mastery — only there the t\rahnous 
Paleface is mciely more restrained — lie ijoes not 
Hmg himself down upon the pavement to sleep on 
a winter night to show his ‘mastery,’ lie has other 
and subtler ways. 

If there is mastery, at all events, let us confess 
that it is verv skin-deep: employment is obtained 
and held under more exacting conditions than be- 
fore, there is everywhere more anxiety and less 
freedom. On this last head let me quote from the 
Daily Telegraph , a paper that cannot be accused of 
‘bolshevist’ propensities, surely. 

MOST GOVERNED NATION 
‘THIRTY YEARS' CHANGE 

* Oi i’a vv a , uni ay 

‘Sir William Clark, British High Commissioner, 
addressing the Institute of Professional Men and 
Civil Servants of Canada, went on to say: 

“ l lt is lairly ,*aie to say that thirty years ago 
Great Britain was less governed than almost any 
country m Europe, but now its inhabitants are 
more thoroughly inspected, controlled, and ad- 

24 



MOST GOVERNED NATION 


ministered from the cradle to the grave than those, 
perhaps, of any other natidh.” ’ 

It is nothing, of course, to be ‘inspected and con- 
trolled. ’ 13ut masters are not overlooked, numbered 
like sheep, inspected and hectored for minor dis- 
obedience. 

We are in Europe barelv ten years away from an 
unexampled War (both m losses, duration and m 
aimlessness) of the* most consummate barbarity; 
and wi*arc told on all hands m our ‘capitalist * Press 
that we are well on the way to another one, which 
will be far worse. In the last war (Mr. Citizen is 
informed) the noble airmen of the various countries 
were only able to bomb to bits a mere handful of 
citizens (owing to the regrettable backwardness of 
the man of science — after all an air-force officer or 
a munition magnate cannot bo expected to know 
anything about chemicals himself — he cannot make* 
the bombs, nor improve the planes to carry them!) 
— but in the next jolly old flare-up (the next ‘Great 
Adventure * m other words) millions of people, it is 
confidently expected, will be wiped out in a single 
night of fairly successful bombing. 

Nov/ as very few people today are thoroughly 
taken in by jmgo cries and sudden accounts of the 
detestable characters possessed by all Frenchmen, 
or Germans, or Russians or whatever it may be 
(followed by a peremptory order to massacre all 
these villains and devils), it is not easy for them to 
feel very perfectly top-doggy or to enjoy as fully as 
they might wish the sensation that they are ‘the roof 
and crown of things/ The gilded palaces in which 

25 



PALEFACE 


the Million drinks its tea or sees Ramon Novarro or 
Dolores Costello, give\hem a little that feeling, but 
not altoget her. And not being quite irrational, they 
do see berfbath this luxurious gilding, for which they 
pay their sixpenees. in glimpses (between the cracks 
of some foolish film, between the lines of somedrivel- 
ling article), a ‘ moral situat ion ’ that has little enough 
comfort to satisfy the philosopher from whom I 
have quoted. May not, you ask yourself* as you 
watch him, this Master of the World find himself in 
the end, abject and leaderlcss, a herd whose pale 
skin is a standing reproach — an emblem of tyranny 
instead of an emblem of privilege — driven madly 
hither and thither in gigantic wars that have at 
length become completely meaningless? If this 
apocalyptic picture sounds to your ears sensational 
or far-fetched, I can only say that you forget very 
quickly what was called at the time ‘Armageddon.’ 

With these circumstances (of enormous disaster 
so close behind us and of a most uncertain future — 
to judge by Naval-Pacts and the rest of what we are 
told in our papers) featured for once properly, as 
they deserve, well in the forefront of our mind, is it 
possible to listen very patiently to tales of ‘our’ 
oppression of the Black, the Yellow or the Red? 
They are doubtless * oppressed, all of them, just as 
we are — if you must talk about oppression: but 
that we is a thing that today sticks deeper and 
deeper m our throats. ‘Our Indian Possessions* is 
not a phrase that even the stupidest Englishman 
would employ today: and whoever Indians have 
to deal with — and no doubt they have to deal with 
somebody — it is not with vs. 

26 



MOST GOVERNED NATION 


I have been accused* for my Palejace , of a desire 
to keep under my heel the population of Bcjigal, by 
my friend Paul and my friend Sage (as I have been 
accused for my remarks on Mother India eff a desire 
to rescue India from Paleface dominion and its 
abuses). I have answered those gentlemen else- 
where, however. In addressing my brother Pale- 
faces, at the start, and in using, possibly, an us or 
a we (as # one Paleface to anotlier), it may really have 
been* assumed, of course, that I was implying that 
‘our’ interests, if there are such things, possess a 
beautiful coherence and simplicity that m fact is far 
from the case. Were there readers who assumed 
that I intended to say that the ‘Palefaces ’ should be 
given for ever and for ever softer beds, nicer and 
warmer clothes, better roofs over their heads, and 
more pocket-money than their Black, Yellow, and 
Red brothers ? 1 hope at all events that now I shall 

have succeeded in disabusing any one of such a 
belief. But in a further section I will be engaged 
in eradicating even more thoroughly such a mis- 
conception from the casual mind. 


§ 11. The Paleface , that 1 negation oj coloutS as seen 
by Du Bois. 

To the European who has not followed at all the 
sociological controversy peculiar to the Publics of 
America, some of the point of what I have written 
may quite well be# lost, for the ‘problem’ that cer- 
tainly exists as between the inhabitants of Europe 
(that ‘small cape’ tacked on to Asia) and the great 
continents inhabited by the ‘coloured’ peoples, or 

27 



PALEFACE 


shared with the Whites, is not a matter of everyday 
interest.. The europPan Press resounds with the 
disputes of the alsatian Separatists, the roumaman 
or tyroleftn minorities, the frontier squabbles of 
Fascist Italy with France or Svntzerland, and of 
course with dog-racing and the explosion of gas- 
mains, but it is strictly the europea n scene of the 
moment that is reflected, and all other parts of the 
world arc shut out, they have no news-valu&. This 
is far more so today than when what happened in 
America or Asia mattered immeasurably less* to the 
average European. 

It may under these circumstances be as well to 
select a book or two, and by means of a fc w extracts 
show that this ‘problem’ is at least an extremely 
exciting one to many people, and that books dealing 
with it are able to command a wide public. The 
books of Mr. Plonier the 1 South African novelist are 
no doubt known to all South Africans, and m Eng- 
land they have received some attention, so 1 will 
not take them, but rather make my selection from 
amencan lists. 

‘The Negro in Borzoi Books’ (as the Knopf ad- 
vertisement runs) is very prominent, and it is Mr. 
Knopf, the Now York publisher, who in his sponsor- 
ing of the Awn icon Mercury and his constant featur- 
ing of Negro subjects has done more than any one 
else to bring this sort of agitation to a head. In 
The Autobiography of an eu'-enlouud Man , in The 
Fire in the Flint, Flight, Wooing? •/ Jezebel , PctUjjer, 
The Weanj Blues, Fine Clothes Jar the Jew , Negro 
Drawings, Fo'mchaday , Lily, Lady Luck , The Wild- 
cat , The American Negro, Quicksand, and The Sailor’s 

28 



THE PALEFACE, THAT ‘NEGATION OF COLOUR’ 

• 

Return , you have throughout the theme of Black 
versus White as a Icit mohv— or at all event* that of 
the sad lot <5f the Negro in the White World. 

It has never been my privilege to meet Mr. Knopf, 
and I can hazard no opinion as to what actuates him 
m this matter: but T have no reason to suppose that 
Jt has been anything but a compassionate sense of 
the Negro's sufferings, coupled with an intelligent 
dislike of that certain shallow' eoeksureness shown 
bv many Palefaces, both of which fet lings, if they 
are hit, I share willi him. He has certainly been 
instrumental, however that max be, in improving 
the Negro’s position a great deal in the North, and 
m reducing on all sides the cocksureness I have just 
mentioned. Hut both the important Review that 
lias had his support, and the books he has published, 
have adopt'd often an exceedingly partisan and 
bellicose attitude. And it is that which mud in the 
end, if persisted in, call out the White Hopes, to 
whom I referred at the commencement of this 
book. 

There is however a \ ohmic entitled Dark Pnnecss, 
by W. E. B. Du Bois, published b\ llarcouit Brace, 
which suggests itself to me as the best tiling of the 
sort to quote lrom of any, m order to provide* the 
uninitiated White reader with some idea of the 
character and intensity of this movement. Dark 
Princess is a novel: it describes the adventures of 
a negro doctor, named Matthew Towns. It is a 
novel of tlie best-seller type, from that point of view 
in the same category as say Van Vechtcn. It is 
written I belie ve by a Negro, w r hich is of course 
to start with better for a book than being written 

29 



PALEFACE 


by Van Vechten (the author of Nigger Heaven — so 
well known that there could be no object in quoting 
from it). A rather fiery political purpose informs 
the DarJf Prince&s, and it combines the charactci- 
lstics of one of the cheaper films, with a violent 
political tract, but m tins case, T believe, quite a 
sincere political tract. 

Matthew Towns is a negro medical student m 
New York. After two years at a medical School he 
wishes to register for obstetrics. The ‘Dean’reVuses 
to allow him to do this. In the course of an alterca- 
tion the Dean remarks, ‘Well, wlial did you expect ? 
Juniors must have obstetrical work. Do you think 
white women patients are going to have a nigger 
doctor delivering their babies ? ’ Towns throws his 
certificate and other documents in the face of the 
Dean: after that he leaves America, naturally m a 
very savage state of mind. 

In a Berlin Cafe, where he is sitting very home- 
sick for the Dark World from which he has become 
exiled, his eyes suddenly fall upon a beautiful and 
romantic figure — a dark figure — in short, upon one 
of his own land. This event is described as follows. 

‘First and above all came that sense of color: 
into this world of pale Yellowish and pinkish 
parchment, that absence or negation of color, 
came suddenly a glow of golden brown skin.’ 

(This World of pale vcllowish and pinkish parch- 
ment* is our World, the White \W>rld ; m language 
of tlus sort in fact our poor World is always de- 
scribed — m a most disrespectful and wounding 
manner.) 


30 



THE PALEFACE, THAT NEGATION OF COLOUR * 

The eyes of the dark, the ‘colorful’ apparition are 
‘pools of night,’ they have * beautiful depths ’ (you 
could imagine yourself in the midst of a story by 
D. H. Lawrence, almost). Matthew pulls himself 
together. ‘Here — here in Berlin, and a few tables 
away, actually sat a radiantly beautiful woman. 
bnd she was colored.' 

But out of that circumambient world of ‘pale 
yellowish and pinkish parchftient’ conies a figure, 
one tvith a pinkish parchment face — in short, VVhite 
— an American White. This pasty ‘negation of 
color’ attempts to thrust himself upon the beautiful 
dark apparition. Towns follows them outside, and 
as the dark lady is about to enter a taxi, he hits the 
pinkish parchment mask ‘right betw'ecn the smile 
and the ear.’ Exit the White World. Matthew' 
Towns springs into the taxi. After a little con- 
i ersation he finds he is in the presence of an Indian 
Princess. 

H.R.1I. The Princess Kautilya of Bwodpur, 
India,’ it transpires, is one of the leaders of an organ- 
ization for arming all the Coloured Peoples, in Asia, 
America, and Africa, against the Whites. He is 
invited to a dinner, at which Coloured leaders from 
all parts of the world arc present. Here is the de- 
scription of the guests. 

‘ Ten of them sat at the t able. On the Princess’ 
left was a Japanese, faultless in dress and manner, 
evidently a man of importance, as the deference 
showm him and Uic orders on his breast indicated. 
He was quite yellow, short and stocky, with a face 
which was a delicately handled but perfect mask. 
There w r ere two Indians, one a man grave, 

31 



PALEFACE 


haughty, and old, dressed richly in turban and 
embroidered tunic?, the other, in conventional 
dress and turban, a young man, handsome and 
alert, Vhose eyes were ever on the Princess. 
There were two Chinese, a voung man and a young 
w'oman, he in a plain but becoming Chinese cos- 
tume of heavy blue silk, she in a pretty dress, hglf 
Chinese, half European in e ffect. An Egyptian 
and his wife came next, he suave, talkative, and 
polite — just a shade 1 too talkative and a btt too 
polite, Matthew thought; his wife a big* hand- 
some, silent woman, elegantly jeweled and 
gowned, with much bare flesh. Beyond them 
was a cold and rather stiff Arab who spoke seldom, 
and then abrupt 1\ 

These were the guests of the Princess Kantilya — 
who turns to Towns and remarks, ‘“You will note. 
Mi. Towns, that we represent here much of the 
Darker World. Indee d, when all our circle is pre- 
sent, wo lepresent all of it, save your world of Black 
Folk/’ 4 All the darker world except the darkest,” 
said the Eg\ptian/ 

As to the 1 deportment of tins Dark, conspiratorial 
company, it left nothing to be desired, from the 
standpoint of the most exacting Paleface traditions. 
Indeed, after they ‘had eaten some delicious tidbits 
of meat and vegetables’ and been ‘served with a 
delicate sou p’ (the service and ciusinc are thoroughly 
european, only more magnificent, of course, than 
anything known to the Gourmets Club in Paris — 
there are ‘des 1 runs normandes ’ at t he right moment 
in the ‘collation,’ only deeper holes than any Palc- 

32 



* HE PALEFACE, THAT ‘NEGATION OF COLOUR ’ 

* 

face ever dug, and a<* to the caviare — ! !) — hut after 
the first ‘tidbits of moat 5 Towns becomes more and 
more thunderstruck al ‘the case and fluency with 
which most of this company used languages, so 
easily, without groping or hesitation, and 'with light 
sure shading, 5 and the manner m which ‘they talked 
arf*in French, literature in Italian, politics in Ger- 
man, and everything m clear English.’ 

For my # own part 1 must confess that, in reading 
Dark Princess, I was somewhat abashed, myself, to 
remark 4 hat these Dark plotters were as familiar 
with ' Vorticism' — my invention — as w r ith chop- 
sticks. But I was flattcied, too, of course: whereas 
Towns grows less and less elated as the meal goes on. 

‘ u Pan -Africa,” says the Princess, “belongs 
logically with Pan-Asia; and for that reason Mr. 
Towns is welcomed tonight bv you, I am sure, and 
by me especially. lie did me a seivicc iv- 1 was 
returning from the New Palace.’ 

‘They all looked interested, but the Egyptian 
broke out : 

‘ “Ah, Your Highness, the New Palace, and 
what is the fad today? What has followed ex- 
pressionism, cv bism, futurism, vortieism ? I con- 
fess myself at sea. Picasso alarms me. Matisse 
sets me aflame. But I do not understand them. 
I prefer the classics.” 

‘"‘The Congo,” said the Princess, “is flooding 
the Acropolis. There is a beautiful Kandinsky 
on exhibit, and .*>mc lovely and startling things 
by unknown newcomers.” 

“Metis, ’ replied the Egyptian, dropping into 
French— and they were all off to the discussion, 

c 33 



PALEFACE 

save the silent Egyptian woman and the taciturn 
Arab. 

‘Here again Matthew w as puzzled. These per- 
sons 'easily penetrated worlds where he was a 
stranger. Frankly, but for the context lie would 
not have known whethrr Picasso was a man, a 
city, or a vegetable. lie had never heard of Ma- 
tisse. Lightly, almost carelessly, as lie thought, 
lus companions leapt to unknown subjects. Yet 
they knew. They knew art, books, and litera- 
ture, polities of all nations, and not newspaper 
polities merely, but inner currents and whisper- 
ings, unpublished facts.’ 

The european culture of this gathering of dusky 
principals is m brief nothing short of staggering — 
they can mix Picasso with a ‘tidbit of meat’ and 
impale ‘ Futurism ’ on l lie wav to a potato: but at a 
certain point in the ceremony Matthew Towns ‘left 
the piquant salad and laid dowm Ins fork slowly.’ 
For he detected what is described as ‘a color line 
within a color line/ It was the Japanese who had 
made him leave ‘ the piquant salad/ 

The Japanese has east a doubt upon the honour- 
able capacity of the american Negro. But the 
Princess says that in Moscow' she has heard such 
accounts of the Negro as to make her m fact sit up. 

‘‘‘You see, Moscow' has reports/’ she says, 

1 careful reports of the w r orld’s masses. And the 
report on the Negroes of America was astonishing. 
At the tune, I doubted its truth: their education, 
their work, their property, their organizations; 
and the odds, the terrible, crushing odds against 

34 



THE PALEFACE, THAT ‘NEGATION OF COLOUR’ 

which, inch by inch 4 and Ijeartbreak by heart- 
break, they have forged their unfalterifig way 
upward. If the report is true, they arc # a nation 
today, a modern nation worthy to stand beside 
any nation here." 

4 “But can wc put any faith m Moscow ?” asked 
*the Egyptian. “Are \\c n*>t keeping dangerous 
eompajiy and leaning on bryken reeds?” 

V‘ Well,” said Matthew , 4 if they are as sound in 
everything as in tins report from America, they’ll 
bear listening to.” 

‘The young Indian spoke gently and e\enly, 
but with bright eyes. 

‘ “Naturally,” he said, one can see Mr. Towns 
needs must agree with the Bolshevik estimate of 
the lower classes.” 

It is m this manner that Towns meets with 4 a 
prejudice within a prejudice.’ The ‘lower classed 
amongst Coloured people air, li seems, the Negroes. 
The Negro is racially a sort of Proletariat , it becomes 
evident, and is treated a little ‘de haut en bas # by 
these brilliant asiatie conversationalists, plotting 
world-w'ar by the side of the Spree, m the heart of 
a White capital. ‘The Congo is Hooding the Acro- 
polis'' — c\cn the Pimeess had said that, indicating 
that the Congo Black was considered by her in some 
way a come-down for the White Overlord, in whose 
blood symbolically w r as that of Praxiteles — a very 
different thing fronfa Congo Black. Still, the Prin- 
cess is a bit of a Bolshie — it is evident from the start 
that she docs not share' with her fellow-Asiaties 
that inveterate aristocratism of the Hindu, which 

35 



PALEFACE 

makes him such an uncomfortable customer in some 
ways. 

‘ “Wc American Blacks,” said Matthew Towns, 
“are very common people. My grandfather was 
a whipped and driven slave; my father was never 
really free and died in fail. My mother plows 
and washes lor a jiving. We come out of the 
depths — the blood and mud of battle. And from 
just such depths, I take it, came most of the 
worth-while things m this old world. If they 
didn’t — God help us.” 

‘The table was very still, save for the very faint 
clink of chma as the servants brought in the 
creamed and iced fruit. 

‘The Princess turned, and he could feel her 
dark eyes full upon him. 

‘ “ I wonder — I wonder,” she murmured, almost 
catching her breath. 

‘The Indian frowned. The Japanese smiled, 
and the Egyptian whispered to the Arab.’ 

The party does not break up till after midnight. 

‘It started on lines so familiar to Matthew that 
he had to shut lus eyes and stare again at their 
sw r arthy faces: Superior races — the right to rule 
— born to command — inferior breeds- -the lower 
classes — the rabble. How the Egyptian rolled 
off lus longue Ins contempt for the “r-r-rabblc” ! 
How contemptuous w T as the young Indian of in- 
ferior races! But how hutnorous it was to 
Matthew to see all tables turned ; the rabble now 
was the white workers of Europe; the inferior 
races were the ruling whites of Europe and 

36 



• THE PALEFACE, THAT ‘ NEGATION OF COLOUR ’ 

America. The superior races were yellow and 

brown.’ 

Matthew at least is comforted to find ‘all the 
tables turned.’ It is pleasant to hear l he White 
Workers of Eifrope and America described as the 
‘rabble/ and the White Rulers as the members of 
‘an inferior race.’ But it is disagreeable to lind the 
American Negro discriminated against by people so 
very little lighter than himself. 

Dar\ 1 J ) nicvHS is a long book, tins is only the begin- 
ning. It takes you baek to America and you pass with 
Towns through a series of revolutionary adventures, 
lie loses faith in the Princess, whom he loses sight 
of: he becomes steward oil a railway and is almost 
lynched by me mbers of the Ku Klux Klan, on their 
way to a great Clan rail} at Chicago. lie suffers 
prison, he makes lepoi Ls on the revolutionary poten- 
tialities of Ins people, and so forth. At length he 
is mated with the "Dark Princess’ and all is well: 
he is eventually hailed as the "Messenger and Messiah 
of all the Darker Worlds/ Everything ends upon 
a Hosanna. 

A few isolated quotations will show how useful 
this book is to sum up all this literature, which al- 
ready is so considerable in bulk, and which will of 
course become year by year of more importance. 
This first quotation is from a letter written by the 
‘Dark Princess’ to Matthew Towms; she has told 
him how luckv h<; is really to be in America, where 
his 

‘ “feet are further within the secret circle of that 

power that . . . rules the world. That” [she 

37 



PALEFACE 


goes on] “is the advantage that your people have 
had. You are wofkmg within. They are stand- 
ing here m this technical triumph of human power 
and can use it as a fulcrum to lift earth and seas 
and stars. 

‘ “ But to be m the center of po\f ‘er is not enough. 
You must be free and able to act. You are npt 
free m Chicago nor*New York. But heie in Vir- 
ginia you are at the edge of a black wortd. The 
black belt of the Congo, the Nile, and the Ganges 
reaches by way of Guiana, Haiti, and Jamaica, like 
a red arrow, up into the heart of white America. 
Thus I see a mighty synthesis : you can work in 
Africa and Asia right hero in America if you work 
in the Black Belt. For a long time 1 was puzzled, 
as I have written you, and hesitated; but now I 
know. I am exalted, and with my high heart 
comes illumination. I have been sore bewildered 
by this mighty America, this ruthless, terrible, 
intriguing Thing. My home and heart is India. 
Your heart of hearts is Africa. And now I see 
through the cloud. You may stand here, Mat- 
thew — here, halfway between Maine and Florida, 
between the Atlantic and the Pacific, with Europe 
m your face and China at your back; with in- 
dustry in your right hand ynd commerce in your 
left and the Farm beneath your steady feet: and 
yet be in the Land of the Blacks.” * 

Here are a few extracts fronj letters that con- 
stantly pass between Matthew and the Dark Princess. 

‘“Revolution must come, but it must start 
from within. We must strip to the ground and 

88 



t HE PALEFACE, THAT 1 NEGATION OF COLOUR ’ 

fight up. Not the colored Farm but the white 
Factory is the beginning; And the white Office 
and the Street stand next. The white artisan 
must teach technique to the colored • farmer. 
White business men must teach linn organization; 
the scholar mdst teacli him how to think, and the 
.bank ,*r how to rule.” * 

This third extract is from a Jet ter of the Princess 
Kautilva m which she tells Matthew of the meeting 
of the Central Committee and l he nature of their 
deliberations. 

‘ “I did not — I could not tell you all, Matthew, 
until now. The Great Central Committee of 
Yellow, Brown, and Black is finally to meet. 
You are a member. The High Command is to 
be chosen Ten years of preparation are set. 
Ten more years of final planning, and then five 
years of intensive struggle. In 1052, the Dark 
World goes free — whether m Peace and fostering 
Friendship w r ith all men, or m Blood and Storm — 
it is for The in — t hr Pale Masters of t oday — to say. 

‘ “We are, of course, in factions — that ought to 
be the most heartening thing m human conference 
— but with enemies ready to spring and spring 
again, it scares one. 

4 “One group of us, of whom I am one, believes 
m the path of Peace and Reason, of co-operation 
among the best and poorest, of gradual emancipa- 
tion, seil-rule, eyid w r orld-widc abolition of the 
color line, and of poverty and war. 

‘“The strongest group among us believes only 
m Force. Nothing but bloody defeat m a world- 

39 



PALEFAcfe 

wide' war of dark against # white will, in their opin- 
ion, ever beat sciAc and decency into Europe and 
America and Ausiralia. They Iiuac no faith m 
mere* reason, in alliance w r ith oppressed labor, 
white and colored; in liberal (bought, religion, 
nothing ! Pound their arroganct* into submission, 
they civ: kill them; conquer them; humiliate 
them . . . Last fught twenty-live messengers 
had a pi cli mi nar\* conference in this r6om, with 
ancient ceremony of wine and blood and Itre. I 
and my Buddhist priest, a MohammedaivMullah, 
and a Hindu leader of Swaiaj, were India; Japan 
was represented by an artisan and the blood of 
the Shoguns; young China was there and a Lama 
ot Thibet; Persia, Aiabia, and Afghanistan; 
black men from the Sudan, East, West, and South 
Africa, Indians from Central and South America, 
brown men from the West Indies, and — yes, Mat- 
thew, Black America was there too. Oh, you 
should have heard the high song oi consecration 
and triumph that shook these rolling lulls! 

4 “We came in every guise, at my command 
when around the world I sent the symbol of the 
nee dish; we came as laborers, as cotton pickers, 
as peddlers, as fortune-tellers, as travellers and 
tounsts, as meulictiits, servants. A month we 
have been gathering. Three days we have been 
awaiting you — in a single night we shall all fade 
away and go, on foot, bj boat, by rail, and air- 
plane. The Day has dawijed, Matthew — the 
Great Plan is on its way.’” 

Have you read Uncle Tom’s Cabin ? It was a 
40 



•the paleface, t^at negation OF COLOUR ’ 

book that was reputed.to have put the spark to the 
gunpowder, and to have precipitated the American 
Civil War. If you are disposed to dismiss the soit 
of Film-farrago 1 have been quoting, \oi*nmst at 
the same time recall that Mis. Hcechei Stowe was 
as a novelist nef better than l)u Hois. I do nol in- 
deed mean that any single book toda\ could ha\e 
the same effect that Uncle Tom's Cabin had in a 
simpler time, with fewer books. Hut hundreds of 
sueh*books as Dark Princess , accompanied by Films 
and plays, might reasonably bei xp< ct< dtolia\esonie 
such effect — a particular consciousness being evolved 
by this mass of books and plays, that is t he point. 

That the Whites, on their side, are being given a 
certain consciousness — this dual process is what I 
have been discussing: for the Coloured Peoples are 
urged to develop a consciousness of supenoiity, and 
the same book seeks to lorce upon the Paleface a 
corresponding sense of in/t run ////. It is this that is 
unfortunate: the mere reversal of a superiority- -a 
change in its colour nothing mine— rather than its 
total abolition. 

So far it has been found an easier matter to make 
the Paleface put his tail between his legs than it has 
to provide the Negro or Coolie with a ‘superiority 
complex.’ The Negro is not really interested and 
is much too happy-go-luckv to approach these 
matters with the same earnestness as his mentors. 
As to the people of the East, their traditions are 
not propitious fcr # such a transformation, it is only 
indirectly that they can be worked upon, though m 
the end, and with the changing conditions of their 
life, it will be accomplished. 

41 



paleface! < 

The Kegro it would seem is the despair of the pro- 
pagandist. In the kook from which I have just 
been quoting there is a Coloured meeting in Atlanta, 
of local Black ‘Radicals/ and one of them exclaims 
at the end of it — ‘You couldn’t get one nigger m a 
million to fight at all, and then they M sell each other 
out/ The trouble of course is that the ‘nigger’ js 
of much the same stuff as the White, he wants to be 
left alone: above all* he wishes to identify himself 
with his Paleface neighbour as far as possible, not 
to be put in opposition, and so m confront. # He has 
much more in common with Babbitt than with the 
Coloured Intellectual. 

The moment a Negro develops anv purpose and 
ambition m life, his one idea, it seems, is to transform 
himself into the nearest approach to a White member 
of the respect able imddlcclasshis colour handicap will 
allow. Matthew Towns, while a coloured porter on 
a train, found that the Coloured passengers he tried 
to befriend resented lus zealous attentions. Thus: 

‘His colored passenger did “not care” to be 
brushed ... he glanced at her again. 

4 “Anything I can do for you?” he asked. 

4 “Aren’t you a college man ? ” she asked, lather 
abruptly. 

4 “I uas,” he answered. 

‘She regarded him severely. “I should think 
then you ’d be ashamed to be a porter,” she said. 

‘He bit lus lips and gathered up her bags/ 

It is a lip-biting business to go to the rescue of 
your fellow ‘skin/ either Black or White. I am 
sure that any one would have the same experience 

42 



' THK PALEFArE DEMOCRATIC IDEAL 

who attempted to go to the help of the Paleface. 
All this is exceedingly disappointing from the stand- 
point of the propagandist; and indeed one cannot 
help sympathizing with him m tins respect* for the 
middleclass ideal of the Paleface is not a very high 
one, in the first Instance : anil then the conversion 
of 'millions of Negroes into coffee-coloured Babbitts 
is not an exceedingly stimukfting picture for the 
revolutionary mind, nor for tJie intelligent person 
of whatever political opinion. 

§ 12. The Black, and the Paleface Middleclass Demo- 
cratic Ideal. 

I will next quote a few passages from Quicksand 
(Knopf, 1028) by Nella Larson. The following dia- 
logue occurs between the Coloured girls who aie 
teachers in a Coloured College. 

‘Margaret laughed. “That's just ridiculous 
sentiment, Helga, and you know it. But von 
haven’t had any breakfast, yourself. Jim Va>lo 
asked if you were sick. Of course nobody knew 
You never teJl anybody anything about yourself. 
I said I’d look ui oil you ” 

‘ “Thanks awfull}," Ilelga responded, indiffer- 
ently. She w r as watching the sunlight dissolve 
from thick orange into pale yellow. Slowdv it 
crept across the room, wiping out m its path the 
morning shadows. She wasn’t interested m what 
the other was saying. 

‘ “If you don’t Jiurry, you ’ll be late to your first 
class. Can I help you?” Margaret offered un- 
certainly. She was a little afraid of Helga. 
Nearly every one was. 


48 



PALEFAdE * 

‘“No. Thanks all tfyc same.” Then quickly 
m another, warmtr tone : ‘'I do mean it. Thanks, 
a thousand tunes, Margaret. I ’ii> really awfully 
grateful, bill —you see, it’s like this, I’m not going 
to be late to niv class. I’m not going to be there 
at all.” 

‘The visiting girl, standing in relief, like *>ld 
walnut against tfte bulf-eolorcd wall, darted a 
quick glance at IF'lga. Plainly she w&s curious. 
But she only said formally: “Oh, then you aie 
sick.” For something there was about Helga 
which discouraged questionings. 

‘No, Helga wasn't siek. Not physically. She 
was merely disgusted. Fed up with Naxos. If 
that could be called sickm ss. The truth was that 
she had made up her mind to leave. That very 
day. She could no longer abide being connected 
with a place of shame, lies, hypocrisy, cruelty", 
servility, and snobbishness. “It ought,” she 
concluded, “lo he shut down by law.” * 

The manner of writing here and the dialogue of 
Helga and Margaret is a good example of what 
might be called Ihi conversion into ‘ old walnut,* as 
it were, of the White middleclass democratic ideal, 
of ladyhkeness and gciilltiiidiiluics*. The colour- 
adjustment required, to the formulas of the worst 
type of sentimental fiction of the Whites, ends in 
absurdity and pathos. The ‘visiting girl, standing 
m relief, like old walnut, against the buff-colored 
wall,’ is a sad, uncomfortable parody of a Family 
Herald sort of scene. It is the ‘Thanks awfully’ 
that comes from Helga, and all the rest of the ortho- 

44 



THE PALEFACE DEMOCRATIC IDEAL 

dox Paleface technique* that makes the ‘walnut’ 
adjustment ridiculous. 

But the hcrSine of this hook is described as aware 
of this type of confusion, and all that is huifhhating 
m it for the Ncgjo. In the ensuing passage Ilelga 
is reflecting about the' dress-problem as it concerns 
till' Negro. 

‘Turning from the window, her gaze' wandered 
contemptuously over the dufl attire of the women 
workers. Drab colors, mostly nav> blue, black, 
browfl, unrelieved, sax e for a scrap of white or tan 
about the hands and necks. Fragments of a 
speech mad* by the dean of women floated through 
her thoughts — “Bright colors are xmlgar” — 
“Black, grav, brown, and navy blue are the most 
becoming culms for colored people” — “Dark- 
complected people shouldn’t xvear yellow, or green 
or red.” — The dean was a woman from one of the 
“first families” — a great “race” woman; she, 
Helga Franc, a despised mulatto, but something 
mtuiti\ r e, some unanalyzed driving spirit of 
loyalty to the inherent racial need for gorgeous- 
ness told her that bright eolors were fitting and 
that dark-complexioned people should wear yel- 
low, green, and red. Black, brown, and gray 
were ruinous to them, actually destroyed the 
luminous tones lurking in their dusky skins. One 
of the loveliest sights Ilelga had ever seen had 
been a sooty black girl decked out m a flaming 
orange dress, whfch a horrified matron had next 
day consigned to the dyer. Why, she wondered, 
didn’t some one write A Plea for Color l 

‘These people yapped loudly of race, of race 

45 



PALEFACE 


consciousness, of^ace pride, and yet suppressed 
its most delightful manifestations, love of color, 
joy of rhythmic motion, naive* spontaneous 
lauglftcr. Harmony, radiance, and simplicity, 
all the essentials of spiritual beauty m the race 
they had marked for destruction.’ 

It would be easy to say to Miss Nella Larson (who 
is I believe not a Paleface) that in her novel she was 
full of 4 race-consciousness * but that she had ‘sup- 
pi cssed its most delightful manifestations’ and pro- 
duced too orthodoxly Palcfaeed an article: but I 
should not say that myself to that particular writer, 
for she seems to grasp many of the difficulties on 
both sides of the Colour dispute and to have suffered 
herself considerable And perhaps it may be as 
well to add, at this point, that all books dealing 
with Negroes are not purely propagandist, and that, 
as with other things, a small percentage arc even 
intelligent and so useful. 

§ 18. A German Vision of Black versus White . 

In England there is no equivalent at all for such 
a book as Dark Princess . The mixture of the Op- 
penheim detective-story and Woild-Pobtics does 
not occur, m the field of station- bookstall literature 
in which books of that order exist; the British 
Public remains imperial and parochial, Publicschool- 
bovish and domestic, mvetcrately non -political. It 
would be worth no mystery-spifmer’s while to deal 
with such a theme. In Germany it is a different 
mat ter* Dark Pi uicess would be much goute by the 
German — it should be translated. In France also, 

46 



GERMAN VISION OF RLACK VERSUS WHITE 

with certain differences, the sensational 'World *- 
book flourishes. 

A novel alrilost identical with Dark Princess may 
be cited, as my germamc illustration: lti Atlantis 
by Hans Domnjik. Tins is one of a series of ad- 
venture-novels dealing with the Future — m the first 
lidlf of the next century the scene is laid. You 
must imagine a World-political picture of half a 
century fience m which Russitf and Asia are treated 
as non-existent. It is supposed that the three 
principal World-Powers at that time arc the United 
States of Europe, the United States of America, and 
the empire of the Negro Emperor, Augustus Sal- 
vator, whose capital is Timbuctoo. The story opens 
m Timbuctoo, and there is the Negro Emperor at 
a great Circus, adulated bv the dense black masses 
of his "Coloured’ subjects; and there likewise are 
two Germans in a box, one a great industrialist, the 
other an engineer. The Emperor Augustus, with 
the object of tapping some world-shaking source of 
power, has driven a gigantic shaft into the earth to 
a depth of fiOOO metres. The german engineer m 
the box is employed in t Ins undertaking. These t w o 
excellent Hamburgers occupy the same box by pure 
chance, though of course the engineer is familiar 
with the name of the great industrialist, his Lands - 
mann . But in another part of this vast assembly 
may also be observed the villain of all that is to 
ensue, namely Guy Rouse, the american super- 
capitalist, m whos<* ‘stahlhartcn grauen Augon’ all 
the most ruthless and detestable — yet admirable 
Cdas war ein Maim, cm Mann von aussergewohn- 
licher Grosse ... die verkorpertc Macht des 

47 



PALEFACE 


Goldcs’ ruminates romantically Augustus) charac- 
teristics of transatlantic super-capitalism can be 
clearly detected. • 

The Heroes in tins german book are strangely 
enough (from the standpoint of an anglo-saxon 
reader) the two Germans. The villain is (as every 
European today would take as a matter of course) 
the American: but I am afraid that the Negro Em- 
peror is not painted Vo black as lie shoufcl be — in- 
deed he turns out to be a sort of Matthew Towns, 
installed as Kaiser at Timbuctoo, instead of as 
Maharajah at Bwodpur — but actuated, on all occa- 
sions, by motives so noble and unusual that he is 
reminiscent of one of the great saviours of humanity : 
even the Whitest reader would not, I feel sure, con- 
sider that Tredrup, the german engineer, was quite 
justified m destroying as he did (in defence of the 
White Race) this Dark Deliverer's life-work — for 
Tredrup event uall> comes back and blows up the 
gigantic shaft, and so saves the White Race; it is 
inevitable. 

Tredrup is strongly pro- White — as strongly pro- 
White m fact as the hero of an anglo-saxon book is 
always anti-White, or rather pro-anything that is 
not the same colour ns himself: but Atlantis is writ- 
ten for a public incapable of that (pernaps senti- 
mental) detachment which is such a feature of the 
enghsh and amcncnn tradition, whether popular or 
learned. — Indeed when present at the All-Black 
Circus, it is as much as Tredrup, the honest Ham- 
burger, can do to contain himself, when above all 
called upon to witness the White lady Circus-rider 
kissmg her hand to the Black audience ‘Schwein- 

18 



GERMAN VISION OF BLACK VERSUS WJHITE 

erei verdammte ! * he cwlaims. # ‘Man mochte am 
liebsten deni ganzen Dreck den Rueken kehren! 
Mussen die armen Ludci hur ihr wcisses Flcisch zu 
Schau stellen . . . und dann nodi nut Kusshsmdcr 
dafur danken . ! ’ (It is interesting 1 o note that 

in llu> Black Metropolis the performers most fa\- 
omVd by the Blaek Public aij 1 White 1 , just as in 
the greatest metropolis of the Paleface World 
today the performers tend mfire and more to be 
Black.) 

The trtie goal of the Negro Kmpeioi is laid ban 1 
in a soliloquy, which ensues upon a \isit from Mr. 
Rouse, the american areli-villam Augustus Sal- 
vator talks to himself liist about Mr. Bouse. Mi 
Rouse (though Augustus cannot help admiring him) 
' is blind, he think** ‘Ersiehl mcht die Grenzen, die 
IcderMacht gezogen smd. Bn lteakhon musskom- 
mcn . <lei Zeitpunkt is* mehl nu hr fern/ Then 
Augustus Sahalor goes on to talk about himself and 
to compare the brutal and selfish jiohcies of the 
gieat White empr 101% Napoli on Bonaparte, with his 
own. 

‘Menu* Femde mnneii nneh den sehnarzen Na- 
poleon . . . den gefurehtiten und gehassten. 
YVie wemge smd cs, die mir gericht werden! 

‘Was war sem Ziei? — Was ist meins v 

k In uncrs'ilthcher Maehtgier versehlang er cm 
Land nach deni anderen, bis er an Russland er- 
stickte. Was tat ich? Ieh kampfte den Kampf 
meines Volkes gegcti die wcissen Bedrueker. Den 
Kampf um die Frcihcit nacli jahrhundertclangcr 
Kneclitschaft Dos war die erste Tat! 

‘Die bJrciten Lander habe ieh zu einem Reich 

D 49 



PALEFACE 


zusamnicngerafft dctin* nur ein gecintes Volk 
kant) sich bchauptcn. Das war die zweite Tat! 

‘Die driLte — gleiehbcrechtigt in der ganzcn 
Welt sollen die Schwarzen mil den Weissen 
sein! . . . 

‘Abcrdie Glc tc hbci’cchiigungwill ich — gutwilhg 
— oder rmt Gewalt ! — Das ist mein letztes Zicl.’ 

As to ‘Uncial Equality/ what that ‘equality’ 
really signifies Tredrup learns fiom Jus impressive 
friend, the great german industrialist — wlio is not 
the dupe, of course, of such a word as equality — ‘und 
dann hatto Uhlenkort zu ihm gesprochcn — lange, 
eindnnglich, bis es a uch linn klar geworden. Die 
Bedeutung da Frage: Gleichberechtigung der Rassen 
— Glcichbrdculnid mil dem Absiieg der weissen Basse . 
Krsle Stufe eines Abstieges , der writer und ivciicr zum 
lint allege n fuhren musstc 
The faithful Tredrup ponders these words: and 
it is as a consequence of this political enlightenment 
that he strikes Ins blow for the White Race, and 
becomes a Natioualheld * 

As for the sentiments of the Blacks with regard 
to the Whites, it is the sonic ‘dark’ anger with which 
Du Hois and so many other writers familiarize us. 
Here is a typical sample of the conversation of Negro 
workmen within the borders of the Negro imperium. 

“'Wcshalb kommst du hier her?” . ♦ . 

‘ . habgenug von den verdammtenWeiss- 

hauten. Fehlt nur noch der Shambok, dann 
war’s da wie fruher. Schwarzc — Hunde. Leutc 
wic wir beide — Halfkasts — nicht viel mehr!’ 

‘Der erstc mckte. 


50 



GERMAN VISION OF BLACK VERSUS WHITE 


‘"‘Verflucht die w<?issc Bande! . . Dieser 
Ilochmuf, dieser gottverfluohte, der ;il)e Audeis- 
farbigen als Vieh bohandolt.— Mein Ilerr Vater 
war aueh nn Wcissei — Er hchte das heisere 
Bellen cines Hundes. “Memo Mul ter sell war z, 
lhm cheheh angetraut Jefferson lieiss leh — 
s^hwarz auf wuss stchl's m memen Papioron. 
Unddoch! Die Farbe — inemer Mutlc i Hint war 
wohl besser gcw r escn — I «its. #Sie stempclto imeh 
zum'Vieh. Aber!” Er bob drohend seme 
Rcchtc*. “Der Kaisei ! — miser Kaiser —er w T ird 
sie lehren, ei wird’s ilmen beibrmgcn, ob sie wol- 
len oder meld! . . . Kneg!” zisehtc es dureli 
seme Lippen “Kricg! Tnghch warte leh dar- 
auf, dass cs losgeht !" ' 

Tins is pure Dcnk Piimrss — it is tin* true hot 
Blaek duff! But, luckily for the Palefaces, there 
is a Kerman hero in tins instance to put a spoke m 
the Blaek w'hcel, m the person ol Tndmp. 

The ameneati magnate has still to be reckoned 
with, how r e\er — the sorrows of l he Whites do not 
end with the Blacks— there is America! 

Mr. House blow's a hole in the isthmus of Panama, 
the Gulf Stream js diverted, and Europe returns to 
polar conditions; Ireland becomes an icecap merely 
and a new Migration era opens, southwards — away 
from the polar conditions, brought upon Europe by 
amcncan greed. Mr. Guy House, incarnating the 
United States, is nol «mlv more ‘ruthless,’ but more 
difficult to circumvent, than the magnanimous 
Negro Superman. (As I said to start with, such 
things as Soviet Russia, Asia, and so forth, never 

51 



PALEFACE 


appear at all: they escape the attention of Hans 
Domunk altogether.) The White Race is eventually 
saved; it is installed on a brand new* Atlantis, which 
howeVer has to rise out of the ocean to receive it — 
nothing short of a miracle can save the White Race, 
in this story. 


§ 14. White Phobia Sn France. k 

From France an entire library of books* to our 
purpose could be selected. The Huxley elf France, 
M. Paul Morand, will suggest lumself at once to many 
readers: there are his Magic Noire and Bouddha 
Vivant. A sensibility for all that is exotic has al- 
ways been very common among Frenchmen — such 
figures as Baudelaire or Gauguin are not singular. — 
One specimen, however, is all I have space for : I will 
choose Loin des Blondes , by Thomas Raucat. 

This book is a desultory account of romantic and 
mildly erotic ion? is me in the Far East. Its first 
forty pages however is passed in descriptions of 
Paleface life upon an ocean liner. We do not reach 
those delicious regions that are Far from the Pale - 
face 6 and all their works until we step off tlic Japanese 
Packet at Yokohama. I will quote a little from what 
passes upon the japanese Packet, and leave it at that. 

Mr. Raucat falls beneath the spell of a lovely 
german-american blonde. The affair is rather un- 
fortunate; she becomes for him the symbol of all 
that is Paleface. At their second meeting on deck 
this is what takes place. 

‘Le lend t main matin done, a peine eus-je vu 
cette dame s’allonger sur son fautcuil de pont, que 

52 



WHITE PHOBIA IN FRANCE 


je m’approchai d’elle. ( Je m’assis h, son c*6t6. 

Comme la veille je la trouvai fcelle.’ 

• 

But his ‘mterlocutrice’ is more distant: a ^md of 
nonchalance aggressive * supervenes. 

‘ Ironiquement. et par touches ldgferes, mon 
lqterlocutrice me plaignit d’etre Franca is, ct sur- 
tout Franjais du midi. Dans la hidrarchie des 
races hunaames, h ce que je compns, je me trouvais 
ix un rang plus clev6 que le n<?gre, mais tout juste. 

4t ‘I4cmpire lerrestrc/’ disait-dlc, tv doitappar- 
lenir aux races sup6rieures. Mais, dans la race 
blanche, quelle est cello dont le sang n’est pas 
m§le, et qui poss£de a Tetat pur les quaht&s du 
chef? C’est la race germamque, les conqu£rants 
venus du Nord, les tiers honmies blonds au crane 
liaut, eeux qui out vaincu ct rejete les legions 
romomes.” 

* Cette femme, d’une voix cliantantc, et sans 
se presser, citait Nietzsclie et Gobineau, les met- 
tant en avaiit avee autant de fannliante que s’lls 
eussent ete des membres de sa fannllo. 

lkk Les racts mediterraneennes,” repetait-elle, 
sont des races de second ordre, des races rri61£es. 
La forme du crane, les pommettes saillantes, lout 
denote l’apport du sang n&gre.” * 

He retires very soon in face of this attack, and m 
ny case he is due at the ping-pong championship, 
ts he leaves the lovely but militant blonde — who 
faisait de sa blonde »*r un ctendard’ — he reflects: 

4 Croit-elle a la verite de ce qu’elle m’a dit ? Son 
orgueil serait par trop inscns£. Et je me repre- 
sentais, avec tous leurs petits details physiques 

58 



PALEFACE 


les m files que mon interlocutrice de tout a, Fheure 
jugpmt seuls dignes de l’a voir pour eompagne: 
des mdividus brutaux, aux cheVeux frises d’un 
rouge fauve, a la peau uniformcment rose, d’un 
rose de foie gras. .Te n’avius pas l’unpression que 
ces messieurs me fussent superieiirs en quoi que 
ce soit.’ 

# 

He takes pari in the ping-pong ehacnpionship. 
There he meets another blonde. 

‘C’etait encore line blonde qui etait qp face de 
moi, et bien qu’elle n’cut pas encore quinze ans, 
celle-la aussi etait sure d’elle-nieme, et se plaisait 
a me prouver sa supenorite.’ 

He loses the ping-pong championship At last 
the long sea trip draws to an end ; all the champion- 
ships — of ping-pong, swimming, deck-tennis, dies**, 
draughts, boxing, etc. etc. — are over. Asia is in 
sight ! 

‘ . debout, et je regardais avee passion d<5- 

filer la terre d’Asie. Mes pensees bouillonnaicnt. 

* Je me sentais rassasie des pays que j’avais 
jusqu’alors habites, oil la vie n’est qu’un per- 
p6tuel ehainpionnat. 

‘M£mc sur ee paqueboi, alors qu’il cut ete si 
facile et agreable de n'v nen faire, les jiassagers 
pouss^s par lcur alavisme s’etaient mgeni£s a 
tourmenter leur et mon existences par des tour- 
nois qui n’avaient pas toujours etc amicaux. 

‘La nausee me prenait des hommes de race 
blonde, et des manures de leurs compagnes. 
Sans lutte, j'abandonnais k leur orgueil les con- 
tuses que je quittais. Quel soulagement tout & 

54 



WHITE PHOBIA IN FRANCE 


l’heure, quand je foulerais lc sol do l’Asifi, Pim- 
mcnsc et mysterieux continent brun, aux femmes 
eraintives ot presque csclaves, dims la douceur 
dcsquellcs je me baignerais rommc a uuy source 
fraiche. ... tel un plongeur s\mbolique . . . 
j’allais me lancer dans le iu\ store . . .’ 

Hut before * plunging* into the dark and ‘mys- 
terious’ jSast he delivers himself of an anti-Wlnt r* 
incantation. * 

‘En machant le dernier cigarc de Sims, je me 
repctais eomme un enfant qui boudc: 

fc “ J’ai assez des blondes. Je ne vcux plus les 
voir.” ’ 

Such is Loin des Blondes : unlike the impulses of 
those earlier Europeans, such as Doughty, Burton, 
or Livingstone, it is not with the contemporary 
romantic merely a desire to ‘plunge’ mio something 
'dark’ and ‘mysterious’: this ejcpansiveness is ae- 
companied by a hostile repulsion forzvhat is hjt behind . 
Arthur Kimbaud was tin. first European of this 
newer order of exotics. 

Again, whether there ure such people as M. Itau- 
cat’s lovely german-american blonde, who talk race- 
war and (tobmeau upon the slightest provocation, 
it is impossible to say: but what is certain is that 
thcie are plenty of people similar to M. Raucat, who 
expect to meet, or imagine they have met, such 
militant blondes — whose nunds run, m shoit, upon 
such lines of race* and race-rivalry and who have a 
deep prejudice against their own skin. 

England, although more than any european nation 
m touch, for generations, with the ‘dark’ world, of 



PALEFACE 


Asia, Africa and America, is the least interested m 
these questions, piobably' because it has been a 
feature* of these contacts, with the Englishman, to 
pretenc^ not to notice that they had occurred — 
partly, too, for the reason that the sort of English- 
man engaged where those contacts existed, m ad- 
ministration or trade, for thinking had no great 
turn,’ as Arnold put •'!. But France and Germany 
arc as full as America of such racial awareness, and 
their literatures reflect iL very thoroughly. * 

The subject that niv last amerioan quotation, to 
return to Miss Larson, brought to the front will be 
a very useful one to dwell upon for some moments, 
and it will also serve as a natural transition to my 
next and final illustration. 

If you could really persuade any class of people 
whatever that they were essentially belter than all 
the rest — more generous, gifted and intelligent — 
then there would at least be t lie possibility of some 
advantage to the world at large. If they should 
behave consist! ntlv m such a way as to conform to 
this belief, then, in effect, for the turn being they 
could be said to be k better' 1 — if we were agreed upon 
what was ultimately desirable On the otlur hand, 
if it remained merely a matter of words — and in a 
world given o\<.i tu Adva'li^im ut we aie only too 
familiar with the way in which words take the place 
of facts — there would clearly be no gam, but truly 
a mass of fine w ords, and a great deal of ill-feeling 
engendered in the fury of competition. 

Experience has shown, in past revolutions, that 
what apt to happen is that one class — inflated by 
resounding words-- take s the* place of another class, 

56 



WHITE PHOBIA IN FRANCE 

• 

winch it violently dispossesses^ and proceeds to be- 
have m exactly the sante way as the last. $o if the 
Coloured population of America or Africa is to super- 
sede the White, it is essential, to start wtth, that 
they should not secretlv or oponls harbour, as their 
dearest wish, aif approximation to the present con- 
dition of the Paleface ‘master.’ The Paleface at 
present, owing to adverse circumstances, has fallen 
so low intellectually, is socially so impotent, and Jus 
standards of w ork and amusement arc so mechanical, 
that hc*cannot be taken as an ideal by any man. -- 
Yet I think that the most extreme propagandist for 
the ‘Coloured Races’ would agree with me that the 
trouble really is that when those races become poli- 
tically ‘emancipated,’ as we call it, they tend at 
once to approximate more and more closely to the 
White world-standard. Thereby we get the same 
situation that wo find m the ease of v nations.' locked 
up inside historical territories. The more the latter 
grow like all other nations in the <uirne situation, the 
more ‘nationalist,* politically, they become; the 
deeper their animosity towards all ‘foreigners,’ tin* 
more (through seeing the same lilms and submitting 
to similar influences of one kind and another) they 
conic to resemble those ‘foreign’ devils, against 
whom it is so easy to excite their passions. 

The sort of situation you would have eventually 
to anticipate is tins. In such towns as New York 
or Johannesburg you will get a Black quarter, where 
there will be large fiance-halls where nothing but 
waltzes and mazurkas and possibly minuets will be 
danced, by stately Negroes; and there will be a 
Paleface quarter, where there will be a dance-hall 

57 



PALEFACE 


with nothing but jazz. In the Black quarter the 
beauty-chorus m the^evues \vill be AH While: m the 
Wliite quarter they will be All Black. * The plays in 
the Blaok quarte r will be such plays as Hamlet: the 
plays in the White will be 111 God's Chillun. The 
books the Paleface reads will be romances about the 
oppressed Blacks, east m a most sentimental ai>ti- 
chnstian vein: the Black, on the other hand, will 
devour books about % Wh it e nuddleelass prosperity, 
where all the characters will be slightly yellow. 

But the Black will say fiercely that lie is -a better 
man than the White because he is more dignified in 
his amusements (pointing to his waltzes, his Shake- 
speare Repertory Theatre, etc.). The White will in- 
sist that hr is the belter man, because he is not so 
emotional and jazzy as the Black, and because he is 
responsible for Shakespeare, Moliere, and so on. (I 
am a little indebted to Herr Donnnik for this pic- 
ture.) 

Long before sueii a state of affairs as that came 
to pass, the races would, in practice, have inter- 
married and their habits would have become identi- 
cal. But it is no part of my business hero to draw 
pictures of a problematical futiue, but only to study 
the problems of behaviour at the present tune, as 
they apply betw < *en Paleiaces a ud Coloured ’ people. 


§ 15. The Effect of the Pictures oj the White Man's 
World upon the East . 

Instead of quoting something from Close’s book, % 
The Revolt of Asia , to show how the Black versus 
White problem is prolonged into and all over the 

58 



THE WHITE MAN’S WORLD ANI) THE EAST 

• 

East, I will take a few pages from Mr. Aldous Hux- 
ley’s Jesting Pilate . Air. lluxley goes to an open- 
air Cinema in Java and these are Ins impressions and 
reflections (necessarily curtailed). 

‘Fifty yards away we found an open-air picture 1 
show. A crowd, as fishily dumb as the young 
’ dancers, stood or squatted in front of an illumin- 
ated screen, across which there came and went, m 
an ^epileptic silence, the hwnan fishes of a cinema 
drama. And what a drama ! We arrived in t ime 
to sec a man in wluit the lady novelists call faull - 
less evening dress,” smashing a door with an axe, 
shooting scvcial other men, and then embracing 
against her will a distressed female, also m even- 
ing dress. Meanwhile anothei man was hurrying 
from somewhere to somewhere else, in motor-cars 
that tumbled over precipices, in trains that vil- 
lains contrived io send full tilt into livers — m 
vain, however, for the hurrying voung man always 
lumped off the doomed vehicles m the nick of 
time and immediately found another and still 
more rapid means of locomotion. . . . 

‘The violent imbecilities of the story flickered 
m silence agamst the background of the equatorial 
night . In sJcnce the Javanese looked on. What 
were they thinking 9 What were their private 
comments on this exhibition of Western civiliza- 
tion? . . . The crook drama at Tunis is the same 
as the crook drama at Madras. On the same 
evening, it may 4>e, in Korea, m Sumatra, m the 
Sudan, they are looking at the same seven soulful 
reels of mother-love and adultery. The same 
fraudulent millionaires are swindling for the diver- 

59 



PALEFACE 


sion of a Burmese audience in Mandalay, a Maori 
audience in New Zealand. \ Over the entire globe 
the producers of Hollywood arc the missionaries 
and propagandists of white civilization. . . . What 
is this famous civilization of the white men which 
Hollywood reveals? The*e are questions which 
one is almost ashamed to answer. The world into 
which the cinema introduces the subject peoples 
is a world of silliness and criminality. When its 
inhabitants are not stealing, murdering, swindling 
or attempting to commit rape (too slowly, as we 
have seen, to be often completely successful), they 
are being maudlin about babies or dear old homes, 
they are being fantastically and idiotically honour- 
able m a manner calculated to bring the greatest 
possible discomfort to the greatest possible num- 
ber of people, they are disporting themselves m 
marble halls, they are aimlessly dashing about the 
earth’s surface in fast-moving vehicles. When 
they make money they do it only m the most dis- 
creditable, unproductive and socially mischievous 
way — by speculation. Their polities are matters 
exclusively of personal (generally amorous) in- 
trigue. Their science is an affair of secret recipes 
for making money — recipes which are always 
getting stolen by villains no less anxious for cash 
than the scientific hero lumself. Tlicir religion is 
all cracker mottoes, white-haired clergymen, 
large-hearted mothers, hard, Bible-reading, puri- 
tanical fathers, and young girb who have taken 
the wrong turning and been betrayed (the rapes, 
thank goodness, are occasionally successful) kneel- 
ing with their illegitimate babies m front of cruci 

60 



THE WHITE MAN’S WORLD AND THE EAST 

fixes. As for their art — it gonsists in young men 
in overalls and larg^ ties painting, m cqck-lofts, 
feminine pbrtraits worthy to figure on the covers 
of magazines. And their literature is the flatu- 
lent verbiage of the captions. 

‘Such is tlTc white man’s world as revealed by 
■ the films, a world of crooks and half-wits, morons 
and sharpers. A crude, immature, childish world. 
A world without subtlety, without the smallest 
intellectual interests, innocent of art, letters, phil- 
osophy, science. A world whcie there are plenty 
of motors, telephones and automatic pistols, but 
in which there is no trace of such a thing as a 
modern idea. A world where men and women 
have instincts, desires and emotions, but no 
thoughts. A world, in brief, from which all that 
gives the modern West its power . . . has been 
left out. . . . White men complain that the atti- 
tude of the membeis of the eoloured races is not 
so respectful os it was Can one be astonished? 

‘What astonishes me is that the attitude re- 
mains as respectful as it does. Standing m the 
midst of that silent crowd of Javanese picture 
fans, 1 was astonished, when the performance at- 
tained its culminating imbecility, that they did 
not all w r itli one accord turn on us with hoots of 
derision, with mocking and murderous violence. 
I was astonished that they did not all rush in a 
body through the town crying “Why should we 
be ruled any longer by imbeciles?” and murder- 
ing every white man they met. The drivelling 
nonsense that flickered there m the darkness, 
under the tropical clouds, was enough to justify 

61 



PALEFACE 


any outburst. . . v The coloured peoples think a 
great deal less of us than ‘diey did, even though 
Ihcv may be too cautious to aet on fheir opinions 
. . . the share of Hollywood m lowering the white 
man's prostigi is by no meam inconsiderable. A 
people whose own propagandists proclaim it to lie 
montall\ and nioially deficient, cannot expect to 
be looked up to. if lilms were realh Irue to life, 
the whole of Europe, and America would deserve 
to be handed o\er as mandated territories to the 
Basulos, the Papuans and the Andaman pygmies. 
Fortunate 1\, they art' not true. . . . But l he un- 
tutored mind of the poor Indian does not know it. 
He secs the films, he thinks they represent West- 
ern ieaht\, lie cannot see why he should be ruled 
by cimimal imbeciles. As wc turned disgusted 
from the idiotic spectacle* and threaded our way 
out of the crowd, that strange, aquaimm silence 
of the Javanese was broken by a languid snigger 
of derision. Nothing more. Just a little laugh. 
A weird or two of mocking comment m Malay, and 
then, once more, the* silence as of fish. A few 
more \cars of Hollywood’s propaganda, and per- 
haps we shall not get out of an Oriental crowd 
quite so easih / 

There* is more than a touch m this narrative, I 
know, of the sort of conventionality you would ex- 
pect from its agreeably discursive author. But 
nevertheless he has not a political u\c to grind and 
is a more reliable witness probably than Mr. Close. — 
The sentimentality of outlook is of course apparent 
in his interpretation of ‘the strange aquarium sil- 

62 



THE WHITE MAN'S WORLD AND THE EAST 

• 

enc c* of the Javanese: it i\ t unlikely 1 hat the 
javancse, maon, tuiusiaik or hmdu pictui e-goers are 
either equipped, or disposed, to view the ‘imbecility* 
of the White Man’s Film quite as Mr. Iluxht would 
have us believe— for all their ‘impassible oriental* 
lislmiess and their traditional, but todav quite non- 
( xistcnt, wisdom. It is unlikely l hat, unless it were 
repeatedly pointed out to them, th<> would sec' 
anything discreditable m thc«cthics of Hollywood, 
or be very critical of the abject intelligence dis- 
played, or be averse to the violence and cruditv of 
the action. In short, Mr. Huxlcv , I think, romanti- 
cises his ‘OticntaT— there is a little too much turban 
and grease-pamt, too much ‘Garden of Allah,’ in the 
picture. When however that has been discounted, 
% and when you allow for the fact that in every corner 
of the East the russian agent is busy whispering 
against the Whites — those overbearing bourgeois 
interlopers — this account of a Picture-show in Java 
is not without its instruction. As to Mi. Huxley’s 
account ol the sort of Film m question, that, we can 
all agree, is accurate enough, and it is after all just 
from those standards that it is important to rescue 
the Untutored Mind of the Poor Indian, or the over- 
susceptible Neg**o. If the Negro, as dreamed of by 
Alain Locke , is to become a reality, lie can find no 
better w r ay of proving his ‘cultural’ qualifications 
than by turning lus back altogether upon the 
White Man’s World as it exists at present. 

I have mentioned Alain Locke, and before ter- 
minating this section of my book I will turn to a 
debate which figured m the Forum about six months 
ago. Alam Locke is a negro intellectual and he 

63 



PALEFACE 


presented the ease for the Negro m that debate very 
ably. .Mr. Lothrop Stoddard answered, with equal 
ability, for the White Man, telling his dark opponent 
that White America would never depart from its 
policy of the * Colour-Line.’ I will not here enter 
into the manv interesting issues brought to light by 
this debate, but will confine myself to a few ob- 
servations upon the arguments adxanccd by the 
Black debater. Mr. * Locke shows with excellent 
pointedness how the White World is confronted with 
‘ an increasing social dileinu iu and self-contradiction,’ 
for the simple reason that the Negro Question is not 
merely the Negro Question, but is ‘much more, and 
even more seriously, the question of democracy.’ 
And of course in so far as the dogma, not necessarily 
the practice, of the Soviet is merely a violent form 
of democratic belief, the more ‘radical’ the Ameri- 
can or any other Democracy becomes, the more such 
a question as the Negro Question becomes strictly 
the rule in vour system of belief, or you must ‘capit- 
ulate,’ as Mr. Locke invites the White Man to do. 

But Mr. Locke also has another no less seemingly 
powerful argument: ho msists that the White Man 
cannot dance every night to negro music, and throng 
to Parties and Emveiar Joneses, and continue to be 
haughty where the Negro is concerned. 

‘Prejudice, moreover, as wholesale generaliza- 
tion of social inferiority and cultural incapacity 
. . becomes, as a matter of course, more con- 
trary to tact with every dcca l< —yes, with every 
day. . . . Apart from the injustice and reaction- 
ary unwisdom, there is tragic irony mid imminent 
social farce m the acceptance by “ White America’ 

61 



TIIE WHITE MAN’S WORLD AND THE EAST 

* 

of the Negro’s cultural gifts, jvlule at the same 
time withholding cultural recognition, the reward 
that all genius merits and even requires.’ 

» 

The ‘cultural 5 present that the Negro ha* made 
to White America, and through America to the 
whole White World, can be sumpied up m the word 
‘jazz.’ It % is a very popular present and White 
people everywhere have tumbles! over each other to 
pick it up, and it has almost superseded every other 
form of activity. But what it is impossible not to 
ask is whether it deserves quite so large a ‘reward 5 
as Mr. Locke claims for it. The White arts that the 
Paleface has turned awav from m order to cultivate 
these Black arts, w ere certainly as good as the latter: 
nnd all that the ‘Afroamcriean 5 has succeeded m 
supplying is the aesthetic medium of a sort of 
frantic proletarian sub-conscious, which is the very 
negation of those far greater arts, for instance, of 
other more celebrated ‘Coloured 5 races, such as the 
C hinese or the Hindu. The Chinese or the llmdu 
would never have been captivated by nor even paid 
any attention at all to that sort of inferior Black art. 
But the White ha*: and it v s* very unreasonable of 
linn still to dc ny social equality to the Negro: about 
that there can be no question at all, under the cir- 
cumstances. (It is only the circumstances that 
ought never to be there.) 

The other ‘cultural 5 lights mentioned by Mr. 
Locke are, for example, Roland Hayes and Paul 
Robeson. That black nightingale and that ex- 
cellent actor are handsome presents to our civiliza- 
tion: and if the Negro community has not had a 

e 05 



PALEFACE 


band of distinguished philosophers, men of science, 
and poets to point to, it is, I am sure, merely be- 
cause the Negro has not had the opportunity ol pro- 
ducing 1 them: there is no race that is not able to 
produce distinguished philosophers, men of science, 
and remarkable poets, m profusion. Where Mr. 
Locke is mistaken, ip my opinion, is m talking about 
the ‘cultural’ gifts of the Negro to the White up-to- 
date, and as already handed over. 

What Mr. Locke might say with great reason is 
somewhat as follows: ‘Although the Blacks have 
produced nothing but a barbarous, melancholy, 
epileptic folk-music, worthy only of a patagonian 
cannibal; and although this sort of art has been 
fastened upon the White World, as a result of a 
given set of circumstances, that is no reason at all 
why the White Man should look down upon all 
Negroes, or should too lightly assume that, given 
equal opportunities, Ihc Negro would not produce 
something that would put the foolish jazzing White 
in the shade.’ That would be unanswerable, I think. 

Mr. Locke, again, writes: ‘Successful peoples are 
rated, and rate themselves, in terms of their best. 
Racial and national prestige is, after all, the product 
of the exceptional few/ In order to have grasped 
that highly undemocratic truth Mr. Locke must 
have risen far above the level of the average Pale- 
face. When lie says that ‘it is not in the interests 
of democracy itself to allow an illiterate, unprogres- 
sive White man the convictionrthat lie is better than 
the best Negro/ one is not so sure of the soundness 
of his purely democratic principles. — The general 
impression that lus article made upon me was that 

66 



FINAL OBJECTIONS TO ME AS ‘CHAMPION’ 

• 

he stressed too much the ‘cultural/ m rather too 
resounding a way, which left him open to to.o pro- 
found a retort. *And the 'democratic 5 basis seems to 
me as things stand an impossible one for argimient. 

At this point I will return from my consideration 
of the evidence provided by a series of books, both 
in Europe and America, to the mam current of my 
argument.^ 


§ 16. Final Objections to me as "Champion" 

The German philosophers of the beginning and 
the middle of the last century have perhaps provided 
us with the best example of ‘internationalism 5 of 
any people in modern times, that is, such men as 
% Goethe or Schopenhauer. Schopenhauers father 
gave him the name of ‘Arthur 5 because Aithur is 
the same (lie argued) in all europcan tongues— at 
least it is not cxclusn ely german. (It is intei estmg 
to note that the ‘Arthur Press’ r< eeived that name 
for a reason of a similar order.) And Schopenhauer 
himself never ceased to entici/e Ins countrymen for 
their german-ness. .Nietzsche alter linn did the 
same. Goethe before him was quite as confirmed 
an ‘internationalist, 5 in the sense that he always 
advocated a universal language of Volapuc for 
Europe, and hoped for a confederacy of states and 
an abolition of fionticrs. — Today w r e are, with Fas- 
cism, with Tnsh, Czech, Catalan, Macedonian, 
Indian, Russian, Turkish, Polish, etc. etc., national- 
ism (which invariably takes the form of abolishing 
every local custom and becoming as like everybody 
as possible), at the other pole to that attitude of mind 

67 



PALEFACE 


so common a century ago. This appears to me very 
regrettable indeed. 1 should like everybody to be 
imbued with the spirit of internationalism, and to 
keep all their local customs. 

I have, in addition to my often expressed desire 
for a universal state, another craVing, up till now 
unexpressed (that is publicly). I would, if I were 
able to, suppress all out-of-date discrepancies of 
tongue, as well as of skin and pocket. I desire to 
speak Volapuc, to put it shortly. I cannot ’help it, 
it is if you like a crank, but I should like to speak, 
and write, some Volapuc, not english — at all events 
some tongue that would enable me to converse with 
everybody of whatever shade of skin or opinion 
without ail interpreter — above all that no shadow 
of an excuse should subsist for a great Chemical 
Magnate to come hissing in my car: ‘Listen! That 
low fellow 5 (magnates alwavs speak in such lofty 
terms, partly for fun) ‘says tk ja” — I heard him! 
Here is a phial of deadly gas. Just throw it at him, 
will you? lie won't say “ja” any more, once he’s 
had a sniff of that ! ’ 

But this is not the end of the matter, where my 
many disqualifications arc concerned. I am actu- 
ally conscious of the many difficulties that must 
beset any honest Palelace, called to the defence of 
his skill. Although people of a lightish complexion 
have overrun the globe, they have, he would be 
compelled !u confess, taken with them, and stolidly, 
irresistibly, propagated a ciwjjzation which is ex- 
ceedingly inferior to many civilizations found by 
them m full-swing, possessed by people of dark, or 
‘Coloured’ complexion. 


68 



FINAL OBJECTIONS TO ME AS ‘CHAMPION’ 

• 

So, confining ourselves to * skins/ if thi* Paleface 
is told that he has been foolishly arrogant — his 
* superiority * af the best a very temporary material 
or technical one — he cannot iind much to Answer. 
Further, the charge lias to be met of having imposed 
a rotten, materialist civilization upon all sorts of 
people with great cruelty oftcn, # of ha\mg wiped out 
races of \;pry high quality, such as the Indians of 
North America, 111 the name pf a God who was all 
compassion: so he is convicted of hypocrisy of the 
ugliest, of the ‘civilized* kind, on top of everything 
else. 

How can the White Man confront these charges? 
As an Anglo-Saxon he cannot point to America and 
England today, and claim that spectacle as a justi- 
fication of his dominion. What is he to do? If a 
timid man, as the Paleface often is, all those vindic- 
tive pointing fingers will put him quite out of coun- 
tenance. 

Now I of course can find him the necessary argu- 
ments to dispose of lus passionate critics, and I am 
only too glad to, for his opponents are a stupid erew 
for the most pari —just ‘to amuse myself* I would 
help my Paleface. But all the same I recognize 
that Ins case is dangerously open to attack. 

Beyond this, as an artist I am convinced that all 
the very tinest plastic and pictorial work has come 
out of the Orient, and that Europeans have never 
understood the fundamental problems of art m the 
way the Indian, Persian, or Chinese have done. 
These hasty remarks will have served, nothing more, 
to define the nature of my disqualifications for the 
role of White deliverer. 


69 



Conclusion 


AS to the definition from the Institutes , 
/% quoted by Green, and all that deeper argu- 
1 % ment of a view of hfe m which the principle 
of the ‘common good 9 expands so that it includes 
all that we decide to recognize mystically* as possess- 
ing a spiritual essence, however remote in time and 
place, and as to the ‘notion that there is something 
due from every man to every man,’ 1 will hazard the 
following remarks, which will serve as a Conclusion 
to this introductory essay. 

In Rome what constituted ‘abnormality 9 was 
the being oil her a slave, a stranger or a minor (of 
whatever age) within the potestas of some head of a' 
family. A slave and, originally, a stranger, a ‘pere- 
grmus, 9 was legally a ‘thing,’ coming under the ‘jus 
quod ad res pert met. 9 The absolute legal roman 
\ persona was only enjoyed, I suppose, by the eldest 
male of a roman family. But originally the status 
of a non-Roman was as ‘abnormal 9 as that of a 
slave. All animals were naturally ‘things 9 — a lion 
in the forest or a wild bee was a ‘res nullius, 9 but a 
watch-dog or a sla\e was not "wild, 9 so could not be 
affected to another person than his owner by cap- 
ture — though if you felt like it you could acquire a 
lion, for it (as we still say) was a ‘thing 9 not en- 
tangled legally with a ‘person. 9 You would then 
become its unique entanglement, and it would cease 
to be wild, but would remain a thing. 

To be normal was to be free in the roman state, 
but it is now generally supposed that the ‘slave 9 in 

70 



CONCLUSION TO PART I 

Antiquity, although outside the law of persons, was 
nevertheless not treated as a tiling by his master to 
any greater extent than let us say a drapery assistant 
or a charwoman is treated as a thing. Th(; female 
slave, of an averagely humane roman citizen, did 
not call herself ip ‘lady’ but a ‘slave’; there prob- 
ably the difference ended. It is unlikely that there 
was any contemptuous disability attached to her 
state to compare with that of the Victorian ‘skivvy’ 
or ‘slavey.’ If the choice # Iay between being a 
‘slavey* and a ‘slave/ in fact, any rational person 
would prefer to be a \slave’ I should think— without 
ambiguity, sentimentality or, m a word, offence. 

What I am attempting to get at here is that very 
important factor of "sentimentality’ m the relations 
of human beings, especially as that applies to the 
wholesale reform of those relations, at present in 
progress all over t he world. It is the verbal problem, 
really; and the history of ‘sentiment’ is one of the 
survival of words, after the fact they symbolize has 
long vanished. It is possible under certain condi- 
tions to have a person as a slave in the most effective 
sense — to make him work himself to the bone, live 
upon crusts of bread, call you ‘sir’ or even ‘lord/ 
and be in short entirely at your disposal, and yet for 
you to have no legal right whatever over him, indeed 
for him technically to be ‘free and equal’ — even for 
you to be, ostensibly, his servant. We are all accus- 
tomed to this situation as illustrated in the expres- 
sion ‘servant of the Public,’ for instance. ‘Dictator- 
ship of the Proletariat’ affords another example. 
In such cases a minority governs a majority, often 
with an iron hand, either telling the majority that 

71 



PALEFACE 


it is its ‘servant/ or, in the other case, telling the 
majority or Proletariat that it, the Proletariat, is 
sovereign, paramount, and engaged' all the time in 
ruling f itself. These (and many similar instances 
will no doubt readily occur to you) are all matters 
simply of words : and what 1 am describing is of 
course the sort of government that we call today a 
‘democracy’ — eithef with elective representatives 
or with a small body of people who are kind enough 
to ‘dictate’ to it. But m all cases it is government 
by words. 1 

Everything that the word ‘democracy’ implies, 
however, wc get from l lie Romans and the Greeks. 
And in spite of the fact that all the circumstances of 
physical life and of our present society have suffered 
an absolute change, yet in our institutions we still 
perpetuate these ultimate distortions of a law 
framed for a political body in every respect different 
fiom our own. The roman body was compact and 
efficient, if nothing else, and is not to be despised. 
Bui either we should retrace our steps and acquire 
that body (which is impossible) or else adjust our 
laws for those vast, sprawling, dreamy polyp-organ- 
isms we call nations, but so that those laws will 
enable such degraded organisms to issue once more 
as a formal structure of some kmu, somewhat highoi 
than at present. 

If, again, wc cannot all be ‘free’ in the roman 
sense, or be ‘persons’ as were all Roman Citizcus, 
then should we use their words? It is impossible 
not to question the propriety of that : for not until 
we cease to call ourselves free shall we be able to 
recognize how unnecessarily servile w r e have be- 

72 



CONCLUSION TO PART I 

• 

come. The word ‘free’ is merely, as it were, a 
magical counter with which to enslave us, it is full 
of an electrical property that has been most male- 
ficent where the European or American is concerned. 

But beyond that I suggest that very few people 
can be ‘free’ unfier anv circumstances, or equally 
yoti may say that very few people can be ‘persons,’ 
still to crpploy the roman terminology, but in this 
case abstractly. It is the ‘democratic ’ conceit that 
is at fa hit, is it not? — it seems as though it were the 
love of fine words that has undone us, as much as 
anything. That is where the ‘sentimentality' 
comes m and plays its destructive part. (It is that 
‘lady’ in char-lady that has given us a false security 
and made us blind to the novel facts upon which 
, we must at last concentrate our gaze and recognize 
that we are beset.) If people managed to resist 
those verbal blandishments, they would, it is true, 
be sadder (at first) but also wiser. That is of course 
the ideal — to be wiser; anil no one can accuse me in 
this of indulging in a verbal blandishment with my 
w'ord ‘wise,’ for who on earth, in a general way, ever 
w r anted to be wise ? ‘ Free,’ yes : but never wise. 

But in saying that very few 7 men are able to be 
‘free,’ or very few to be ‘persons,’ one must I sup- 
pose be prepared for every hair upon the body of the 
true democrat (or doctrinaire of the dictatorship of 
Demos) to bristle. ‘Ah! that is very nice indeed, 
that is charming!’ he says: ‘in a nation of fifty 
million people there jjre to be a handful of “great” 
persons (according to your aristocratic plan and 
whatever you may mean by your mystic of the 
person ) — that is to say. at any one time, a statesman 

73 



PALEFACE 


or two, a poet or t\vo, a man of science or two, and 
so on, and no more. But what of the rest of the 
community? — where do they come # m? Are they 
not to f havc an equal share in the statecraft, art, 
science and all that constitutes a civilized state?’ 

In the first place the plan is, of course, not mine 
at all, but nature’s. ‘Nature’ has repeatedly been 
interrogated, often angrily, upon this very point — 
it is a burning question. Why does not nature pro- 
duce a dense mass of Shakespeares or Nektons or 
Pitts? That has been the idea; and mrians have 
been considered and plans worked out for assisting 
nature m this respect. But it is conceivable that 
nature after all may usually produce as many as are 
needed of these ‘persons,’ and that this ratio may be 
according to some organic law that wc arc too stupid, 
or too conceited to grasp. 

It is always possible that nature may not desire 
a structureless, horizontal jelly of a society, as does 
the modern democrat, but a more organic affair. 
A ‘moral situation,’ it may even be, does not enter 
into the comprehension of that legislator or creator 
which wc habitually call ‘nature.’ Just the correct 
number of Shakespeares, Newtons and the rest may 
have been regularly supplied to us, and overcrowd- 
ing at the top (a top and bottom being perhaps part 
of this hierarchical, non-moral, creative intention) 
have been guarded against. 

But wc will return from tins region of idle specula- 
tion to that of practical politics. It is not disputed 
by anybody that we have evolved a very mechanical 
type of life, as a result of the discovery of printing 
and its child, the Press — the Cinema. Radio and so 

74 



CONCLUSION TO TART I 

for Hi, and the immense advances in the technique 
of Industry. ^Thcre is much less differentiation now, 
that is, between the consciousness of the respective 
members of a geographical group, and between the 
various groups ^or peoples, than before machines 
made it possible for everyone io mould their miud 
upon the same cultural model /in the way that they 
all subject themselves to the emotional teaching of a 
series of{ilms, for instance*, alj over the surface of the 
globe). t 

The more fundamentally alike nations become, 
the more fiereelv ‘nationalist* is their temper: but 
also the more impersonal they grow (m the nature of 
things, m a more intensely organized routine of life), 
the more they talk of freedom, and of their ‘person- 
ality.’ 

Both these paradoxes of the present age are, I 
believe, the merest habits. There is very little sign 
that the majority of people desire to be ‘persons’ 
m any very important sense: their conversation 
about ‘developing their personality ’ is a sentimental 
habit, merely, it would seem. If they were cured 
of this habit nothing would ever be heard of their 
‘personality* again. But government on a demo- 
cratic pattern entails an insistence upon these myth- 
ical ‘personalities’ on the part of their rulers : so the 
habits remain and flourish. It is impossible to 
bring them up-to-date, for they arc too chrono- 
logically absurd to do that with. And the same 
system requires that some purely sentimental and 
unreal notion of ‘freedom’ should, at all costs, be 
sustained. (It is like the cry La Patrie est en danger! 
There w r as once a ‘country,’ that was culturally and 

75 



PALEFACE 


I 

racially intact, and* so susceptible of being put in 
‘danger’; and in consequence the martial cry still 
evokes a situation that is dead, and people flock to 
defend 'that grinning corpse or historical spectre.) 


Only a person can be susceptible of a right — that 
is not a roman law but, a universal one. Wlnt is ‘ due 
from every one to every one ’ (in the words of Green) 
is either (1) a merely sentimental cliche — and that is 
what it generally amounts to in contemporary demo- 
cracies ; or it is (2) an entirely non-scntimental com- 
pulsion — namely that that is due to merit, to per- 
sonal character or to personal ability. There is 
nothing else ‘due’ from one person to another. 

Another and more exact way of staling this would 
be to say — There is nothing ‘due’ at all from one 
person to another : but there are persons who attract, 
or compel, those services spoken of by Green, de- 
scribed by him as mysterious debts on account of 
which all truly moral men are constantly denying 
and impoverishing themselves (of the things of the 
mind as well as of the body — m order to be ‘the poor 
in spirit’) so that they may adequately render what 
‘is due from even one to every one.’ Bui this some- 
thing m fact is ‘due’ not because the object of it is 
‘human,’ nor because the skin m question is wrhitc 
or black: it is ‘due’ because m some way we re- 
cognize an entity with superior«claims to ours upon 
our order, kind or system : as I see the matter, that 
is the only ground for an obligation that exists. The 
sentimental, ort he moral, elements, have no part in it. 

76 



CONCLUSION TO PART I 

This obligation that all men aje under to personal 
power or to the vital principle that resides m persons, 
is apt to be bitterly resented. What the ‘puppet’ 
owes to the ‘person’ (to make use, as m the Art of 
Being Ruled , of Goethe’s terminology) is the cause of 
many heart-bur nrtigs and revolts, and is, where that 
is possible, withheld. This is the case more than 
ever wherp an aggravated ‘moral situation’ exists, 
as at present. Indeed a ‘moral situation ' is essen- 
tially a revolutionary situation, in the most frivolous 
sense, wlien for a time the unreal and purely senti- 
mental values, in a dissolving society, get the upper 
hand. The Power to whom the direction is being 
transferred dare not yet openly announce itself (this 
is, I suppose, somewhat the case m Russia), there is 

•only one Master-principle visible, above the surface, 
still ostensibly effective, and that is weak. So the 
puck flings itself upon it, and all for the moment is 
confusion. 

For what is the essence of a ‘moral situation’? 
It is of course, and always has been (since those day* 
when, to be the curse of the West, ‘morals’ were 
first invented), a situation in winch a society loses 
its organic structure and disintegrates into its indi- 
vidual components — into its millions of individual 
units. This may in itself be desirable ; but it natur- 
ally isolates or disconnects for the time all that is 
most powerful and exposes it to attack. As this 
society becomes, instead of an organic whole, a mass 
of minute individuals, under the guise of an Etluc 
there appears the Mystic of the Many, the cult of the 
cell, or the worship of the particle ; and Inc dogma 
of ‘ what is due from everybody to everybody ’ takes 

77 



PALEFACE 


the place of the natural law of what is due to char- 
acter, to creative genius, or to personal power, or 
even to their symbols. 

I do not need to point out how intense this mys- 
ticism of the Monad or ‘the Many’ has become, nor 
how it has resulted everywhere in Wholesale aggres- 
sion, aimed at anybody, either in the past or present, 
possessing those ‘great’ qualities to whigh ‘some- 
thing is due ’ from everybody. (The dail^j bchttle- 
ment of or the personal attacks upon, in books or in 
the Press, the ‘great men’ of our literary Pantheon 
is one of the obvious signs of this sansculottist tem- 
per.) It is almost as though the duty of the truly 
moral man was as much to destroy what he regards 
as ‘great’ (or possessed of the enjoyment of the 
powers and delights of the mind) as to deny himself 
such enjoyment: and a sentimental value for what 
is little or ineffective, or merely distant, or incom- 
prehensible, must be eagerly professed. * 


1 will now apply my&elf to the question of how we 
arc to define (1) a person; (2) the term ‘human’; 
and (3) the conception ‘the common good,’ those 
terms of critical importance that we have been up 
till now using without much definition. 

The idea ‘person’ I associate essentially with the 
idea of ‘organization.’ What wc could say was 
‘due’ to what is highly organize^! on the part of what 
is less highly organized — that is the principal char- 
acter of this obligation. If I were working this out 
more thoroughly here, I should have to go into the 

78 



CONCLUSION TO PART I 

question of how I understood this version of the law 
of persons and the law of things, insisting that in 
every case our fiuman Laws must be m the nature of 
a ‘law of things/ For it is upon that basis that I 
should naturally think of it. 

All that is ‘due*’ from one creature to another is, 
as f should describe it, m reality due to God, whose 
‘things’ vwe arc — onlv the fictions as it were of that 
Person.^ would be best for pie to recall here (since 
the existence of a spiritual power or God, or any 
reference even to that power, is involved for most 
people with the sickliness of some debased ethical 
code) the unsentimental nature of this obligation 
I am supposing to exist. And this character of 
compulsion, this intellectual character, applies as 
•much to what is fc duc’ to God, as to what is ‘due’ 
elsewhere: and what is exacted from us else- 
where is an expression merely of a more absolute 
dependence. 

So our dependence or our independence is, I 
should say, an organic phenomenon, a matter of 
concentrations and dispersions, which we familiarly 
regard as the ‘personal’ attributes, when they be- 
come highly concentrated. As to political inde- 
pendence, or political ‘freedom/ it has very little 
to do with personality, and so, in a fundamental 
sense, very little to do with independence. Political 
independence is the gift of a society, whereas inde- 
pendence of character, or the being a person, is a gift 
of nature, to put it shortly . That gift is held for our 
natural life, irrespe ctive of function. A person can 
only be ‘ free ’ m the degree m which he is a ‘ person ’ : 
and if the most potentially effective and the wisest 

79 



PALEFACE 


members of a given goeiety are obscured or rendered 
ineffective, then it can only mean that that society 
is about to perish, as an organism,* for it cannot 
survive in a condition in which what is most vital in 
it is obscured or not permitted to function. 


How it is that wc are able to say that only a person 
can be susceptible of &nght is because no sentimental 
value is attached here to the word ‘right ’ : because, 
in short, the law we are presupposing is a non-moral 
law. Every ethical system has those ‘rights,’ in- 
fested with sentiment: but such mere systematizing 
of expansion-impulses is not worthy of the name of 
law. 

Does being susceptible of a right mean anything 
else than being a creature who has recognized his 
willingness (or whose willingness is assumed) to 
abide by a set of rules, said to be for the ‘common 
good" of the community, and who so conies to form 
part of a certain social system? That is all that 
‘human’ meant for an early Roman or a Greek. A 
stranger was ‘abnormal,' susceptible of no rights, 
and no more 1 human ’ than a wild bee or a lion in 
the forest. — To be beneath the same law — that is to 
be ‘normal.’ and to lie c human’: let that be our 
definition. 

In the modern nation— and this is of course the 
case particularly with America— the working of this 
principle is very easy to follow. The ‘ Frenchman * 
as the ‘American " is a person beneath the same law as 
all other ‘Frenchmen* and ‘Americans’ — though he 

80 



CONCLUSION TO PART I 


may by birth and training be acliussian, who emi- 
grated upon the Revolution, a Spaniard or Italian, 
a Polish Jew or an African cx-slavc. ‘Human ’ in 
the same way is a term describing anybody beneath 
the same law as ourselves — it is a term of the same 
order as ‘American’ or as ‘Russian.’ 


• k 

But aty the natural leaders today in the White 
world arc strictly speaking outlaw's. They air in 
an ‘abnormal ’ position. (Some are intelligent enough 
to realize this, but others still believe that they arc* 
functioning, or that it is still possible to function, 
traditionally.) 

• I, for example, am an outlaw. I am conspicuous 
for im clear appreciation of that fact. 

What can I possibly mean by saving that the best 
individuals of the curopcan race arc outlaws? 1 
mean of course that we are now m the position of 
local tribal chiefs brought within a wider system, 
which has gathered and closed in around us: and 
that the tax t or tradition of our races wlucli it is our 
function to interpret, is being superseded by another 
and more universal norm, and that a new tradition 
is being born. (Of this more universal norm there 
areas yet no accredited interpreters — for the Soviet 
leaders arc too involved in opportunist polities to 
lay claim to that position. I am perhaps the nearest 
approach to a priest *>f the new' order.) 

The reason wt are outlaw's then is that there is no 
law to which w t c can appeal, upon w T hich w r c can rely, 
or that it is w r orth our w'hilo any longer to interpret, 

81 


v 



PALEFACE 


/ 

oven if we could. JVe, by birth the* natural leaders 
of the Whitt European, are people of no political 
or public consequence any more, quite natuially. 
Even, we are repudiated and hated because the law 
we represent has failed, not being as effective as it 
should have been or well-tlioughi-out at all, I am 
afraid ; having been foolishly and corruptly adminis- 
tered into the bargain. There is not one of us (ex- 
cept such a venerable and ineffective figure as Shaw, 
for instance) who is m a position of public Eminence; 
nor will a single one of us, who is wort lianyt lung, ever 
be allowed to attain to sueli a position. We, the 
natural leaders m the World we live in, are now 
private citizens in the fullest sense, and that World 
is, as far as the administration of its traditional law 
of life is concerned, leaderless. I T nder these circum- 
stances, its soul in a generation or so will be extinct, 
as a separate 1 unit it will cease to exist . It will have 
merged in a wider system. 

Speaking, simply m order to make quite clear 
what I mean, about myself, if I wore a politician, 
like Shaw, a man of platforms and cameras, I should 
be very disappointed in the face of this situation. 
But there are many reasons why ll suds me epute 
well to be deemed a public life, to be treated as a 
dangerous outlaw still to lilustrat' my argument 
by limans of personal statement: I elo not desire 
personal notoriety (anel that is really all that is at 
stake), I would rather slip a book I had written into 
the hands of the Public than \ would make a thou- 
sand speeches : my abilities, and my interests, again, 
do not he in the economic or the political field at all, 
but in that of the arts of expression, the library and 

82 



CONCLUSION TO PART I 


the theatre. But, far more important than any- 
thing else is the fact that I do not happen to regret 
the norm that is being superseded and rather lind 
my sympathies on the side of the more mmersal 
norm which is (a^ I see the situation) to take its 
place. 1 am a man of the ‘transition,’ wi none of 
us can help being that— T ha\e#io organic function 
m this society, naturally, since this society lias been 
pretty throughly dismantled and put out of com- 
mission; though, of course, if >011 ask me that, I 
would prefer a soeiety 111 wlneh I was beneath a 
law, wlneh I eoidd illustrate and mteipret. But 1 
have no desire to walk into the Past. 1 am content 
to think a world-law will be better than a huv for 
Tooting Bee, and politically speaking to leave the 
matter there. 

But these various circumstances tend to make me 
a sort of extremist : for since w hat we have lost was 
not absolutely to be despised, and should be bitterly 
regretted if nothing is put in its place as good as it ; 
and seeing liow T many chances there ahvays are that 
after wholesale destruction no one will ha\e the 
genius or the bonne volonlc even to do anything but 
batten upon the rums and call that the ‘New -world,’ 
1 am what is calle d a ‘ bitter ’ critic of all those symp- 
toms of the interregnum that suggest a compromise 
or a backsliding or a substitution of opportunist 
romantic policies (prepared to follow t very sinuosity 
of the landscape, rather than build spectacular 
escapes) for a policy of creative compulsion. 

The reasons, then, that 1 should give for not re- 
garding as a tragedy the fact of the personal eclipse 
of all that is most intelligent m the Western com- 

83 



PALEFACE 


munitics, and the filling apart of those communities 
m the mass (as they grope their way back to an un- 
consciousness), are as follows. Our political dis- 
organization is our own doing, is it not? it has been 
at our own hands, as socialists, liberals, radicals, or 
artists, and not at the hands of another and hostile 
organism, that we have been overcome: or it has 
come about through physical necessity, in’the person 
of our revolutionary Science, all terrestrial .societies 
being called upon to coalesce into a vastor unit — 
namely a world-society. If this can be effected with- 
out more violence and confusion than the human 
organism is able to endure, it should be the reverse 
of a misfortune, T think I am right in believing. 

But there are extremely few people m the Avorld 
at this moment who regard the situation m this' 
light. That is a very great pity and likely to in- 
volve a great deal of uolcnce and confusion. The 
remnants of our Western Governments, in the grip 
of a network of financial groups, or War and Trade 
Trusts, are behaving as though wo Avere called upon 
to revert to a super-feudalism and the Dark- Ages, 
and the Communists tend to play up to every gesture 
of violence and to allow their doctrine to be con- 
verted into a proletarian imperialism (this must be 
taken as nothing more than an impression of one 
not more informed than the next and merely judging 
from report). 

flow these remarks affect the questions to be can- 
vassed in Paleface is as follows. The anti-Paleface 
campaign has all the appearance of attacks upon a 
disintegrating oiganism, by some other intact and 
triumphant organism: it has very much too human 

84 



CONCLUSION TO PART I 


and personal a flavour. What seems to infply is 
that the White World is ‘finished/ that it is a cul- 
ture or political organism that is going to pieces 
under assaults from without and from within, 
quite on the traditional, historical. Decline and Fall 
pattern. And the Revolt of Asia, the Dari Pt meess , 
and such books, suggest that it is the "Coloured 
Races,* or m the non-European, telio have done it or 
are doing it, and arc to be the beneficiaries of a 
reversal <|f political power. That is whv the tact- 
less assaults of the Borzoi lug guns have to be 
checked and are certain m the end to cause a dis- 
turbance and make it worth somebody’s while to 
take up the cause of the ‘Paleface.’ That cham- 
pionship is a title that is going begging, 1ml for the 
. moment only. 

As good little revolutionaries, at all events, we 
Palefaces have to claim our revolutionary rights — 
that is mv message m Paleface. We ask nothing 
better than to go o\er into the reformed world 
order, am I not right? but we will not be pushed 
over, no, nor barked at as we go by the Big Borzois 
and other mongrels, or m short, march out to a 
chorus of Dark laughter. That, if I understand my 
fellow Palefaces, is the position. We arc somewhat 
touchy about the legend of our despotisms, this is 
as much our Revolution as anybody else’s. Indeed, 
it is wc who have made it possible. It is more ours, 
we can claim, than anybody clsc\>. The White 
component in the world-combination will be of 
exactly the same importance, as shown by the 
revolutionary- weighmg-in machine, as every other: 
but we will not be so gratuitously revolutionary as 

85 



PALEFACE 


to alfow the Paleface interest to weigh less that 
is the idea. Even a White revolutionary has his 
rights, that is rnv meaning in Paleface . But I nm 
‘purely and simply amusing myself/ as Paul would 
say. I have no official position, White, Ited or 
Black, nor do I covet one. 


America has been called the ‘ Melting- FoV — it is 
where more than anywhere else the world-state is 
being prepared, m a big preliminary olla podnda. I 
have called this book a Philosophy of the Melting- 
Pot: so theie is no occasion to explain how it is that 
America is the scene I have chosen for my mam 
illustrations. 

The outlaws like myself w ho arc preparing the new 
Law and the new Norm have a very heavy respon- 
sibility It is their business to detach themselves 
entirely from the specific interests of the human 
component or group from which they have come, 
whether Paleface, Negro, Indian or Jew. That i'* 
why you find me , m Paleface , m a position of defence 
where my poor downtiodden Paleface brothel is 
concerned. And because a certain short-sighted 
cockiness in the Paleface makes him sometimes 
scorn my assistance and causes him to be blind to 
the novel dangers of his situation, I do not for that 
reason abandon my impartial ministrations. 

The new Law will effectively take shape, it is very 
likely, in the continent of America, for the same 
reason that the metropolitan position of Rome 
caused the jus gentium to lx* developed practically 

8C 



CONCLl SION TO PART I 


th'T** her tin elsewhere, m^hc ordinary fcoursc 
of the d:i’ ! y routine of the Praetor Pcreginuis — In 
R.ane the magistral appointed to deal with the 
eases m which foreigners were invoked (and to 
whom the roman code was not applicable) was the 
Praetor Ptrcgrinfls. As Rome grt w in importance, 
foreigners trorn all quarters of the world made their 
appearance; and Hie Praetor Peregruuis had forced 
upon him what w s to some extent a constant exer- 
cise 4 in*<tpuiparativi jurisprudence. It would he 
*iisc Acred no uoubt aftei a tune that, underlying 
ilie respect * * ules of even the most widely separ- 
ated s ntes (v h bjetk the Praetor Peregrin us 
had h( (ore hmi; there was a sort of rough system 
common t<. all It was upon this nunc universal 
• \stcm » il sorted itself out in lus daily practice) 
ia P <<to»' lViegnnus would base lus judg- 

ig a* any decision involving a 
-t o one code and another, he would 

nnurahy •), it law that t xpmenee had show n 

him to he nl »re universal application. 

The mam pr >les of 1 lie jus gentium w r eie linaily 
incorporated m '»» roman system, which would 
benefit by acquiring a more universal applicability. 
The well-known though disputed identification by 
Sir Henry Maine of the jus gentium with the jus 
naiuralv ('jus naturale is jus gentium seen m the 
light of th< Stoic Philosophy') may serve to em- 
phasize still more the significance of this juristic 
evolution, consequent upon the meeting and traffick- 
ing of nations. 

We are in a world in w r hich we are all in some 
sense outlaw's, at the moment, for our traditions 

87 



PALEFACE 


have Sill been too sharply struck at and broken and 
no new tradition is j^et born. Some such process as 
occurred in the administration of thfc Praetor Pcre- 
grmus is occurring today in every quarter of the 
globe — there is no country that is not in that sense 
metropolitan. Meantime, we art, technically, in 
an ‘inhuman 9 situation. This is a very delicate 
position. It is nccdssary, I think, m consequence, 
to insist a little upon the essential (though imperfect) 
humanity of any ill-treated and threatened &roup — 
such, for instance, as the Palefaces — who so recently 
were 1 he rulers of the world, and who are, as a result, 
looked at somewhat askance, in the new dispensa- 
tion, and perhaps hustled, on occasion. 


As to the ‘common good, 9 what can be said briefly 
on Hint head, in connection with the things we are 
discussing, is as follows. 

No successful human society could be founded 
upon a notion of the ‘common good 9 which at- 
tempted to weigh out to everybody an equal amount 
and kind of ‘good. 9 The ‘pleasures of the mmd, 9 
for instance (which Green denied himself), cannot be 
equally distributed unless you have a community 
composed of standard minds, turned out according 
to some super-mechanical method. It is exactly 
that sort of regularity or quantitative fixity that it 
is necessary to avoid, for the sake of the mutual 
satisfaction of the members of*any social group. 

The ‘common good 9 can only mean organic ‘good, 9 
the functional 'good 9 belonging to some social 

88 



CONCLUSION TO PART I 


organism. There cannot be any ‘good’ comnton to 
an unorganized mob of ‘things.’ It is only when a 
mob of things *is organized, and has become pos- 
sessed of persons (interpreting and administering its 
laws and its tradition) that it can be said to have a 
‘common good.’ »A ‘common good’ is, m short, an 
expression of the law of ‘normal’ beings (m the jur- 
istic sense.of beings beneath a Common law), and it 
reduces itself, in the end, to the proper working of 
their paH’Cular law — where that law is healthy and 
effective, operating m a naturally dosed system. 

A society is formed, in the first instance, it might 
be said, by the secretion of some spiritual quiddity 
(which is the germ of the norm or law) by some 
single powerful family, or group of active families. 
Jt is this norm, a« it matures and acquires the strength 
of habit, that holds them together. From tilt start 
that norm is incarnated in the chiefs and leaders of 
the group, and becomes personal, as it were. It is 
to those leaders that everything is ‘due’ on the pari 
of the other members of the gioup. 

For Green, however, the ‘common good* would 
mean something entirely different from the laws of 
this organic complex of relationships. For him the 
‘good’ had become a (falsely) personal ‘good,’ and 
human society was conceived as a horizontal egal- 
itarian plane of equal and undifferentiated ‘persons.’ 
There were no ‘things’ in this world at all — except 
‘lower animals,' stones and trees. For him, as a 
typical ninctccnth-ccntury revolutionary moralist, 
until every man, woman and child (but especially 
every woman and child), m the entire world, had 
been accommodated with all the ‘pleasures of the 

89 



PALEFACE 

mind*’ of Plato, G*?en could know no peace. And 
(to turn from the pleasures of the mind of Plato to 
things about which there is at any time likely !o be 
more trouble) if one individual had a wireless set, or 
a Bentley or a Morris-Oxford, then everybody must 
have them — quite irrespective oPthc fact that it is 
evident to any fairly intelligent and observant 'per- 
son today that the possession of these machines is 
not spiritually of very great advantage to the aver- 
age man, and so such possessions can hajrdly be re- 
garded as eligible for a position among that aggregate 
of things we agree to call the ‘common good.’ 

The ‘common good’ can, then, only be defined, 
in a general way, as the law of any social organism. 
But perhaps any social organism is too sweeping: 
for a society can be so low in the vital scale that it is. 
incapable of realizing anything that can properly be 
described as a ‘good’ at all. Most of our Western 
democracies are rapidly reaching that biologic level. 
So it must be the law\ I think, of a fairly active and 
perpendicular--- a well-proportioned, elastic, orderly 
— society. — As for the indefinite expansion of the 
idea of the ‘good,’ or of the ‘human’ without limit 
of time or place — so that any number of units may 
be embraced by a law that is unique — there again 
the emotional or sentimental expansi venose of the 
protestant moralist seems to me to be at fault, and 
to provide for us, m place of a well-built society, an 
emotional chaos. That type of feeling must to my 
mind result m social ideas that are at once meta- 
physically impossible and foolish, or, from the stand- 
point of the engineer or the artisl , in structures that 
will be disgustingly unsatisfactory or else quite 

90 



CONCLUSION TO PART I 

meaningless — a sort of rainbow-bridge, of crude and 
stupid tint, stretched from nowhere to nowhere. 

I do not wish*to seem loo severe ot even perhaps a 
trifle roman, but I must pursue my analysis of this 
type of ethics a step further, for else the word 
‘human’ will be left up m the air, I am afraid, or 
get mixed up with Green’s lowest animals/ And 
yet the ‘ JSe suis Itomam — je suis liunimn’ of Maui- 
ras is a formula for the proveneal countryside — and 
a very g?od one — rather than for the american 
‘Melting-pot/ into which we all must slip (and, in 
my view, should slip, although I say so without any 
dogmatism). 

, Outside what would popularly be regarded as the 
‘human’ norm, he all the other forms of the animal 
•creation. In older to know what we really mean 
by * human/ we cannot escape considering that ir- 
rational world ; any more than in considering what 
appears on the face of it the ‘human’ world, can we 
help discriminating between the rational and the 
irrational. There* is no question but that a dog, for 
instance, of a charming character, is more worthy, 
m the abstract, of our interest and sympathy, than 
are very many men, both Paleface and Coloured. 
If you isolate that particular ‘lower animal, ’and that 
inferior man, then the animal is the more k human ’ — 
gentler, better, and more rational. To that pro- 
position, I am sme, I shall have* no difficulty in 
receiving your assent (although if the Borzois are 
listening, they no doybt will bark, for they will per- 
ceive that this might raise difficulties for them). 

A deer or a horse is a nobler creature physically, 
perhaps, than many men; and some individual 

91 



PALEFACE 


horses and deer would be superior spiritually to 
them. Yet those animals could not be said to come 
within a human canon, or to be themselves ‘human’ : 
and therefore there is nothing ‘due ’ from us to them 
or vice versa— or only a sentimental something, 
which is m its purest state thtft something that 
Green, or the primitive Christian, seizes upon, exag- 
gerates, transfers to men, and proceeds Jo convert 
into the peculiar property of man, calling it ‘love* 
and the ethical sense. But indeed it i$ most un- 
reasonable when the ‘lower animals’ are excluded 
from such ’ human ’ canons. 

Ethics as conceived by the author of the Pro- 
legomena 1o Ethics, whom I have chosen for my illus- 
trations m this essay, should be entirely confined, 
perhaps, to questions regarding our relations to 
animals, other than men. The science of Ethics 
altogether might find its true r61o in the regulation 
of such relationships. Dogs, horses, eats and cows 
arc the natural, and the true, clients of the moral 
philosopher, I believe. As such, the exercise of 
ethical emotions would give rise to very grave 
problems indeed : and they would involve questions 
very much more difficult to meet than those raised 
by the purely human variety of ethical speculation: 
we should immediuUly be confronted with the pro- 
blem of the pork-cliop and the mutton-cutlet, in 
fine, or of the draught-horse. And I need not point 
out to the reader possessed of an acute political eye 
what repercussions this newly demarcated ethical 
science would have in the world of revolutionary 
publics. Tn a flash everything would be m an 
uproar. 


92 



CONCLUSION TO PART I 

I believe the problem of the ‘mutton -cutlet ’"will 
yet come into it £ own, and become one of first-class 
political importance. — But of all neglected problems 
of that order, the Paleface problem is to my nimd 
the first on the list — if only because, m that instance, 
we ourselves are the mutton-chop. I am sorry to 
terminate this part of my cssqy upon this sordid 
animal no£c. 


9fi 




PART II 


PALEFACE 

* OK 

LOVE? YVIIAT1IO! SMELLI\£ STIi A \ OENKSS ’ 

I 

c There is something direct . brutal , and fine m 
the nature of l Incas . It is not quite an accident 
that in our games he is always t Ik* Indum, iclulc 
I am the despised White , the Paleface .' 

A Story 'Telle?' s Story . She? wood 
Anderson . 

1 1 7 cent ojten to the movie studios and watched 
Hit men and thi women at work. Children, play- 
ing with dreams — dreams of an hnoic kind of 
despeiado eon boy, doing good deeds at the busi- 
ness end of a gun— dreams oj an ever-virtuous 
womanhood walking amid x tee - American 
dreams — Anglo-Saxon dreams' — (Ibid.) 

4 The Indian way of consciousness is difjneni 
from and Jatal to our way of consciousness . 

Our way of consciousness is different pom and 
fatal to the Indian .' 

Mornings in Mexico. I). II. Lawrence. 

4 The consciousness of one branch of humanity 
is the anmhilaiioji oj the consciousness oj 
another branch. That is. the life oj the Indian, 
his stream of conscious being , is just death to 
the While man — (Ibid.) 




INTRODUCTION 


I N the following essay I quote very fully and 
examine at considerable length passages from 
Mr. D. H. Lawrence, Mr. Sherwood Anderson, 
and other writers using popular tjarratne to present 
ideas and Vven religions. That so much careful 
attention, should be given to artists in lietion, or to 
works written, it is felt, m the lirst instance, to 
amuse, may seem strange to some people. It is not 
usual to honour them in this way. Weic it the 
analysis of the conditions favourable to a virus, of 
some definite ‘ social problem ’ (wit h t he accompany - 
ing statistics, references to philosophic and socio- 
logical treatises, and so on), it would not appear at 
all strange to devote a great deal of space to a minute 
examination ol things that were in thcniscLes, pei- 
haps, not very important or interesting. 

What I wish to stress, then, is that these essays do 
not come under the head of 'literary criticism ’ 
They are written purely as investigations into con- 
temporary states of mind, as these are displayed for 
us by imaginative writers pretending to give us a 
picture of current life ‘as it is lived,’ but who in fact 
give us much more a picture of life as, according to 
them, it should be lived. In the process they slip in, 
or thrust in, an entire philosophy, wln< h they derive 
from more theoretic fields, and which is usually not 
at all the philosophy $>f the sort of people they por- 
tray. The whole of Paleface , in fact, deals with and 
is intended to set m relief the automatic processes 
by which the artist or the writer (a novelist or a poet) 

G 97 



PALEFACE 


obrains lus formularies: to show how the formulas 
lor lus progress are issued to him, how he gets them 
by post, and then applies them. 

According to present arrangements, in the pre- 
sence of nature the artist or w r ritcr is almost always 
aprionst, we suggest. Further, he tends to lose Ins 
powers of observation (which, through reliance upon 
external nature, in the classical ages gave him free- 
dom) altogether. Yet observation must be the only 
guarantee of Ins usefulness, as much as of his inde- 
pendence. So he takes Ins nature, m piacticc, from 
theoretic lields, and resigns himself to s< e only what 
conforms to his syllabus of patterns, lie deals with 
the raw life, thinks he sees arabesques in it ; but m 
fact the arabesques that lie 1 secs more often than not 
emanate from lus theoretic borrowing, lie has put 
t hem there. It is a naturc-for-techmcal-purposcs of 
which lie is conscious. Scared} anj longer can he 
be said to control or be even in touch with the raw 
at all, that is the same as saving he is not in touch 
with nature • he rather dredges and excavates things 
that are not objects of direct perception, with a 
science he has borrowed ; or, upon the surface, ob- 
serves only according to a system of opinion which 
hides from him any but a highly selective reality. 

The mere fact- with the artet or interpreter of 
nature — that lus material is living, exposes him to 
the temptation of a drowsy enthusiasm for paradox, 
since ‘life’ is paradox (sprinkled over a process of 
digestive sloth), and all men live, actually, upon the 
amusement of surprise. fc What man is this who 
arrives? A beautiful, a wonderful stranger!’ they 
say and all strangers are wonderful or beautiful. 

08 



INTRODUCTION TO PART II 

‘ What will the day bring forth ? f There will be some 
pleasant novelty* at least of that we can be certain ! 
— a novelty with whose appearance we have had 
nothing to do.’ ‘Life’ is nof-knowing: it is the 
surprise packet : so, essentially unsoloctivc, if nature 
can be so arranged as to yield him as it wen a system 
of surprises, the artist will searccjjv take the trouble 
to look bclfind them, to detect the principle of their 
occurrence, or to refleet that for ‘surprises,' for the 
direct life of nature, they are a little over-dramatic 
and particularly pat. So he automatically applies 
the accepted formula to nature; the corresponding 
accident manifests itself, like a djinn, always with 
an imposing clatter (since it is a highly selective 
‘acctdc lit ’ that undci stands its part): and the artist 
1 s perfectly satisfied that nature lias spoken. He 
does not see at all that ‘nature’ is no longer there. 

You are merely describing, you may say r , the fam- 
ous ‘subjective 9 ehaiaeter of this time, in your own 
way and a little paradoxically. If I could surprise 
anybody into examining with a purged and renewed 
sense what is taken so much for granted, namely our 
subjecti\ity T ’ — though who or what is the subject 
or Subject? — 1 should have justilied any method 
whatever. But I am anxious to capture the atten- 
tion of the reader in a way r to which he is less accus- 
tomed, a less paradoxical way. 

In Western countries the Eighteenth -century man 
and the Puritan man are perhaps the most marked 
types that survrvc, disguised of course in all sorts 
of manners, and differently combined. We have 
learnt to live upon a diet of pure ‘fun,’ we are sensa- 
tionalist to the marrow. Ours is a kind of Wembley- 

09 



PALEFACE 

life of raree-showsj of switchbacks and watershoots. 
We observe the gleeful oyc of Mr. jBertrand Russell 
as he appears suspended for a moment above some 
formal logical precipice. Or there is Mr. Roger Fry 
in the company of his friend, Mr. Bell, sustaining 
delightedly shock after shock trom the handles of 
some electric machine, or m oilier words from the 
unceremonious wgour of some painting which, 
charged with a strange zeal, outrages in tprn all the 
traditional principles of his English training and his 
essential respectability. Then there arc the round- 
abouts for the Peter Pan chorus, swings for exhibi- 
tionists, mantle grottoes and the lecture-tents of the 
gymnosophists. Oh it is a wild life that wc live in 
the near West, between one apocalypse and another! 
And the far West is much the same, wc are told, hi 
a word, we have lost our sense of reality. So wc 
return to the central problem of our ‘subjectivity,’ 
which is what wc have m the place of our lost sense, 
and which is the name by which our condition goes. 

Elsewhere I have described this in its great lines 
as the transition from a 'public to a piivate way of 
thinking and feeling. The great industrial machine 
has removed from the individual life all responsi- 
bility. For an individual business adventurer to 
succeed as lie could in the first days of industrial 
expansion, will to-morrow be impossible. It is 
evidently m these conditions that you must look for 
the solid ground of our ‘subjective’ fashions. The 
obvious historic analogy is to^be found in the Greek 
political decadence. Stoic and other philosophies 
set out to provide the individual with a complete 
substitute for the great public and civic ideal of the 

100 



INTRODUCTION TO PART II 


happiest days of Greek freedom : *with their thoQght 
we are quite at home. I will lake the account of 
these circumstances to be lound m Cairtl. 

‘Even in the time of Aristotle a great ehangt 
was passing o\ er the public life of Greece, by which 
all its ethical traditions weie discredited . . . Ii> 
till* victories of Philip and Alexander the city states 
of Grocer were reduced to the frank of subordinate 
municipalities m a great military empire, and, 
under t[ie dynasties founded by Alexander’s 
generals, they became the plaything and the pnze 
of a conflict between gi eater powers, which they 
could not substantially influence ... we may 
fairly saj that it was at tins period that the diu- 
sion between public and private life, which is so 
, familiar to us but w as so unfamiliar to the Greeks, 
was iirst dctisn cly established as a fact. A private 
non -pohl leal life became now, not the exception, 
but the rule, not the abnormal choice ol a few 
recalcitrant spirits, like Diogenes or Aristippus, 
but the inevitable lot of the great mass of man- 
kind. The* individual, no longer finding Ins happi- 
ness or misery closely associated with that of a 
community . . . was thrown back upon lm own 
resources. . What Rome did was practical!} 
to pulverize the old societies, reducing them to a 
collection of individuals, and then to hold them 
together by an external organization, military and 
legal ... its effect (that of roman power) was 
rather to level and disintegrate than to draw' men 
together .’ — (Evol %f Theology.) 

There is not much resemblance, outwardly, be- 

101 



PALEFACE 


tw£6n the pulverization by one central power, sucli 
as that of Rome, and the pulverization of our social 
and intellectual life that is being effected by general 
industrial conditions all over the world. But there 
is, in the nature of things, the same oppressive re- 
moval of all personal outlet (sufficiently significant 
to satisfy a full-blooded business or political Ambi- 
tion) m a great public life of indnulual enterprise: 
and, in the West, at the same time, through the 
agency of Science, all our standards of "existence 
have been discredited. Many people protest against 
such an interpretation of what has happened to us 
in Europe and America* they do not see that it has 
happened, they say that at most ‘there may be a 
danger of’ it: vet every detail of the life of any 
individual you choose to take, in almost any career, 
testifies to its correctness. 

As to what is at the bottom of this immense and 
radical translation from a free public life, on the one 
hand, to a powerless, unsatisfying, circumscribed 
private life on the other, with that we are not here 
especially occupied. But, the answer lies entirely, 
on the physical side, with the spectacular growth 
of Science, and its child. Industry. The East is 
in process of being revolutionized, however, in 
t lie same manner as the West T ct me quote Mr. 
Russell: 

‘The kmd of difference that Newton has made 
to the world is more easily appreciated where a 
Newtonian civilization is brought into sharp con- 
trast with a pro- scientific culture, as for example, 
m modern China. The ferment m that country 
is the inevitable outcome of the arrival of Newton 


102 



INTRODUCTION TO PART II 


upon its shores. ... If Newtctn had never liwd, 
the civilization of China would have remained un- 
disturbed, and I suggest that v r e ourselves should 
be little different from what we were in the middle 
of the eighteenth century.’ — (ltadto Times , April 
8th. 1028.) • 

If you substitute Science for NeA'ton (for if Newton 
‘had never lived’ somebody else would) that ex- 
plains our condition. We have been thrown back 
wholesale from the external, the public world, by 
the successive waves of the ‘Nevvlonian’ innovation, 
and been driven down into our primitive private 
mental ca\cs, of the unconscious and I he primitive. 
We are the cave- men of the new mental wilderness. 
That is the description, and the history of our par- 
ticular ‘subjectivity.’ 

In the arts of formal expression, a ‘dark night of 
the soul’ is settling down. A kind of mental lan- 
guage is m process of invention, flouting and ovei- 
ruling the larynx and the tongue Y<t an art that 
is ‘subjective’ and can look to no common factors 
of knowledge or feeling, and lean on no tradition, is 
exposed to the necessity, lirst of all, of instructing 
itself far more profoundly a> to the origins ol its im- 
pulses and the nature and history of the formulas 
with which it works; 01 else it is committed to be- 
coming a zealous parrot of systems and judgments 
that reach it from the unknown. In the latter cast* 
m (dfeet what it does is to bestow authority upon a 
hypothetic something 01 someone it has never seen, 
and would be at a loss to describe (since m the ‘sub- 
jective’ there is no common and visible nature), and 

103 



PALEFACE 


progressively to su! render its faculty of observation, 
and so sever itself from the external field of im- 
mediate truth or belief — for the Anly meaning of 
‘nature’ is a nature possessed m common. And 
that is what now lias happened to many artists: they 
pretend to be their own authority, but they are not 
even that 

It would not be # easv to exaggerate the naivete 
with which the average artist or \mtcr to-day, de- 
prived of all central authority, body of knowledge, 
tradition, or commonly accepted system of nature, 
accepts what he receives m place of those things. 
He is usually as innocent of any saving scepticism, 
even of the most elementary sort, where his subject- 
ively-possessed machinery is concerned, as the most 
secluded and dullest peasant abashed with metro r 
politan novelties; only, unlike the peasant, he has 
no saving slirew r dness even: and this is all the more 
peculiar (and therefore not generally noticed, or if 
recognized, not easily credited) because he is phy- 
sically m the \ cry centre of things, and so, it 
w r ould be supposed, ‘knowing,’ and predisposed to 
doubt. 

Listen attentively to auy conversation at a cafe 
or a tea-table, or any place where students or artists 
collect and exchange ideas or listen to one rising — 
or equally a risen — wTiter or artist talking to another 
— from this theie are very few people that you w T ill 
have to except: it 1* astonishing how% m all the 
heated dogmatical arguments, you will never find 
them calling m question the vfcry basis upon w r hich 
the v moveinent’ they are advocating rests. They 
are never so 1 radical ’ as that. Not that the direo- 


104 



INTRODUCTION TO PART II 

tion they are taking may not b% the right one, but 
they have not the least consciousness, if so, why it 
is right, or of the many alternatives open to them. 
The authority of fashion is absolute in such cases: 
whatever has by some means introduced itself 
and gamed a wide crowd-acceptance foi sav two 
years and a half, is, itself, unassailable. Its appli- 
cation, oi*ly, presents alternatives. The world of 
fashion for them is as solid and unquestionable as 
that large stone against which Johnson hit his foot, 
to confute the Bishop of Cloyne. For them the 
tune-world has become ail absolute, as it ha^ lor the 
philosopher m the background, feeding them with a 
hollow assurance. 

But this suggestionabihty, directed to other 
objects, is shown everywhere by the crowd. The 
confusion would be more intense than it is, 
even, if everv small practitioner of art or letteis 
started examining, m a dissatisfied and critical 
spirit, everything at all, you might at this point 
object. And, if that is the case, why attempt 
to sow distrust of the very ground on winch 
they stand, among a herd of happy and ignorant 
technicians entranced, not with ‘mind,’ but with 
‘subjectivity*? Was not the man-of-science of 
thirty years ago, m undisturbed possession of all 
his assumptions as regards the 'reality' he handled 
so effectively, happier and brighter, and so perhaps 
more useful than las more sceptical successor toda\ ? 

This argument would carry more weight, if the 
opinions to which it deferred were not so fanatically 
held. It is very difficult to generalize like that: 
sometimes it is a good thing to interfere with a som- 

105 



PALEFACE 


nambulisl and of course sometimes not. You have 
to use your judgment. The kind of screen that is 
being built up between the reality and us, the ‘dark 
mglil of the soul 5 into which each individual is 
relapsing, the intellectual shoddiness of so much of 
the thought responsible for the ifrtisCs reality, or 
‘nature’ today, all these things seem to point to* the 
desirability of a ncV and if necessary shattering 
criticism of ‘modernity/ as it stands at present. 
Having got so far, again, we must sustain pur revolu- 
tionary impulse. It is an unenterprising thought 
indeed that would accept all that the ‘Newtonian 5 
civilization of science has thrust upon our unhappy 
world, simply because it once had been different 
from something else, and promised ‘progress/ though 
no advantage so far lias been seen to ensue from its, 
propagation for an v of us, except that the last vestiges 
of a few superb civilizations are being stamped out, 
and a million sheep’s-heads, m London, can sit 
and listen to the distant bellowing of Mussolini; or 
in situations so widely separated as Wigan and 
Brighton, listen simultaneously to the bellowing of 
Dame Clara Butt. It is too much to ask us to 
accept these privileges as substitutes for the art of 
Sung or the- philosophy of Greece. — It is as a result 
of such considerations a* th'^e f hnf n now revolution 
is already on loot, making its appearance first under 
the aspect of a violtnt reaction, at last to biing a 
steady and growing mass of criticism to bear upon 
t hose innovations t hat Mr. Russell would term ‘ Ncw- 
toman/ and question their rijfht to land upou the 
shores of China, and do there what they are said to 
be doing. 


100 



INTRODUCTION TO PART II 

In the arts of formal expression tins new impulse 
has already made its appearance But the deep 
eclipse of the exlreme ignorance in w Inch most tech- 
nical giants repose, makes the pointing of the new 
day, m those places, very slow and uncertain. — 
Really the average of our artists and writeis could 
be regarded under the figure of nvmphs, who all are 
ravished periodically by a paiftheon of unknown 
gods, who appear to them lirst m oik form then in 
another. These arc evidently d< lties w ho speak m 
a scientific canting and abstract dialect, mainh, m 
the moment of the supreme embrace, to these hoi 
and boLhercd rapt, intelligences: and all the rather 
hybrid creations that ensue lisp m the accents of 
science as well. But is it one god, assuming many 
different lorms, or is it a plurality of disconnected 
celestial adventurers? That is a disputed point 
but I incline to the belief that one god only is 
responsible for these various escapades. That is 
immaterial, however, for if it is not one, then 
it is a colony of beings very much resembling one* 
another. 

So then, before discussing at all the pros and cons 
of the ‘subjective’ fashion, it is necessary to recog- 
nize that it is not to the concrete material of art that 
w T e must go for our argument : that is riddled with 
contradict orv assumptions. Most dogmatically ‘sub- 
jective,’ tclling-froni-thc-mside, fashionable method 
— ■whatever cist it may be and whether ‘well-found* 
or not — is ultimately discovered to he bad philo- 
sophy -that is to sav # it takes its oiders fiom second- 
rate philosophic dogma. Can art that is a reflec- 
tion of bad philosophy lie good art? I should say 

107 



PALEFACE 


that you could make good ait out of almost any- 
thing, whether good or bad from the standpoint 
of right reason. But under these circumstances 
there is, it follows, no objection to the source being 
a rational one: for reason never did any harm to 
art, even if it n< ver did it any gnfcd. And m other 
respects wo are all highly interested in the success 
of reason. ' * 

But if, politically and socially, men are today 
fated to a ‘subjective’ iole, and driven inside their 
private, mental eaves, how can art be anything but 
‘subjective,’ too? Is externality of any sort pos- 
sible, for us* Are not v\e of necessity confined to a 
mental world of the subconscious, m which wo natur- 
ally sink back to a more primitive level; and hence 
our ‘ primitivism, ’ too? Our lives cannot be de- 
scribed in terms of action — externally that is — be- 
cause we never truly uct. We have no common 
world into which we project ourselves and recognize 
what we see there as symbols of our fullest powers. 
To those questions w r c now in due course would be 
led: but what here 1 have been trying to show is 
that lirst of all much more attention should be given 
to the intellectual principles that are behind the 
work ol art: that to sustain the pretensions of a 
considerable innovation a work must be surer than 
it usually is to-day of its formal parentage: that 
nothing that is unsatisfactory m the result should 
be passed over, but should be asked to account for 
itself in the abstract terms that are behind its phe- 
nomenal face. And I have suggested that many 
subjective fashions, not plastically or formally very 
satisfactory, would become completely discredited 

108 



INTRODUCTION TO PART II 

if it were clearly explained upon what flimsy theories 
they are in fact built : what bad philosophy, m short, 
has almost everywhere been lesponsible for the bad 
art. 

My main object in Pair face has been to place m 
the hands of the readers of imaginative literature, 
and also of that very eonsideiable literal ure directed 
to popularizing scientific and philosophic notions, 
in language as clear and direct as possible, a sort of 
key ; so that, with its aid, they ma\ be able to read 
any work of art ptcscnlcd to them, and, resisting the 
skilful blandishments of the lictiomst, reject this 
plausible ‘life’ that often is not life, and understand 
the ideologic or philosophical basis of these confus- 
ing entertainments, where so many false ideasehang* 
hands or change heads. As it is, the populanzer is 
generally approached with the eyes firmly shut and 
the mouth wide open. And the fiction in its \cr\ 
nature takes with it the authority of life — people 
live it, as it were, as they read: so it is able to pass 
off as Ira e almost anything. The often \ ery elabor- 
ate philosophy expressed in this sensational form 
very often not only misrepresents the empirical 
reality, but misstates the truth. 

I dignify this critical work with the title of .system* 
because as literature stands today, it m reality 
amounts to that. It is a system that will enable 
any fairly intelligent man, once he opens his mind to 
it, and seizes its mam principles, to read under an 
entirely new light almost everything that is w r ntten 
at the present time! Works of sociology, fiction, 
history, philosophy, claiming to be on the one hand 
conceived ‘objectively,’ according to the non-human 

109 



PALEFACE 

methods of ideal Science, will be found on close in- 
spection, 11 l most instances, to be All-too-Human, 
and to be serving ends anything but scientific; and, 
in another class, works of fiction claiming only to be 
ingenuous works of art , will be found to be saturated 
with political doctrine, or with attitudes of mind 
imposed upon the Many in I he first place not by 
pure pleasure experts, anxious only to ‘excite the 
palate of their clients, but by political experts, de- 
vising means of ruling people by working on their 
senses and emotions. 

In order of course to employ this system effec- 
tively the reader must acquaint himself with many 
things of a sort that do not come Ins way in the 
ordinary course of life, lie must accustom himself 
to regarding the means by which people arc ruled 
today as very much more shrewd and elaborate 
than is generally believed. He must entirely dis- 
eard all the notions of the essential brute stupidity 
of ‘powci’ that foimerly sometimes would have 
applied in Europe, but certainly docs not at present. 
If he finds it dillicult lo believe that he is ruled with 
such a ‘ruthless’ cleverness, let him study for a 
moment the highly ‘psychological’ methods by 
which the Soviet rules its subjects. The Soviet do 
their ruling m public, indeed: they explain and 
explain, as did the german theoreticians of war: 
there is no excuse, therefore, for any one to-day not 
to be au courant with the way that he is likely to be 
ruled. For lie can be sure that those open professors 
of intrigue and heid-hypnotism are not the only 
practitioners at work. Those who do not publish 
daily accounts of how they reach their ends are at 

110 



INTRODUCTION TO PART II 

least likely enough to be not less clever than those 
who do. 

In the following pages, then, it is my intention to 
squeeze out all the essential meaning that there is in 
the works I select, and to lea\e only the purely 
literary or artist a* shells. Thai the Public, at the 
present moment, should lurv e that essential matter 
isolated for it, seems to me of very great importance. 

Again, Mr. D. II, Lawrence, an english writer, 
supplies th£ most important e\idenee in the re\iew 
of the contemporary amcrican 1 consciousness/ But, 
first of all, many american and english books aie 
read almost equally on both sides of the Atlantic; 
Sinclair Lewis is as much at home* here m England 
as he is m America, and Mr. Law r rence is, I believe, 
more widely read in the United States than m Eng- 
land. Jlis name is invariably associated, in America, 
with that of Sherwood Anderson. In the 1025 
Amencami of Mr. Mencken a seorntul Midtile West 
rcvicw r er refers to "Sherwood Lawrence/ as though 
that composite name covered one person. So my 
choice of Lawrence is explained. A further reason, 
liowe\cr, is that his Morning* in Mexico reveals the 
true aim of Sherwood Anderson and others of his 
school better rh-m they ha\c, to my knowledge, so 
far revealed themselves. This docs not mean that 
Mr. Lawrence is better qualilied to express what 
they all equally wibli to say. it happens, only, that 
he has provided, in Ins book, an ideal material for 
such an analysis as the present one. 

There is one more j/oint. No criticism of America 
as a whole is involved m my choosing, m this in- 
stance, amcrican writers. America appears to me 

111 



PALEFACE # 

much stronger ancl more admirable than those of 
her writers who are most prominent m criticizing 
her, and who for a longtime have been busy attempt- 
ing to convert the essential American to something 
that would be far less effective or desirable than 
what at present lie still is. Also these writers are 
committed to a policy of dm mg him into a position 
that would be a much less env iable one than that he 
occupies at present. This situation, with .the ‘Com- 
ing of Age of America,' is changing, but it is unlikely 
that menckemsm will be dropped, and if it is suc- 
ceeded by a mere jingoism, its effects will remain, 
not far beneath the surface. 

It is my sense of the immense importance of 
America to the Western World thal has impelled me 
to scrutinize the inmd of contemporary America, as 
displayed in some of her most influential writers. 
My admiration for that very forcible* publicist, Mr. 
Mencken, is not in contradiction with that. Mencken 
was absolutely necessary to destroy the sclf-com- 
placency that w'ell-being must bring. Also he has 
been of enormous use, no doubt, m cutting off the 
American from Ins self-indulgent, comfortable Past, 
which is no longer actual today. That Past had 
to be evacuated, the* anglo-saxon romanticism had 
to be knocked out of Americans, or out of the Eng- 
lish, by somebody. But it is no doubt true, as most 
of the writers of the* reaction sec today, that such 
a critic as Mencken, become an institution, should 
he dissuaded from philosophizing, as it were, his 
function. 


112 



Section I 


ROMANTICISM AND COMPLEXES 

§ 1. The Paleface 7 arrives the Dubious Present of an 
''Inferiority Complex' 

once proud, boastful* super-optimistic 
I American of the United States lias become 
M just a # White k man-m-the-slreef 5 with a pro- 
nounced ‘inferiority complex.’ (I speak of the edu- 
cated, or book-reading, American.) This lact, or 
something like it, is patent to anybody who has 
followed american thought of laic and had oppor- 
tunities of inciting a good many Americans. 

‘Never glad confident morning again* — for the 
Ameiican of the United States. This, most Euro- 
peans would here exclaim, is a change for the better. 
— Wliat I propose to consider is the first cause or 
causes of this transformation : and if it is, in reality, 
a change for the better or not, as it affects America, 
and as it affects us, m Hie other parts of the anglo- 
saxon World. 1 will take the last point first. 

The toning-down of the American is coeval, I sup- 
pose, to give it a lairly exact convenient date, with 
the activities of Mr. Mencken. 1 do not of corn sc 
mean that this great transformation has been effected 
by the editor of the American Mercury . But the 
Americana of that writer is not calculated to inspire 
a very acuti sense of self-respect in the american 
bosom: and certainly attacks by Mr. Mencken upon 
the traditional american conceit must have been 
a powerful factor in bringing to the surface this 

h 113 



PALEFACE 


gradual sensation of insecurity, the habit of self- 
criticism, the dissatisfaction, to which I am alluding. 
At the present moment this has grown, it would 
seem, into what is actually an ‘inferiority complex.’ 
Or that is how the situation presents itself to me. 

That the influence of Mr. Mencken, both in his 
own writings and through his disciple Mr. Sinclair 
Lewis, is of a popular, rather than an intellectual, 
order is true. But we are concerned he^e with the 
wider general discouragement and disiJhision of the 
large book-reading mass of a prosperous modern 
democracy : so that docs not affect our statement. 


§ 2. White Hopes with a * Complex .’ 

There is among t lie younger writers a powerful 
movement to amerieanize. The tendency is to 
isolate America from Europe, and to produce an art 
that shall be starkly american , for the Americans. 
Tins, at the present time, finds expression in numer- 
ous attempts in the literary field, at all events, to 
depict essential phases of american life. The scene 
usually chosen is that part of the United States that 
is least affected by the more recent european im- 
migration, and t here fore most american, in the old 
sense 

Mencken, 1 should say, means very little to the 1 
people engaged in these latter activities. As a 
publicist who ten, or five, years ago shook things up, 
and who at all times has used lus influence to get a 
good book read and so prepared the way for the 
present more intelligent standards, they would 
respect him. But as a political publicist lie would 

lit 



WHITE HOPES WITH A ‘COMPLEX’ 

not interest them. These are, as it were, the m- 
tellectualist Wljitc Hopes. But they are White 
Hopes who have passed through very dark barrages 
of disillusioned thought; and the character of all 
they do will bear traces, I think, of the rough hand- 
ling thc\ have rccAved. They are White Hopes with 
a complex ; or White Hopes composed of many com- 
plexes. A?s such the more far-sighted literary fans 
will, no doubt, think twice before putting their 
money on them. This is a general statement, with- 
out reference to any particular writers. 

But more than that, m its search for the savage 
and the primitive (resulting usually m rather arti- 
ficial romantic constructions) this movement has a 
philosophy which is scarcely that of the superb 
natural physical vigour (innocent of expedients to 
look strong, or to terrorize with exhibitions of vio- 
lence, innocent also of an intensive and romantically 
overheated stx-philosophy) of the early, purely curo- 
pean, American. It has all over it the stigmata of 
the neo-barbarism of the post-war gilded rabble, of 
cafe, studio and counting-house. And the neo- 
barbansm, so elaborate and sophisticated, is euro - 
peart — not anything that can be called ‘American,’ 
m origin. It is of the Bitzcs and Carltons, of the 
Cote d’Azur, of the luxurious vulgar philistine 
bohemian ism of the european cities. Greenwich 
Village today, without drink, is a dirty neglected 
and empty slum. It is to prosperous bohemian 
Europe you must look for the necessary mise cn 
scene of this philosojfliy. 

The pan-amencan movement, then, so excellent 
as a direction, so far, except in a few cases, does not 

115 



PALEFACE 

seem to have emancipated itself from the essential 
curopean post-war decay. However much it buries 
its head in the lawny sands, or super-rich and fat 
Zolaesque red loam, of Arizona, Indiana, or Ohio, 
its bottom (so to speak) — its tell-tale ecstatically 
wriggling back-side, remains m the Cafe du Dome, 
Montparnasse. And there is no true bridge between 
the primitive America it is sought to resuscitate and 
the Cafe du Dome. Glance into the Dome, any one 
who questions this, and who happens to be m Pans. 
You would think you were m a League of Nations 
beset by a Zionist delegation, in a movie studio, m 
Moscow, Broadway, or e\ en Zion itself , an ywhere but 
in the mythical watertight America of the present 
reaction, whatever that pm sang America may be 
worth as an idea, and it seems to me a good one. 

These suggestions I allow myself to make very 
much under correction, however: and that anyway 
is not the subject of mv essay, except indirectly. 
It had to be alluded to to obtain an accurate per- 
spective for the satire of Mencken — Lew is — Nathan. 


§ 3 The opposite ' Supei tonlp Complex' thrust at the 
same Him upon the U mailing Black. 

Anything that affects the general mind, however, 
m the w T ay that the attacks of Mencken have, does 
also, without their knowing it, usually influence the 
intellectuals. Such a man as Shcrwnod Anderson, 
for instance (who, in Ins turn. w r as the originator of 
the Amcnca-purr school), has been very much in- 
fluenced by all those waves of opinion and sugges- 
tion militating against the American believing in 

116 



THE ‘SUPERIORITY COMPLEX * 

himself quite as firmly as formerly he did, and so 
against this dre^m of a watertight America. What 
I shall have subsequently to say with regard to the 
books of Sherwood Anderson will, I think, make this 
aspect of the matter very much clearer. Ambition 
of that sort should certainly be made oi sterner stuff 
than such^as Anderson is able to supply. 

It would not be an exaggeration, m consequence, 
to say tltfit Americana is making a present to the 
White American of a formidable and full-fledged 
‘inferiority complex,* that is, in so far as lie is the 
w r idely-advcrtised, popular focus of all the dis- 
illusioned thought of the post-war Western mind in 
the United States. 

Parallel with this, many writers of anicncan 
nationality are busy providing the Negro, the 
Mexican Indian, the Asiatic Settler, and indeed any- 
body and evervbdv who is not a pur sang White, of 
the original american-curopean stock, with a ‘superi- 
ority complex.’ This in some eases is not an easy 
matter. The American Negro, for instance, is 
difficult to galvanize into pride of that sort, and is 
apt to remain obstinately ‘inferior.’ Similarly, the 
Kaffir requires a good deal ol hard pumping before 
he swells into an aggressive race-class warrior ready 
to scorn, bare his teeth and drive out, the White. 
But still the good work goes on. The almost de- 
mented energy and ingenuity on tin* part of the 
pumpers is one of the most curious features of these 
unique events. All this is of course the complement 
of the other little present — that of the ‘inferiority 
complex.’ A mechanical reversal is in progress, or 
promises (if that is how you look at it) to occur. 

117 



PALEFACE 


§ 4. The Nature of Mr. Mencken's Responsibility. 

At this pom l I had better make clear what I sup- 
pose is Mr. Mencken’s position in this racial turning 
of the tables, and that of those associated with him 
in these revolutionary enterprises. Mr. Mencken, 
let us sav, beeame^more and more impressed with 
the futility of the machinery of Democracy, which 
lie was able to observe in full and indecent operation 
all round him, m the rich and exaggerated amencan 
scene. It showed itself capable of idiocies of un- 
equalled dimensions. The Poor White showed how 
unable he was to defend himself against his inter- 
fering rulers, of whatever shade of race or politics. 
The Rich White was not a specially high type of 
magnate, and lie manipulated his power with a sickly 
unction of cordiality and righteousness that gave the 
intelligent amencan patriot (such as Mr. Mencken) 
a violent nausea, and every sort of misgiving for the 
future of amencan life. This violent nausea trans- 
lated itself into violent acts of criticism and persi- 
flage. The more truly patriotic, the more disgusted 
he would be. 

I am not acquainted with Mr. Mencken; but that, 
as a description of what has brought about Ins 
famous critical attacks, would. I suppose, be gener- 
ally accepted bv educated Americans. In any ease 
he has convicted the American Democracy (mainly 
out of its own mouth, in his Americana , which arc 
extracts from newspapers, handbills, advertisements, 
etc.) of surprising stupidities. Generalizing from 
this body of evidence, ho concludes that such a form 

118 



MR. MENCKEN’S RESPONSIBILITY 

of Democracy as has developed n* America is funda- 
mentally bad and absurd. 

Passing on fibm the general statement to my 
private view of the matter, 1 do not see how any one 
surveying the evidence Mr. Mencken has collected 
could deny that a jadieal change of ->ome sort w r as to 
be dosired for this great key-nation of the modern 
world. By key -nation I mean tljat what the United 
States arc today, the other most ‘advanced’ coun- 
tries w r e know, from experience, will become to- 
morrow. Ivarl Marx, in his dav. told people to 
watch Industrial England, on the same principle. 
So what America rt ally is is of as great importance 
outside its frontiers as within them. But those 
changes should perhaps be quite different from what 
Mr. Mencken would bring about, if he were called in 
to do the changing, as well as t he smashing. Radical 
the changes no doubt should be. But there are so 
many radical things that are the opposite, even, of 
what is meant, currently, in America by ‘radical.’ 
Even the choice of this epithet for ntu direction only 
of change, or revolution, reveals, surelv, a very much 
narrowed view of life's possibilities. 

§5. What is Change' <n ‘ Prognss ,’ and arc they 
One or Many ? 

On the other hand, once it has been decided to 
transform anything or anybody, from its or lus pre- 
sent state into some other condition, it is important 
to know (especially if you are the person who is to be 
transformed — it doeg not matter so much if you are 
the transformer or reformer) just which of an infinite 
number of possibilities is to be that ‘new'.’ 

119 



PALEFACE 


It is usually a Idck of imagination that makes people 
so blindly , uncritically , susceptible to the ‘ new .’ That 
fact should be self-evident, for in practice you have 
it borne m upon you continually. It is because they 
cannot imagine anything new thtmselves that they 
are forced to accept the ‘new” officially provided for 
them. 

Take, for example, the novelties of fashion. Each 
fresh novelty is accepted with a sort of fatalism as 
the only possible novelty, as an inevitable creation, 
as though it had dropped from the sky* instead of, 
as is the case, been invented by a fat little man some- 
where m Pans. (I here use — for different purposes 
— a device of Mr. Lawrence’s: vide p. 18 G.) But 
whatever happens at all is accepted by the majority 
as the only thing that could possibly have happened. 
In short, it has happened , they feel — the ‘new’ has 
happened; not that some other person a little 
shrewder and more active than themselves has done 
it to them . And all the other things that might quite 
well have ‘happened’ (it somebody else had been 
there at the controlling centre) are not so much as 
dreamed of. 

In a thick fog of the actual the generality of people 
dwell, deeply unconscious of all the multitudes of 
possible things, of posable ‘changes ’ and ‘novelties,’ 
that do not issue from that fog into the spot -light of 
actuality . The ‘up-to-date’ is thus the emanation 
of some person, or some small inner ring of people. 
But it is superstitious]} regarded as a fatal cosnucal 
event. # 

Bankok, New York City, Venice, the London of 
the Regency, a medieval flemish town, are all appear- 

120 



WHAT IS* ‘CHANGE’ OR ‘PROGRESS’? 

i 

ances that differ very much from each other. They 
all grew and lia^ve been tried to answer the require- 
ments of some community, or of the leaders of a 
community. But then* are man> factors m the 
choice of form. Venice, in the midst of its lagoons, 
was a marine fortress and a trading centre. Man- 
hattan was a narrow rock, hence the skyscraper, it 
is said, the skyscraper, elsewhere m America, is 
often, we are told, a mere ornament, something a 
rising town must have before it can become a full- 
fledged ‘city.* The competitive skyscrapers in New r 
York have similarly been the supreme advertise- 
ment of Big Business: the rising big business, like 
the rising big town, had to have a skyscraper. The 
biggest business, it was assumed, would have the 
biggest skyscraper. 

The forms of cities do not grow' according to the 
requirements of the greatest happiness of the great- 
est number. They are usually the inventions of 
minorities. The lull of masonry that goes up behind 
the Battery at New r York is no doubt as much the 
panache of mercantile conceit as it is a geographic 
expedient, ft is one of l he avatars of the principle 
of beauty, as much as the Venetian palaces. And, 
m the distance, it is beautiful as well as impressive, 
though differently from Venice. It is the difference 
between the towered and terraced most recent 
battleship of the k Rodney ’ type and the ^ate-barge 
of the Doge. 

The upshot of these remarks is as follows (though 
I cannot go into it >*'ry carefully here) : First, the 
geographic conditions, and indeed generally the 
physical conditions, are not so important as is usu- 

121 



PALEFACE 

ally supposed in deciding the character of ‘Change’ 
or of ‘ Progress 9 in the outward form of cities. There 
is a kind of physical and climatic absolute, no doubt. 
But the reality is, very often not that absolute, but 
some sort of perversion. Hence it would he much 
more m your power than you are accustomed to 
think to change yourst If, just as it would be to change 
your environment. In any of a great variety of ways, 
provided vou had the imagination and the necessary 
power. ‘ Change 9 is much less than is generally be- 
lieved a single-gauge track. It is not a ^nglc-gauge 
track at all. It is a multitudinous field of tracks 
and lines, only one of which is used. That single 
line — the one that is used, the one that "happens 9 — 
we call ‘the new.’ As we proceed along it we call 
that ‘progress. 9 It is my argument that there is an 
absolute progress for any given community, but that 
they are seldom able to investigate it, and seldom 
attain it. 

But all philosophy of history today — and Spongier 
is a most perfect example of that — assumes an ab- 
solute arrest somewhere or other. There is, on any 
analogy, advance or ‘progress’ between the amoeba 
and Socrates. (The amoeba’s opinion of Socrates, I 
am assuming, wc should not regard as a contribu- 
tion to values: else the amoeba becomes merely 
another romantic outcast or superseded ‘race, ’about 
which we grow touchy and diffident.) But now 
there is nothing but a rising and falling of peoples 
and cultures, on a dead level as regards value. 
Change is always merely — change. It is quite evi- 
dent that if this had been the philosophy of the 
earliest men no arts, sciences, or anything but wild 

122 



WHAT IS 'CHANGE’ OR PROGRESS ? 

animal life would have resulted. Yet what people 
call ‘Progress* 1;oday is generally not an advance. 
Those are the two main facts in this connection: 
that is the centre of the confusion. 

Under these circumstances the men of imagination 
of this period of ‘change* and violent ‘progress* are 
under no obligation to keep their eyes fixed on the 
one track and direction that what is called ‘modern ’ 
and ‘progress* is taking. The fatalism of that fixed 
stare, of that ‘what is, is,’ is perhaps natural enough, 
but, in its turn, can only claim to be one attitude. 
And, as to ‘progress’ or ‘change,’ there are millions 
of extremely different forms available. You should, 
for that one out of the many, of your persona] choice 
(not yet existing, but quite available), wish: and 
you should steadily oppose what you do not wish. 
As for the many individuals of imagination and with 
certain powers, they have to learn once more to 
wish, or will, quite simply. That is the first step. 
This all Europeans have for fifty veais been taught 
not to do, until today to will is very difficult tor 
them: they have had such a thorough grounding 
in impotence. But certainly what no one m his 
senses would wish or will is the America of Mr. 
Mencken's Americana or the Europe of Herr Spong- 
ier. And it avouU also show very little imagination 
— less even than that displayed by those who shut 
their eyes and open their mouths and swallow* the 
hastily-manufactured 4 new * — to will yesterday back. 
For it is yesterday that conceived in the first place 
the America of Artoricana, and the Europe of 
spenglerism. 

Imagine such an artist as Leonardo da Vinci alive 
128 



PALEFACE 


at this time and suddenly given carte blanche (in 
some access of official enthusiasm} to change radi- 
cally London, New York, or Berlin into the most 
beautiful city he could imagine: or else suppose him 
entrusted with the creation of Canberra or a new 
Delhi. Ij you can imagine sucli an event as that, 
then you will immediately see the bleakness and un- 
reality of what is generally called ‘Progress,’ or the 
false revolutionary fatalism we describe as ‘Change.’ 


§ G. From White Settler to Poor City-White . 

I will now return to the ‘inferiority complex’ of 
the White Man. That the seeds of that reversal of 
feeling do not date from the end of the War, but 
from long before it, is obvious. If w r e consider for 
a moment the circumstances in which the White 
Race has found itself for a long time now, and the 
temper of many of its literary spokesmen, poets and 
statesmen, we shall see that clearly. 

The colonization of the Ncw r World, Australia, 
and of large areas in Asia and Africa, by the Euro- 
pean, opened a new epoch of World-history, of a 
different character from any preceding it. It w r as 
the domestication, or imperialization, of the entire 
globe, with the White as overlord. 

For the most part the White peoples who o\erran 
the world, and, with the help of their rapidly de- 
veloping Science, enslaved the greater part of it, 
wiping out entire races and cultures, were possessed 
of a meagre cultural outfit, ‘And only a borrowed 
religion. It is a commonplace that Cortez and 
Pizarro were less ‘civilized/ on the whole, than the 

124 



FROM WHITE SETTLER TO POOR CITY-WHITE 

i 

Aztecs, Mayans or Incas they subdued. Tlie Anglo- 
Saxons, who were responsible for the major part of 
this curopean expansion and colonization (although 
not the first in the field) possessed less cultural equip- 
ment, and a more naive and crude variety of religion 
(their well-thumbe8 Genevan Bible m their breast- 
pocket), thqn the other White partners of this World- 
conquest. 

As far as, l he Anglo-Saxon is concerned, there was 
never any unnecessary diffidence or lack of self- 
persuasion about Ins conquest. Whether he wiped 
out the ‘Redskin ’ of America to make room for him- 
self, captured and enslaved the Negro and put him 
on his plantations, or subjugated the highly civilized 
Hindu, he can seldom liavc suffered from anything 
in the 1 shape of an 'inferiority complex.’ Quite the 
reverse, of course. He was quite sure that he was 
in eveiy way a better man than the people he over- 
ran. He was more ‘enilized,’ more ‘moral,’ he w r as 
a ‘gentleman,’ he was ‘White,’ lit was cleaner (that 
came next to his ‘godliness’), he was faultlessly 
brave: lie was, in short, of a different and better 
clay. Some of Jus enemies were brave, some ‘gentle- 
men * (like the Turk)- but none possessed all those 
qualities that were Ins. If to succeed is wliat you 
want, and not to fail, that is l he only spirit m wdiieli 
to effect a conquest. 

The great opportunities that offered themselves 
to the early colonist and trader reinforced this 
opinion. He was repaid for his colonizing enter- 
prise by the possession of land — even if his family 
at home had never possessed an acre — and, if not 
too stupid, could easily grow nch. The hard and 

125 



PALEFACE 


active life made a better man of him, too, than many 
of his stock that remained in tlieir country of origin. 
With his scientific weapons he was like a god amongst 
1 he ‘ heathen 5 and the ‘ poor Indian ’ (who worshipped 
stones, ‘heard god in Hie wind,’ and was ‘untutored ’ 
in White science). So there were substantial 
grounds for a sensation of superiority. A century 
ago the White was in full possession of a ‘superiority 
complex,’ in consequence, and until the M r ar (when 
all the Whites, m one glorious aufo-da-fe , for four 
years did their best to kill and ruin each other) he 
retained it. 

From those early days of White conquest down to 
the days of the ‘ Poor White ’ (the subject of Sher- 
wood Anderson’s books), and to the present educated 
city- White, with Ins gradually crystallizing ‘inferior- 
ity complex’ — the subject ot this essay — is a road 
of disillusionment and decline, to some extent. 
White Civilization, especially in America, built it- 
self up with great rapidity into a towering baby- 
lonian monument to Science; but the old freedom 
and sense of pow cr shared b> e\ cry White Man in 
the early dins naturally was crushed, or over- 
powered, at least, by the great technical achieve- 
ments of the same instruments (hat had secured luni 
his new empire. So, if you compare that empire 
with the roman, for instance, it has been in Ins hands 
a remarkably short time. Today the average White 
Man experiences great difficulty m realizing how the 
engine has been turned against himself, and how his 
‘conquest’ is already a thing 6f the past. 

This slowness to understand, this indolent, in- 
stinctive, self-protective living in the past , or else 

126 



FROM WHITE 'SETTLER TO POOR CITY-WHTTK 

just sheer ignorance of the World-situation today, 
accounts for many things: certainly it would ac- 
count for an attitude of astonishment or incredulity 
that such a plain statement as the present one must 
expect to encounter. For, m a sense, it is what we 
all know to be th? situation : and yet, when stated 
m so main words, and associated with a few of the 
things thal obviously must ensue from it, if may at 
first, to many readers, seem fantastic. 

Better than a great deal of argument — for the 
purpose of convincing people that I am not talking 
quite in the air — will be to quote, at adequate length, 
passages from a variety of sources which will, I 
think, plainly show the reality of this deep and 
powerful current of doubt and confusion that has 
overtaken the White Man. And I will begin with 
the most obvious, as far as America is concerned, 
namely, the destructive work of Mr. Mencken. 


§ 7. 'Ameiicana 9 of Mcncfov, 

The Americana of Mr. Mencken are so well known 
that there would be no object m quoting them at 
any length. It must be admitted, in general criti- 
cism of these documc nts, that another sort of patriot 
than tin.-, earnest, clever, germanic editor could 
easily throw doubt on their value and significance. 
Perhaps the most useful w r ay of considering them 
w'ould be to approach them from the standpoint of 
this hypothetic patriot, of another persuasion. 
Their very qualities,' •even, will be best brought out 
by this method. I w r ill proceed to do this. But by 
adopting this procedure 1 wish to make it clear that 

127 



PALEFACE 

i 

I would not minimize the great debt of America to 
Mr. Mencken, or 1o Sinclair Lewis, for holding up 
their hostile mirrors. 

In the first place, then, it could be said that the 
Americana consist mostly of ridicule of religious 
emotionality. But all religion, looked at with the 
uninterested eye of the outsider, or from the exclu- 
sively secular or scientific standpoint, lends itself to 
ridicule. For instance, to the Anglo-Saxpn of two 
centuries ago, the religious ‘superstitions’ of every 
race whatoer, except the Anglo-Saxon', provided 
much amusement. A ‘heathen Chinee" at his de- 
votions, ‘Fuzzy-wuzzy ’ at his, the ‘Indian natrve/ 
or the Coolie, at his (cf. Mother India); the Jew 
muttering awaj m Ins dingy synagogue; even ‘the 
Dago’ at his, was a joke at which the Anglo-Saxon 
laughed heartily. And, of course. Ins laughter in- 
creased Ins self-esteem. 

From tins point of v lew , Mr. Mencken’s Americana 
is merely the Anglo-Saxon at his devotions being 
laughed at, m his turn. It is the turn of the Anglo- 
Saxon, inert I y. It is a mistake to regard the Ameri- 
cana as exclusively referring to the more savage 
states of America. The evangelism of Dakota is no 
funnier than the same sort of thing m Wales or 
Scotland. The London Salvationist, at the corner 
of any street, would provide Mr. Mencken w T ith per- 
fect A me? ieana jokes. Americana is an at tack upon 
the Anglo-Saxon Protestant at Ins devotions, more 
than anything else, as Mother India is an attack 
upon the religious habits of tile Indian. (But Mr. 
Mencken is a different sort of critic to Miss Mayo.) 

Therefore, all that comes under the head of ridi - 

128 



‘AMERICANA’ OF MENCKEN 

« 

cule of religion could be matched anywhere m the 
world. Horatio Bottomley, in the days of Ins most 
flond publicity, was as grotesque as any ‘moron’ m 
a ‘backward’ southern State. Abandoning the 
beautiful forms and ancient etiquette of devoutness, 
the Protestant everywhere inevitably grew vulgar 
in the ’form t his worship took. This was mia\ oid- 
able. As time went on lie grew v?orse, more vulgar 
instead of Jgss. In America he has perhaps gone 
furthest, but not so very much ahead as all that. 
The richest, and so the most aggressive and cocksure 
Protestant will be the most ridiculous. And pos- 
sibly the spirit of american Advertisement, taking 
a hand in the Allciutah business, has made a slightly 
more fantastic-looking thing of it than can be found 
elsewhere. That i« the utmost that can be claimed 
for the criticism of Americano. 

That is .ill there is to that, and it is more than half 
of the matter of Mr. Mencken's book, and the richest 
and funniest portion. 

Here is an example from the Louisiana cuttings 
(p. 98, Americana, 1 925) of llow Christianity is being 
spread among the girl-students of Tulana Unncrsitv 
etc.’ : 

‘ What per cent, of your students read the Bible 
daily ? Y ou ? IIow many minutes a day do you 
pray? Ever pray thirty minutes by watch? 
Honest! 

‘In how many rooms on your campus is there a 
deck of spot cards ? A Bible ? 

‘How about smoking, cursing, drinking? 

‘What per cent, of your students go to Sunday- 
school? Preaching? Once a day? Twice? 
129 


i 



PALEFACE 


Prayer-meetings at a Church ? Contribute to the 
Church? Belong to the Church school? Study 
the Sunday-school lesson?’ 

That is a fair specimen of the more normal evi- 
dence provided by Mr. Mencken'. It is not particu- 
larly funny. It is depressing reading: but* surely 
it could be matched anywhere in the Christian world. 
The anxious, insistent, ‘humorous’ note has a uni- 
versally familiar ring. 

Really these collections called Americana throw 
a more interesting light upon the people who are 
amused and delighted (apparently) by them, than 
they do upon the people whom ostensibly they are 
supposed to hold up to ridicule. As you read them 
you are inclined rather to glance aside and survey 
your fellow-readers, and to wonder what variety of 
snobbery, or superiority complex, has brought to- 
gether this large ‘reading-public.’ 

The critic of t hese collections, again, would have 
occasion often to object that things quoted as 
solemn statements were evidently intended to be 
jokes. They are not usually very good jokes. They 
look, m facl , as though they had been specially con- 
cocted to catch Mencken's eye. Here is one from 
Massachusetts (p. 121): 

‘Effects of Woman Suffrage as disclosed by the 
Lynn Telegram-News , a great intellectual and 
moral organ.’ 

[These are Mencken's heading^, describing the nature 
of the cutting.] 

‘Many of the village belles ... of Danvers, . . . 

ISO 



‘AMERICANA’ OF MENCKEN 

* 

have started wearing dog-collars. Dog-collars 
are not only being worn by schoolgirls, but are 

even worn by teachers The girls do not always 

buy their dog-collars. That fact was brought to 
light when many complaints were heard from dog 
owners to the effhet that dogs have mysteriously 
lost iheir^ieck pieces.’ 

This looks like a clumsy joke of the ‘sly’ order, 
written by some tired newspaper-man m the silly 
season. 

Here is a ‘dispatch ’ from Orono, Maine, appearing 
‘in recent public prints’: 

‘If Ilenry James, soeiety novelist and short 
story writer of the late Nineteenth Century, were 
to reappear today, one-fifth of the University 
of Maine freshmen class would expect him to be 
arrayed as a two-gun bandit, according to the 
results of a questionnaire made known to-dav. 
Martin Luther was the son of Moses; the author 
of Vanity Fair wa « William Shakespeare; Dis- 
raeli was a poet ; and Moses was a Roman ruler, 
according to some of the other answers submitted 
in reply to questions." 

Every civilized country lias and has always had 
its examination jokes — What the Eton boy answered 
when asked what he knew of the Orinoco or (began, as 
an instance of the sort of thing. (Oregon, or for 
that matter Orono, he would probably describe as a 
cheese, or a game of eafrds.) In all this type of story 
two reflections are apt to remain in the mind of the 
person to whom it is told : first, he feels that the 

181 



PALEFACE 


i 

story has probably been made up by somebody to 
make him laugh; which he doesn't mind if he has 
got his laugh satisfactorily. Or else, if the story 
is authentic, he usually has the impression that th( 
dunce who is its hero was not quite such a dunce as 
he looked ; and even may have been a much shrewder 
fellow than his examine! s. 

i 

The above cutting from ‘public prints’ in Maine 
is no exception to this rule. That flfoscs was a 
roman ruler was evidently the freshman’s idea of a 
joke. That Mart m Luther was t he son 6f this roman 
ruler was a subtle extension of the joke — both, to 
me, ha\c a theological and learned look. Or per- 
haps the freshman was a reader of Americana* and 
wished to make a parade of lus ignorance of the 
sacred text, seeing that so many ‘morons’ showed 
a lamentable familiarity with it. In any case, if 
the ‘freshman’ of Orono could be coimcted of a 
benighted ignorance, as a magnificent compensation 
tlu newspaper men of all the ‘public prints ’ of Orono 
shine brightly as a well-informed body of men, con- 
versant with the work of Henry James, thoroughly 
acquainted with the Scriptures, and with some know- 
ledge of the Reformation. So, as it is America m 
general we are having held up to us, not any par- 
ticular class, Orono, M,une, does not come nff so 
badly. 

Then a great number of the extracts have reference 
to the absurdity of Prohibition. Prohibition is, of 
course, a joke played upon the American People of 
a very perfect kind. That«such a joke could be 
played does not say much for their collective poli- 
tical sagacity, it could be argued. But can any 

132 



‘AMERICANA’ OF MENCKEN 

European today assert that this is not a joke that 
may equally be ptoyed, successfully, upon his people 
at any moment now ? 

The War provides some Americana fun, us well. 
Hut the War is another joke, like Prohibition, that 
has been played on*all of us without exception. So, 
people who Ijve in glass houses , etc. 

I will go on, for a moment, with these possible 
criticisms of Mr. Mencken’s excellent satire: 

‘Progress of Methodist Kvlfnr in the home of 
the Creoles, as reported by a press dispatch 
from New r Orleans.’ 

‘The old Absinthe House, one of the landmarks 
m the old French quarter of New Orleans, where, 
according to repute, Jean Lafitte planned his pir- 
atical forays and boasted of what he and Napoleon 
Bonaparte would do to Messieurs les Anglais, was 
badly damaged last night. Prohibition agents 
did it all for one quarter of an ounce of absinthe, 
according to their oflicial report, tiled today. In 
the old courtyard, a door, priceless relic of the old 
hotel, was smashed. The book m which artists, 
statesmen, writers and lesser or greater notables 
had signed their autographs was east carelessly 
upon the wreckage-littered jfloor. Because a few 
drops of absinthe was found m the place, charges 
of possession and sale of intoxicants w r cre placed 
against the proprietor.’ 

This shows how the idiotic drink-w'ar resulting 
from the Volstead Aut leads to vandalism: ‘price- 
less relics’ and an old and historical building suffer. 
This is Rheims Cathedral, damaged by german shell- 

138 



PALEFACE * 


i 

fire, over again in a small way — that is the idea. 
Only here it is not the Germans* but their former 
enemies doing the same thing. 

And here we have to note another feature of the 
Americana : namely, that many of them are designed 
to turn the tables upon the * Allied’ war-propa- 
gandist. Mr. Mencken, being of german 'origin, 
naturally resented that propaganda, and, in the heat 
and folly of the moment, its frequent % unfairness. 
But such material for a turning-of-the-tables of this 
sort eould be found in any community. * It is merely 
the tale of general human stupidity. And, of 
course, the Germans did destroy an irreplaceable 
work of art, and would have destroyed others had 
they been able. — This undercurrent of nationalist 
passion in Mr. Mencken, it could be claimed, weakens 
his criticism. 

When he says that there have been rumours of the 
suppression of his paper, he refers to the american 
police as Polizei . lie refers to the ‘goose-stepping’ 
habits of the american masses. So he rubs it in. If 
lie had conveyed that Americans were mesmerized 
and drilled without this familiar war-time tag of 
Polizei , the effect would have been stronger. But 
Mr. Mencken is, I should say, a very honest man, 
and he lias strong feelings 

Kentucky should be a good state for Mr. Mencken. 
If you refer to Americana , 1025, you can fairly take 
that as an example. But it is surprising how little 
he gets out of it to his purpose. Of course, there is 
the usual extravagant Salvation Army language 
quoted. But that vernacular of provincial religion 
is rather engaging than otherwise, and an example 

134 



‘AMERICANA’ OF MENCKEN 

of extreme high-spirits on the part of very simple 
folk indeed — whpse principal offence scetns to be 
that they do not want their kind to intermarry with 
Negroes, and that they believe m the liebrew saered 
books so deeply that they object to people teaching 
that men are descended from monkeys, instead of 
having been created along with monkeys and all 
other things, all m one simultaneous Fiat. (The 
ultra-sophisticated beliefs of Mr. D. II. Lawrence, 
which I shall be examining shortly, lie somewhere 
between tin* two — between Mencken and the Ken- 
tuckian 'moron’ — as Berman would call him, after 
Mencken.) 

The first of these two arch -offences I regard as 
a substantial virtue; the bitter contempt directed 
upon the second by many people I do not share: so 
all this part of Menckcmana I find dull or pointless. 

Here is the example from Ktni lieKy of high-spirits, 
combined with imperfect education: 

‘Solomon, a Six-Cylinder Sport. Could you 
handle as many wives and concubines as this ‘'Old 
Bird”? Itcv. B. Cl. Hodge will preach on this 
subject Sunday night at Settle Memorial.’ 

The simple mind, m ruminating on the behaviour 
of one of the most ce lebrated personages m its Scrip- 
tures, is struck by the vigorous picture of thispretcr- 
naturally wise old Jew r presented to it. What more 
natural? The Ilev. B. CL Hodge announces that 
he will discourse on that theme to his rough high- 
spirited flock. Whi*t could be more appropriate? 
I can see nothing worth getting excited about there. 
And it is only very mildly funny. 

135 



PALEFACE 


On the next page, again (p. 90), the amusements 
of Dean Paul Anderson are pilloriejl. Those amuse- 
ments appear to be, as a matter of fact, neither more 
nor less intellectual than — Lady Dean Paul's, I was 
going to say, though I only know what hers are from 
reading I he accounts in the society-page of the 
London papers: 1 will say, instead, those of any 
t> pical member otthe intellectual cream of London 
Society. Mr. Mencken is, I daresay, a shade snob- 
bish about lus kentuckian ‘moron/ The ignorance 
of t hat moron is t he burden of his song. * But is that 
obvious butt as a fact so very much more ridiculous 
(though entirely innocent of cultural pretensions) 
than the masses at Saratoga Springs, the Lido, Deau- 
mIIc, and so on? The Society Columns, to which I 
alluded above, are certainly not particularly funny. 
Their smooth and nerveless adulation (except wliert* 
any real artist , or real person at all, comes to be men- 
tioned) makes dull reading. The imdde-class audi- 
ence of Mr. Mencken would not get much of a chuckle 
out of them ; blit they would be suitably impressed. 
Are ‘Society 5 morons, however, fundamentally less 
ridiculous, mean or irritating than diwout and 
clamorous rustics? I don’t believe that they are: 
they seem to me far more so, and terribly smug, into 
the bargain. Apart from my intention here to give 
a kind of typical adverse statement where these col- 
lections arc concerned, I am not an ideal Mencken 
reader at all, I confess, m spite of my admiration for 
their spirited compiler. 

Another Kentucky cutting is* about a Missionary 
Training School : ‘ . . . m future no student wear- 
ing bobbed hair will be admitted, 5 etc. But bobbed 

136 



‘AMERICANA’ OF MENCKEN 

hair suits some women’s heads and not others. 
Therefore a tyrannical orthodoxy on one side results 
in as much injustice to Nature, and the skulls and 
hair provided by Nature, though no more, as that of 
‘goose-stepping ’ fashion on the other. So this agam 
is a disappointing cutting. 

The moje I go into it, and proceed to give effect to 
my idea of finding an answer to "'Mencken, the more 
I find I should agree with the other sort of aincncan 
patriot rat hoi than with Mr. Mencken. But still 
there remains Mr. Mencken’s great service in stirring 
the pot round, and that with honesty, it seems, and 
not with malice. Also, in straining every nerve to 
find fault — if only in that — lie has done good. For 
he has demonstrated the limits of average imbecility, 
as well as its extent: lie has done the worst that can 
be done, and it actually is not so impressive as all 
that. He has even revealed many unsuspected 
virtues m the ‘moron of the Backward States.’ 
Other services rendered by his method I will refer 
to Jater m this essay. 


§ 8. ‘ Complexes ’ as between Whites. 

As regards other Whites, many Whiles, at one tunc 
and another, have -.offered from an ‘inferiority com- 
plex,’ but never as regards people not Whites. The 
enghsh farm-labourer or mechanic, in the past, has 
suffered from an ‘inferiority complex’ where a Dun- 
dreary Swell was concerned: but Buddha would be 
for him a ‘nigger.’ {This was absurd. But it was 
the requisite for White world-success. 

Americans at the time of Edgar Allan Poe, or 

187 



4 PALEFACE 

those of the period of The Virginians, certainly ex- 
perienced no ‘inferiority complex’ where their euro- 
pean cousins were concerned. They were the cadets 
and equals of one great family. But since that time, 
for various reasons, the educated American lias felt 
‘inferiority’; or, not to use the language of Freud, 
he has felt provincial, and been rather terrorised by 
the thought of the*' cultured’ backgrounds of polite 
european life. This had less to do with fhe culture 
question, I believe, than with the great sway, m the 
european nund, of the aristocratic idea. * As all the 
great european families, who have not been exter- 
minated by war or revolution, have intermarried 
with their bankers and brokers, the aristocratic idea 
has lost its sway entirely: and, that factor elimi- 
nated, the other, the cultural one, by itself, could 
scarcely offer much opposition. So the American 
today not only has no reason to be, but m fact is 
not at all, impressed with the European as such: 
although, if he had his choice, he might prefer to live 
m Europe rather than America. And here is a para- 
dox (the paradox involved in the subject-matter of 
this t ssay) : for in most eases he would rather, prob- 
ably (‘America ’-movements aside), live in Europe: 
he probably at no former time would have been so 
ready as today to say good-bye to America- and 
yet he has ceased to believe m Europe or m Euro- 
peans, or to have any illusions about them. There 
is no spreadeagleism at all discoverable to the Euro- 
pean descending on the eastern shore of the United 
States today, nor in amencan books does it play 
any part. ‘The American’ of the bntish news- 
papers is, indeed, a complete myth — an Uncle Sam 

138 



THE AMERICAN |BA BY 

cartoon of veryhong ago. Yet it is not the thought 
of Europe that instinctively humbles him. It is the 
thought of himself. 

In spite of all this, the new ‘inferiority complex’ 
of the American, which has nothing to do with 
Europe at all, i* partly composed of the material 
of europcgn criticism of America reaching him in- 
directly. And to that subject ? now will turn. 


§ 9. The American Baby . 

It is a widely-held notion in Europe that the 
American is a kind of baby-man : that the American 
is not adult, that lie remains all Ins life a child. And 
that is of course one of the things that Mr. Mencken’s 
criticism suggests, Mr. Sherwood Anderson says, 
‘Most amcrican men never pass the age of seven- 
teen " This would equally well describe most men 
everywhere: but when the typical educated Euro- 
pean thinks of the inhabitant of the United States 
he thinks of something childish, super-young, un- 
developed, excitable and helpless. He thinks of 
him (and of the American Woman equally) as a 
creature of ‘crazes’ and impulses, who when not 
‘crazy about’ this is “crazy about’ that; a half- 
cooked, foolishly-eager, snob of every idea that can 
get itself advertised and descrif e itself as novel and 
‘stimulating’ (the last invariably-used adjective 
suggesting some radical impotence in the public): 
but generally and to sum up all the rest, as sub- 
stantially prone tc# an ever-deepenmg juvenility, 
ever more of which mi rely receptive quality is willed 
for itself by this spoilt-child of fortune — for that is 

139 



PALEFACE 

precisely what it wishes to be, an irresponsible child, 
sheltered from the rough embarrassments, fatigues 
and battles of the surrounding universe. It would 
indeed not at all surprise this type of European if 
the entire American Nation, pressing on back into 
the rosy lands of self-deceiving childhood and breath- 
less illusion, vanished, one lin< day, into the womb 
out of which it eanfe. 

That this cannot, in reality, describe, the great 
mass of the population of America I need not say, 
nor is that my view, or that of the bet tei -informed 
European. Bui it is still a widely-held opinion. 
So, if european opinion ever reached and touched 
America, it would not lessen the ‘inferiority com- 
plex’ being manufactured for it on the home-soil. 
So to the older White countries America cannot look 
for help in the analysis of its ‘complex ’ For them 
America is a baby, the baby of Europe and — after a 
hundred and fifty years — a peculiarly infantile one, 
making on all-fours for the womb of its origin. 


§ 10. Was Wait Whitman the Father of the American 

Baby? 

Although I know, as I have said, that the whole 
of America is not a gigantic baby, tied to the apron- 
strings of some ‘cosmic ' Mama, nevertheless it really 
does seem that the aniencan mind is today more in- 
fantile than it. was in the days of Edgar Allan Poe, 
for instance. The Virginians and New Englanders 
of that day it would have entered nobody s head 
to accuse, even, of this peculiar infantilism. The 
amencan mind was at that time, no doubt, much 

14.0 



THE FATHER OF THE AFRICAN BABY 

abused by the criemies or rivals of the master-state 
of the New World, but that state was governed and 
represented by adult Europeans at a few removes 
tempered in the sternest roman traditions of english 
enterprise. So it does seem that America, as it has 
grown older, has grown younger and younger, m the 
sense* that, there is a patch or streak in the mind of 
the amorican aggregate that give*, some colour to the 
more recent european myth of the American Baby. 

If we take this patch, or this tendency, and if we 
isolate it, find so form an entire Baby, and proceed 
to call that ‘America ’ (winch is what has happened, 
I believe, in the ease of the european belief I am here 
discussing), then who was responsible for that par- 
ticular eluld ? For, as it did not exist a century ago, 
it must have made its appearance in the interim. 

Walt Whi Linar was, 1 feel sure, the father of the 
American Baby, looked at m that light. Walt 
showed all those enthusiastic expansive habits that 
w’e associate with the Baby, lie rolled about naked 
in the Atlantic surf, uttering ‘ barbaric yawps,’ as he 
called them, m an ecstasy of primitive exhibitionism. 
He was prone to ‘ cosmic ’ raptures. A freudian 
analyst specializing in inversion or perversion would 
have said, observing his behaviour over a suitable 
period, that he was certainly the victim of a psy- 
chical ‘fixation,’ which incessantly referred him back 
to the periods of earliest childhood. He was a great 
big heavy old youngster, of a perfect freudian type, 
with the worst kind of ‘enthusiasm 5 in the grcck 
sense of that word.* He was also, it should be re- 
membered, the epic ancestor of the now’ celebrated 
american ‘fairy.’ 


141 



JPALEFACE 


Walt Whitman, as the father (if the American 
Baby, is a hint, only, to the americari 1 analyst of these 
questions, and I of course may be wrong in stressing 
that particular figure. But he does seem to fit so 
wonderfully the requirements of the case: so I at 
all events recommend him m tliatT capacity. 


§ 11. The Healthy Attitude of the American to his 
‘ Babylon 

When I visited New York I found the pictorial 
effects exceedingly curious and beautiful. This was 
not a view in any way shared by the more intelligent 
New Yorkers, I was glad and surprised to find. 
They, who lived m the place, and understood the 
motives of the builders and their masters, regarded 
it as so much vulgar and childish display. The 
‘Down -town 5 towers and cathedrals produced noth- 
ing but a contemptuous and rather bitter mirth m 
them. For me it w as purely the satisfactions of the 
eye that made me like it. In every other w T ay I w r as 
m agreement with them. For towards everything, 
and all the people, that are behind the creation of 
these ‘swinging gardens of Bab} Ion,’ I feel about as 
they do. 

Strange as it was to find this disillusioned and hos- 
tile attitude on the part of the intelligent educated 
men, it was far stranger to find it as wtII amongst 
the workmen and average of t he community. Far 
from boasting of their eit v, they seemed to take very 
little interest m it, except occasionally to remark 
that they did not like New York, and that one of 
these days — I should see — it ‘would all blow up,’ 

112 



SHERWOOD ANDERSON 

since Nature dnl not approve of such structures as 
were to be found there, and Nature would have the 
last word ! 

These traces of Nature-worship arc reminiscent of 
Whitman, it is true. It was the Rood side of Whit- 
man — the very aflcicnt gospel that was the matrix 
of his* own* but which he was not able to incarnate, 
and only succeeded in making exaggerated and 
ridiculous. * 

§ 12. Sherwood Anderson . 

I now come to the part of this brief preliminary 
essay where I propose to show, by means of citations 
from books, the reality of my argument. And Sher- 
wood Anderson comes first in order of importance as 
a witness, though actually the first writer I shall use 
is english, and not amcncan. It may be as well to 
point out at once that I am m no way attempting 
here any estimate of the value of the writings I use 
as evidence. I take the good and bad writer (as 
I sec it) mdiffcrentlv. Provided, for good or bad 
reasons, or for very mixed reasons, he exerts, or 
recently has exerted, influence, that is enough for 
my purpose. 

Of all the children of Walt Whitman, Sherwood 
Anderson is perhaps the most celebrated : and he has 
exercised a very great influence upon all the young 
school of american fiction, and indeed throughout 
the intelligent life of America. So the feelings and 
tendencies to which Ins work testifies are authentic 
evidence in such an examination as this. 

Now, although, as I have said, I am certainly 
offering no opinion upon the value as writers of the 

143 



PALEFACE 

people I have chosen to quote, there^are certain judg- 
ments or classifications that it is impossible not to 
make in taking up the evidence. It will be better, 
m a few words, to make clear at the start what these 
must be. 


§ 13. The Essentia 1 Romanticism of the Return to the 
‘ Savage 9 and the * Primitive 

If there is one tiling more than another that is 
quite certain about Sherwood Anderson? and what 
almost may be called his ‘ school, ’ it is that they are 
extreme romantics. At least one member of this 
‘school,’ or person influenced by Anderson and writ- 
ing on somewhat the same lines (Hemingway), has 
turned upon his inspirer, and very ably caricatured 
him, choosing for his satire exactly this quality 
in Anderson — namely, his incurable romanticism. 
Hemingway himself appears to me much drier and 
less sentimental than Anderson, and so hn> action 
may bo the result of a genuine impatience with the 
absurdities of Dark Laughter . Hut how far this 
essential romanticism can be weeded out of the 
racincss-of-lhe-soil of american creative writing, I do 
not know: I am not familiar enough with all the 
circumstances to be able to offer an opinion about 
that. Bullfighters and Boxers occupy the centre of 
the stage in Hemingway’s books; if Action is your 
god, if you arc a romantic and regard strong roman- 
tic tendencies as a highly desirable thing m an artist, 
then you will be glad to meet these gladiators so 
constantly at the heart of the business; but if you 
are not so romantically inclined you will get tired 

144 



THE ‘SAVAGE’ AND THE ^PRIMITIVE’ 

of such a physical infatuation, and tlic insatiable 
taste for violence- -for sangre y arena, for blood and 
sand, blood and iron, and all the other accompani- 
ments of the profuse discharge of human blood. It 
is possible to feel that the blood-stream, perforations 
through which it pours out, things l hat make it beat 
and throb hytly, and so on, are not the onl> subjects 
of interest. • 

You may wen go further than that, and fc el that 
our literature today is becoming a sort of mortuary 
games; moft and more a roman brutality is invad- 
ing our books; so that the communistic fever into 
which everyone was plunged during the War, especi- 
ally those who took part m it —the gladiators w atehed 
by the politicians and financiers, for whom the War 
was a sort of immense Circus— is perpetuated in 
print. Tins fascist or murincttinn (futurist) appe- 
tite for Violence — and possibly m the case of Hem- 
ingway this particular romanticism has been en- 
couraged m him by that perfect 4 American liaby ’ of 
the Whitman tradition, Ezra Pound— is perhaps the 
most characteristic note of all to be found in these 
writers. Theirs are ‘American dreams — AngJo- 
saxon dreams,’ in the words of one of the principal 
dreamers. 

Torrents oj Spring (Ernest Hemingway) may be, 
however, a sign, on the part of the strongest and 
latest of this school, of a turning of the tide. For 
if you repudiate one romanticism you are apt to re- 
pudiate others and with luck the whole gaudy pack 
may come tumbling down. 

Corrected m some, especially those following 
Anderson who have benefited no doubt by contacts 

K 145 



PALEFACE 


which have militated against too/fenaivc a romantic 
afflatus, with Sherwood Andersomthc pure romance 
of whitmanesque tradition remains. At a first 
reading he looks a little like a Strindberg softened 
in the prosperous optimistic air of America, and 
brought up in the shadow of Whitman. 

Two sisters of Strindberg lid \c written a biography 
of the great swl-dish writer ( Strindberg's Systrar 
Beratta, reviewed in the Observer , August 21st, 1927, 
from which T quote). His sisters, apparently, take 
Strindberg at lus own persistently storn.v, romantic 
valuation. ‘In his sistcis' opinion, he teas possessed 
by a dark demon ' How that description seems to 
fit what many romantic persons today would like* to 
be the figure under which the world should know 
them! We are in the presence of a school of ‘dark 
demons,’ m short, with Bernard Shaw behind them 
demoniacally grinning, but m a lighter and more 
mischievous mood; and behind him, all the mephis- 
tophelian ‘darkness’ of Nietzsche. Behind that 
comes the debonair ‘darkness* of Lord Byron. 


§14. Possessed In/ 'a Da) k Demon.' 

But we have in England a much more complete 
and much more up-to-date Anderson, who is very 
widely read in America : that is Mr. D. II. Lawrence. 
No one, I suppose, will be found to deny Mr. Law- 
rence the title of ‘romantic’; and I think it is quite 
evident that he is possessed by a very ‘dark demon’ 
indeed, that takes him to the darkest and most 
mysterious corners of the earth in search of other 
‘demons' of sinulat complexion. He succeeds m 

116 



POSSESSED BY ‘A DAIvK DEMON’ 

rooting out quit 1 a fair number of devils still, and 
their ‘ mysterious,’ mechanical worshippers. Litera- 
ture is indebted to the activities of this ‘demon’ of 
his for many excellent pages; though it is certainly 
our business to show (on our way to the Melting-pot, 
in shoft all the wav to the final mix-up), we who are 
possessed by the White demon, the dam on of the 
White Man, the authentic one, l*moan, that that is 
as compelling as the ‘dark* for the purposes of art, 
without the perils for our race (in its inarch towards 
the Melt inkpot) of the ‘dark’ familiars. Hut that 
is not m any way what we are talking about here, 
for the same could be said of Anderson, who does 
not always writ*, badly, as of Lawrence. 

Mr. I). II. Lawrence’s book. Mornings in Mexico, 
had just appeared when I was in New York this 
summer (1!>27). ILs ‘dark demon’ may be ob- 
served m it working al high pressure on the material 
provided by Mexieo: and I am taking this hook, 
along with those of Anderson, to r« \cal what I am 
driving at in this review' of the contemporary mind. 

In general outline m\ argument will be this: — 
Against this Dark Demon I oppose everywhere (for 
the sake ot argument and ‘purely and simply to 
amuse myself*) a White Demon or daimon ; the 
spirit of the Wlme Race against the spirit of the 
Dark Race — the ‘mystical’ ‘dark’ race of the ro- 
mantic-Wliitc imagination (not against — naturally 
— any flesh and blood Black brother, or fellow-slave, 
of the moment). Against this over-excitable, over- 
susceptible romanticPWhitc, too, 1 bring the disci- 
pline of my criticism, and offer him as cold a bath as 
possible, where, for the period of immersion, at least, 

147 



PALEFACE 


lie can keep cool. With its White {Demon I believe 
the White Race ean be saved (instead of perishing 
oil its way to the Melting-pot), if this demon can 
only be properly utilized. He is a marvellous force, 
who has manifested himself on many occasions, and 
often given us evidence of his magical power. If 
we do not entirely throw him over, he can yet be our 
saviour: he was the ‘ daimon 5 of Socrates , this White 
Demon we have inherited: he has vivid and 
spectacular history that it would be unwise for his 
antagonists to allow themselves to forget. It may 
be that very rapidly many people of our race will 
slop kowtowing to the ‘Dark Demon,' and turn 
again to luin. And ultimately he may blanch or 
bleach the entire Melting-pot. 

But there 1 is no reason at all why we should not be 
on excellent if ‘distant 5 terms with the ‘Dark One,’ 
c\en as m Byron’s Vision of Judgment we lind that, 
when they met, 

‘ His Darkness and his Brightness 
Exchanged a greeting of extreme politeness . 5 

There is no reason why we should not be exceed- 
ingly polite to all that is ‘dark.’ 

From here onwards I am assembling as evidence 
of what I lia\c so far In en discussing in the abstract, 
quotations from those authors who have suggested 
themselves to me as expressing most clearly the 
‘dark 5 point of view. So at this point I am ter- 
minating the first division of my survey. 


148 



S o o 1 1 o n T I 


TIIE ‘ INFERIORITY COMPLEX ’ OF 
THE ROMANTIC WHITE, AND 
STUDENT SUICIDES 

« 

§ 1. Romance on iis Last (Physical) Legs. 

T HE*lfssion for ‘the primitive’ among the 
civilized, or (the same thing) the appetite for 
thy '‘dark’ and exotic among the Whites, 
made its first appearance m Europe, m its present 
form, m the earlier part of the last century, at the 
time of the Romantic Revival. So its romantic 
genealogy is not m question. Baudelaire in 1850 
went about with a mulatto mistress, and wrote some 
of his most beaut iful poems to her crinkly head, her 
‘tenebrous’ flanks, Iur ‘mysterious* eyes — full of 
night and ‘savage’ properties. Latir, the french 
boy-genius, Rimbaud, followed much the same lines, 
disappearing at the age of twenty as a trader into 
Africa. Still later, at the beginning of this century, 
Paul Gauguin kicked the dust of Europe off his 
shoes and departed to live with the Sout h Sea Island- 
ers, whither the romantic Scotsman, Robert Louis 
Stevenson, had preceded him. Going very much 
further back, the Templars succumbed to the mys- 
tical attractions of the lowest kind of orientalism, 
and exchanged the europeamzed Master of St. Peter 
for Baphomct: and at their trial it was alleged that 
the Grand Master qf 1 he order had passionately re- 
marked that ‘one hair of the head of a Saracen wus 
more valuable than the whole body of a Christian.’ 

1 19 



I PALEFACE 


Nietzsche writes, in his Joyful Wisdom, ‘The bar- 
barians have always loved the South ; and once they 
got there, never wanted to come baek into the North 
again,’ etc. 

This was partly wanderlust, no doubt, partly ap- 
preciation of a gentler climate and a nice blue sky. 
But the European, like every of her man, Jhas always 
had a fancy for the mysterious’ lands outside his 
own, inhabited bv marvellous and strange peoples. 
He has always ‘smelt strangeness,’ and mistaken 
that for love. History is quite choked 4 with that 
counterfeit. 

Today these mysteries have been exploded. The 
Age of Newton, as Mr. Bussell calls it, has destroyed 
what was imposing and native in the great eastern 
civilizations; and Bolshevism, with the full encour- 
agement and assistance of the West, is westernizing 
(and bolshevizing) the Eastern populat ions still more, 
as it ‘nationalizes’ them m the Western sense; our 
popular musical-eomedv actors and actresses spend 
week-ends m Ilawai or Samoa; there is no ‘Darkest 
Africa,’ or it is full of trippers shooting tame tigers; 
our Earth has narrowed and is everywhere 1 accessible 
and open to inspection What difficulties the 
author of Arabia Deserta encountered m lus attempt 
to make-believe to himself that he was in the heart 
of an inaccessible, fanatical, and perilous land — a 
sort of ‘Darkest Africa’-— any reader of Ins wonder- 
ful book w ill rt member. So the position of Romance 
is not what it was before the turbine engine, wireless, 
etc. It wnll still be ds old ‘romantic’ self forever 
(for the romantic cannot change its ‘dark’ cthiopian 
skin) but henceforth it will be a shabby and dmnn- 

150 



ROMANCE ON ITS LAST (PHYSICAL) LEGS 

ished one. Romance will never be the same Ro- 
mance again, at least for a long time. The more 
imaginative ‘romantics’ have taken to Time-travel 
instead, disquieted with the vulgarity of Space. 

Under these circumstances the romantic mind is 
not so easy to justify to-day as it was even at the 
time of Gajigum: infinitely less so than it was for 
Baudelaire. There is scarcely any excuse for being 
a romantic *<u*day, indeed, of the type of Hardy, 
Zola, Baudelaire, Livingstone, Lafcadio Hearn, Ste- 
venson or* Saugum. Yet there arc still a great 
number of just the same sort of 'physical romantics , 
as they might be classified. But usually we find 
them a little apologetic and uneasy or full of an epi- 
leptic movement and borrowing more and more from 
madness to substantiate their dream. 

The class-romantic , like Tolstoi — romancing about 
‘the peasant’ — even lie still exists, although Bol- 
shevism has almost eliminated linn. But with his 
political enthusiasms few people have any patience 
today. On the whole that sort oi romantic may be 
said to be extinct. 

AJ1 these romantics I have been mentioning have 
enormously assisted the overthrow of european 
power; and they all have been like those cinema 
actors and actresses in the movie studios described, 
in one of the epigraphs to this essay, bv Sherwood 
Anderson in the words : 

‘Children, playing with dreams — . . American 

dreams — Anglo-Saxon dreams ! ’ 

i 

What was it that caused all these Northern 
dreamers to dream things so physically, or politic- 
al 



PALEFACE 


ally, disastrous to us, their descendants? Was it 
that instinct of the aristocrat to throw him&elj down „ 
to return into the untaught and dispossessed mass 
beneath him, dramatized in Strindberg’s Mademoi- 
selle Julie ? Whatever the answer is, these Play- 
boys of tin* Western World of the* last century, from 
Byron and Shelley, those typical roma/itic revolu- 
tionary aristocrats, down to the present time — 
down to the people we are now discussing- — have 
ruined us with their dreams — American dreams, 
French dreams, Russian dreams. The generous im- 
pulses of some of these aristocratic dreamers, to 
relieve* distress, to give happiness to the poor, have 
only resulted in debasing the Poor White still further, 
till he bids fair to become the despised servant of the 
coolie. The last action of the last of his feudal 
masters was one that will soon result in a greater 
abasement than ever before for him. This could be 
made, by a fanatical proletarian, to look like malice! 
Already in the East the White who is not Poor (and 
so despised) is no longer respect ed. So it is im- 
possible for us today, as average Whites, for whom 
the Melting-pot is not the reality but only the tran- 
sition, who at last see clearly this whole chain of 
uncomfortable events, to thank those dreamers for 
their expensive idealism Wo can do nothing blit 
deplore their political short-sightedness, and all that 
sentimental ‘liberalism’ or ‘radicalism’ that has 
brought us where we are instead of to a position 
where we should have been dictators of the Melting- 
pot, free 1o jump m or not as r ve like — not at least 
liable to be pushed in, like a small boy into his first 
swinmung-baUi. 


152 



CONSCIOUSNESS AND ANNIHILATION 


§ 2. The Consciousness of One Branch of Humanity is 
the Annihilation of Another Branch. 

In another quotation, used as epigraph to this 
essay, Mr. Lawrence writes: 

\The Indian* way of consciousness is different 
from anil fatal to our way of consciousness. Our 
way of consciousness is different from and fatal to 
the Indian.’ 

He thenjjpntinues: 

‘The two ways, the two streams are never to be 
united. They are not even to be reconciled. 
There is no bridge, no canal of connection. The 
sooner we realize, and accept, this, the better . . 

— ( Mornings in Mexico , p. 10 L) 

To have been able to reach that conclusion is an 
achievement for a White Man. 

The consciousness of one blanch of humanity is the 
annihilation of the consciousness oj another branch ,’ 
again he says 

IIow entirely true ! Then why does Mr. Lawrence, 
it is impossible not to ask, go on smelling round the 
Indian Heaven and coquetting with the Indian gods? 
just as Mr. Anderson, before Mr. Van Vechten, phil- 
andered with the Nigger Heaven ? Why cannot he 
learn to lca\e them alone, or at least to keep this as 
a private luxury, and not try to communicate it to 
the rest of the world? Why docs he attempt to 
teach this alien (an<J> for the White, he announces, 
‘fatal’; ‘consciousness’ to us? As well ask, of 
course, why a man always wishes to proselytize about 

153 



PALEFACE 


his pet vice. The more unusual it is, the more he 
wishes every one to share it. 

But Mr. Lawrence’s explanation is that he has ‘a 
little ghost inside 5 him, which ‘sees both ways.’ 
And this arrangement he recommends to us. We 
should all get such little optical ghlbsts. I will quote 
the whole of this passage : # 

‘The consciousness of one branch of humanity 
is the annihilation of the consciousness of another 
branch. That is, t he life of the Indian, his stream 
of conscious being, is just death t<? (he White 
Man. And we can understand the consciousness 
of the Indian only in terms of the deatli of our 
consciousness . . . the same paradox exists be- 
tween the consciousness of white men and Hindu 
or Polynesians or Bantu. It is the eternal para- 
dox of human consciousness. To pretend that all 
is one stream is to cause chaos and nullity. To 
pretend to express one stream in terms of another, 
so as to identify the two, is false and sentimental. 
The only thing you can do is to have a little ghost 
inside you which sees both w r ajs, or even many 
ways. But a man cannot below* to both wavs, or 
to many ways. One man can belong to one great 
way of consciousness only, lit* may even change 
from one way to another. IW lie cannot go 
both ways at once. Can’t be done .’ — {Mornings 
in Mexico , pp. 105, 100.) 

All this appears to me exceedingly sound. But, 
having regard to the locality it which it is uttered, 
what lias taken its author there, and what he else- 
where undoubtedly is proposing 1 o us, it is certainly 

154 



CONSCIOUSNESS AND ANNIHILATION 

puzzling. The little tw T o-way-lookmg ghost is the 
solution, of course, or the excuse for this glaring 
paradox. Hut that is scarcely satisfying. 

There is a great deal of argument today as to 
whether the idea expressed in the proverb that 
‘There are seeds in the body of the hare that are 
fatal to the^body of the lion’ is a true one or not. 
One set of disputants will tell you that 'all people 
are the same' the face of much evidence to the 
contrary ); and the other set will tell you that East 
is East aiu^ West is West, and that the consciousness 
of a race is deeply fixed, that it obstinately goes on 
its way. and wlum its consciousness is starved, in- 
hibited or destroyed, it, too, the race, ceases to exist . 
Perhaps the truth is not quite on the side of either 
of these disputants, but somewhere else and not to 
be answered by such a simple statement. 

Bui still there are many facts that suggest f hat a 
race has a soul (or ‘consciousness,’ or whatever you 
like to call it)- that il is vulnerable and of vital im- 
portance to the race. I will quote a passage from 
my book, The Ail o\ Being Ruled , to illustrate this. 


§ When the ‘ Consciousness ’ u? Soul oj a Race is 
Crushed , the Race C ollapses. 

‘The Chukchee . . in spite of their hardiness, 
are, however, subject to annihilating collapses of 
vitality, of which the phenomenon of “arctic hys- 
teria” is a celebrated symptom. But another 
symptom is equalljjstnking. Prolonged slumber, 
lasting many weeks, is common with them — a 
suddenly recurring hibernation or estivation. A 

155 



PALEFACE 


man will collapse, feeling unwell, and go to bed 
and to sleep, and so remain until he either dies or 
recovers. So the rjgour of the climate, claiming 
of them unnatural hardihood and powers of resist- 
ance, overwhelms them m this way once it passes 
their guard. After the subjection of the, neigh- 
bouring tribes by the Cossacks some fifty years 
ago, it is said that the whole population suddenly 
collapsed: they lost all interest aitd zest in life, 
neglected their usual occupations, sank into a 
listless poverty, and became almost a burden 
and menace to their conquerors .’ — (Art of Being 
Ruled, p. 295 .) 

The neighbours of the Chukchee, deprived of their 
freedom and of l lie natural expansions of their deep- 
rooted ‘way of consciousness,’ or soul, sink back into 
their arctic torpor, languish, and die. In my book. 
The Art of Being Ruled, I suggested that it was not 
only geographically unimportant races, like these 
sub-arctic tribes, that were prone to these collapses 
if suddenly interfered with, or defeated, to such an 
extent that the deepest ‘consciousness’ or soul is 
impaired. Also great nations or races, I contended, 
may similarly suffer, and sink into a discouraged 
torpor, just as much as may a *mall tribe. And m 
that book I suggested that there were many symp- 
toms m posMvar Europe of such a collapse. I cited 
the widespread phenomenon of male-111 version as an 
example of the form that this collapse w T as taking. 
As the starch went out of thetn, the males relapsed 
into what 111 Sodom arc* technically called 1 bitches,’ 
in a process of almost physiological transformation. 

15 G 



SUICIDE EPIDEMIC AMONG THE WHITES 

The trying and unnatural conditions of the Machine- 
Age, the elimination of individual ambition in\ol\cd 
in the phenomenon of the Trust or Corporation, the 
suicidal White War, and the shattering tremors con- 
veyed to us by Ihc recent gigantic rc\olution m 
Russia, and all it forebodes — these things are enough 
to account tor anything. 

4 

§ 4. I)i. Bn than and the Sun ide Epidemic among ihc 
Whites oj the United States . 

I iLAvn^Jeppcd aside for a moment from an exam- 
ination of the ideas of Mr. Lawrence, as picscnted in 
Mornings in Mexico, to make quite clear what is 
really the issue in his romantic pronouncements. I 
shall be returning to his book immediately: but I 
will interpolate another quotation here, of another 
order, iiom a book that appeared during the month 
of August m New Yoik, namely The Religion oj Be- 
haviourism, by Di. Louis Berman. l)r. Berman I 
have dealt with elsewhere (cf. Time and Western 
Man). But the short book about Behaviourism he 
has just produced oilcr> another and pleasanter 
aspect of his talent, or rather phase of his peculiar 
evolution. What has effected tins desirable change 
m Dr. Berman I do not know f . But much that lie 
says here appears quite sensible. 

The discouragement, confusion, and decay or col- 
lapse of communities (whether very laige or \cry 
small) is what we are considering. It is our belief 
that the White race, since the War (which m every 
sense was a mortal L4 ow t to it), is, now (despite the 
great advantages still remaining with it, and the 
reasons for self-esteem to be found in its great posi- 

157 



PALEFACE 


tion in the world, its supremacy up to the present), 
suffering from many of those symptoms of discour- 
agement, disbelief in itself and its destiny, and 
material collapse, that have often been noticed in 
other peoples. Whe n it is a small organism, a small 
people, it decays and disappears quickly. , With 
sueli a great and elaborately organized system as the 
White European ' World, these sig^s arc far more 
difficult to detect. And Dr. Berman’s chapter on 
‘Suicide as a symptom,’ dealing with the recent 
epidemic of american student suicides, is what has 
made me go aside to examine this book before pro- 
ceeding with Mr. D. II. Lawrence. 

Dr. Berman gives an account of the phases of the* 
extreme mechanical doctrine of Behaviour (of which 
the principal exponent is Professor Watson), which 
lie calls a ‘religion.’ Bui he cites Bergson as the 
author of all that is anti-Behaviour, of all that is 
Gestalt , of all that is admirable, according to him, m 
the contemporary world. He attacks Science, under 
its extreme (and its most comic and ridiculous) form, 
Bcha\ lour. So he still stands not so far from where 
he formerly did. For the significant opposition in 
the contemporary \\orld is not between Bergson on 
the one side, and Behaviour on the other. They are 
much nearer together than they would each have us 
believe. For if Behaviour conics out of E\olution, 
does not also Creative Evolution and Bergson come 
out of E\olution? The* real opposition is very 
different from that. 

‘Behaviourism or Waisominity ,’ says Dr. Ber- 
man, then, Svas begotten by Darwinism out of the 
modern scientific spirit. ... As a child of Darwm- 

158 



SUICIDE EPIDEMIC AMONG THE WHITES 


ism . . . America may be expected to disgrace itself 
about it as soon as its implications reach the demo- 
cratic mind. The uproar . . concerning the teach- 
ing of evolution . . . will turn out to be the foam of 
a passing ship as compared with the howls which 
will be emitted . / . when the full significance of the 
New r Faith, finally filters down to their le\cl ’ (that 
of the 1 backwaijfl and moronic’ mass of Americans). 

The sooner the ‘morons’ of America ‘disgrace 
themsehes’ with regard to ‘Behaviour,' the better, 
in my view of the matter. But I hope while these 
‘morons/ as Dr. Berman calls them, are about it, 
that they will disgrace themselves about Creative 
Evolution and Be rgson as well, and any other sort of 
Evolution they can lay their moronesque hands on. 

But Berman has been reading : I feel quite certain 
that Berman must have been reading some 1 improv- 
ing book or other - 1 wonder which it was? For 
listen to him : 

‘The Smart Set has become the Smart Crowd, 
indeed tin* Smart Mob . . . urbanites and sub- 
urbanites, wise because instructed by radio, tab- 
loid and press agent, pride themselves on being 
intellectually hard-boiled when thc\ are only 
somewhat parboiled. . . . Behold the spectacle 
then of our men and women of ideas accepting the 
charge of being clcvensts, careerists, tnvialists, 
as a compliment, but shrinking with the horror of 
that most horrible of all horrors — the horror of 
ridicule — from the stigma of being called senti- 
mentalists, emotionalists, feelmg-ists.’ 

Ah, so the ‘morons’ do not only consist of Mr. 

ISO 



PALEFACE 


Mencken’s favourite victims, the inhabitants of ‘the 
backward States of the Union ’ ! They arc also to 
be found among the ‘Smart Crowd/ these ‘morons’ : 
and now 4 our men and women of ideas ’ turn out to 
be 4 morons ’ ! That is a slight advance for Dr. Ber- 
man. I am sure Berman must haiv been reading some 
very enlightening book . But lie will lujvcr tell us 
which it was, so lot us be grateful tl^it something or 
other has happened to Dr. Berman that has made 
him slightly more sensible, and leave it at that. 

Well, the conditions described in thV above ex- 
tract are suitable to discouragement , and to a view 
of life that may at last persuade people that such an 
existence as that is so futile that it is hardly worth 
living: that is Dr. Berman’s argument. (And a 
very good one, too.) 

‘Behaviourism then is sympathetic to the age,’ 
lie say s. 

‘By extravagantly exalting movement, by 
placing’ what a man is doing ‘so implicitly m the 
foreground . . . * 

fl must interrupt Dr. Berman. If he is seriously 
going to switch over to this line he must immediately 
drop all that Bergson and Gestalt . For surely Berg- 
son, of all people, was the mercurial philosopher of 
incessant movement , of flux and luss. So he cannot 
abuse those who ‘exalt moi cment ’ in one pari of his 
book, and kowtow to Bergson in another — I will 
now continue the quotation.] 

‘ by regarding seriously the half-truth that 

language is a scries of muscle twitchmgs, essen- 
tially in the same class as walking or running, and 

ICO 



SUICIDE EPIDEMIC AMONG THE WHITES 

by reducing the emotions to “nothing but” vis- 
ceral reactions. . . . Behaviorism appeals to the 
worshippers of noise in contemporary art and 
manners . . . the believers in direct action in 
politics hail its implications for them. In a time 
like burs when among proliferating cities, in any 
branch of human activity, niotiop and commotion 
arc infinitely ^preferred to contemplation and 
insight, the gospel of muscular (and glandular) 
conduct as>the conquering creed of the twentieth 
century may be expected to be hailed as the very 
indigenous credo of a democratic people. — The 
effects have been bad and will become worse.’ 

Where Berman got all this from I can’t guess; but 
it is quite sensible, or so it naturally seems to the 
author of the Art of Bring Hided and the Revolution- 
ary Simpleton . 

4 The bchavionst, m fact, comes to us with a 
challenge to all our values, of good and evil, right 
and wrong. There is no aspect of human life he 
does not touch with liis ubiquitous concepts and 
attitudes. ... In the law and m education he is 
coming, with his defiant technique . . . his lan- 
guage (is) the accepted nomenclature of the experts 
and his theories the means by which the lives of 
children are being regulated and mutilated.’ 

You would think, of course, here that Berman 
was describing not Behaviourism, but Bolshevism, 
or at least Psychoanalysis. I do not believe that 
Behaviourism is the religious force that he pretends. 
It is just the extreme gospel of the Machine Age. 

l 161 



PALEFACE 


Every little average ‘goose-stepping, superstitious, 
sentimental ’ unit of a present-day industrial mass- 
democracy is a behaviourist. He would be just as 
thorough a one without Professor Watson. Why 
Behaviourism is so intolerable intellectually is not 
because it leads , but because it follows thfc little 
average ‘goose-stepping, superstitious, .sentimental’ 
unit of the mass-democracy, and Aakes a mechani- 
cal imitation of this robot in the philosophic field. 

Dr. Berman, however, is determined to treat it as 
a religion. And at all events what he frays about 
the effects of it, and of similar doctrines, upon the 
more sensitive mind is no doubt correct: 

‘Most to be dreaded of all the injuries that may 
be inflicted by Behaviorism upon the souls of 
sensitive personalities (the others do not matter) 
is the ellect upon their sense of freedom, their 
altitude of initiative, which means their feeling of 
being intensely and fully alive. The repetitive 
tom-tom of the Behaviorist drum is insistent 
that we are wholly and totally the victims of con- 
ditions beyond our control, from the moment of 
birlh to the moment of extinction. . . . Without 
regard to any central theme of individuality, move- 
ment begets movement, habit begets habit. . . . 

‘Consider the value ol yourself, of your lite, of 
your strivings and efforts ... of the feeling of 
your unique self m the light of the conditioned 
reaction! . . . How invigorating to weakening 
morale . . . ! To sec himself as the product of 
muscle-twitchmgs and glai\d-oozings is the most 
degrading spectacle of himself ever presented to 
Man. . . . 


162 



SUICIDE EPIDEMIC AMONG THE WHITES 

‘In the language of its protagonists: of all the 
inodes ever offered for the use of conscious behav- 
ior, Behaviorism has the least survival value. 

‘ Information , ideas , theoiies about ourselves may , 
mts(U inevilabh^ kelp or hinder us to In e. The effect 
may be t(j exa'), intensify, inspire, transform con- 
sciousness ano' conduct. Or it aiay be to depress, 
infect, sicken, dishearten to the point of death.’ 

Dr. Berman decides that it is Behaviourism (now, 
he sajs, become a leligion) that has disheartened to 
the point oj death a variety of Americans, especially 
students, m the course of the v r car 1927. If the 
religion of Behaviourism grows it will no doubt 
(more than any Moloch, he assures us) claim more 
and more victims. 

In a chapter entitled fc Suicide as a Symptom * he 
details a long list of student-suicides: 

‘Recently there occurred an outbreak of suicide 
among student youths. . . . Within a few months 
a number ot students had taken their lives, leav- 
ing behind them letters stating their sense of the 
futility of keeping alive. The record runs: On 
January 2nd a University of Illinois student killed 
himself, writing that he had experienced all that 
life contained ... the son of a specialist m mental 
disorders shot himself m his father’s home. lie 
found life “dark and worthless,” he wrote his 
father. On January 23rd a student m the Uni- 
versity of Wisconsin shot himself because he was 
bored with this earth and wished to see how things 
were over there,’ etc. 


163 



PALEFACE 


§ 5. Races similarly ruined by the White Man. 

And so Dr. Berman goes through a monotonous 
list of amencan students who hang, shoot, poison, 
or gas themselves because life is dark and empty. 

► He considers this a phenomenal of the. same 
sort as that noted by Dr. Hifers ^among the 
Melanesians : • | 

‘ W. II. R. Rivers once studied the degenera- 

tion of the inhabitants of the Melanesian Islands 
after the advent of the White Man. ‘Particularly 
was he interested in the fact that m certain of the 
islands there was almost complete extinction of 
the native population, in spite of the presence ol 
plenty oj the materials of subsistence and the absence 
of epidemic ot unusual disease. ... he came to 
the conclusion that these peoples were dying out 
because they were losing their zest m life. And 
they were losing their zest in life because the 
coming and cunning of the White Man had under- 
mined their attitude to life so completely as to 
affect the very Will to Live.’ 
lie then proceeds : 

‘It seems to me there is an analogy between the 
state of mind of these students and the native 
populations.’ 

In the Art of Being Ruled (Cliatto and Windus, 
1926) I came to similar conclusions: and the quota- 
tion I have used at the beginning of this part, relating 
to the neighbours of the Chukchee, tells the same 
story, on the authority of a traveller who had lived 
with those tribes, as is told by Dr. Rivers of the 

164 



RACES RUINED BY THE WHITE MAN 


Melanesians. Remove from a ra-raing Yale student 
his ra-ra ! — and put nothing equally stimulating 
there in its place — remove all his illusions about him- 
self, as a huma* being (fortunate enough to belong 
to a particularlyfeute nation, fortunate enough to be 
of tliiNclass that yi # sent to Yale, fortunate enough to 
have large musei . a s and to be a star in the world of 
university sport', fortunate enough to have blond 
eurly hair and so to attract the attention of all 
beautiful girls met, or to be dark and sensitive-look- 
ing, and^so to receive much attention as a likely 
prey, etc. etc. etc.)— remove all these, or even an 
appreciable portion of them, and your student will 
lose his zest for life, just as the Melanesian or the 
neighbour of the Chukchee did when deprived of 
what were for him the equrvalent of those satis- 
factions. 

The White Man’s superior cunning is, however, 
hardly the word, in describing what he destroyed 
the Melanesian with. There was not nwugh ‘cun- 
ning’ m the White Man, unfortunately. The de- 
scendants of those Whites, students in amencan 
universities, because they are not sufficiently ‘ cunning? 
because they believe anything that is told them, 
because they are too ‘goose-stepping, superstitious, 
and sentimental’ (though not called ‘morons’ in- 
variably by Berman and others whenever men- 
tioned — but of course not, seeing that they are the 
principal clients of Berman and others, the cultured 
minority), because they have allowed themselves to 
remain romantic, show a tendency now to destroy 
themselves. Some nnnd more ‘cunning’ than the 
White has enveloped them and infected them with 

165 



PALEFACE 


a Consciousness 9 not their own. And if we look 
round for the possessor of this more Cunning 9 nund 
than the White mind, able to destroy it with its alien 
Consciousness 9 (as Mr. D. II. Law* once would call 
it), then we need not go to a hostilefracr, we can find 
it m the mind of Science, more Cpnmng 9 certainly 
than the vuy simple anglo-saxoi administrators, 
who robbed the j'oor Indian of his / zest for life,’ or 
‘Will to Live.’ 

Rut if the word Cunning 9 is to be the key to this 
problem of the new ‘inferiority complex 9 of the 
White, then eeitamly Behawourism comes very far 
down the list, and must be disqualified at once. For 
it is very simple and not at all cunning. Professor 
Watson, as also Yerkes and most behaviourists and 
‘testers,’ is a very simple, even stupid, man. Messrs. 
Freud and Jung — or shall we say Einstein? — have 
really had much more influence — and Psychoanalysis 
and Relatiwtv, m all their various popular mani- 
festations, are calculated to produce much more 
effect.than poor threadbare, mechanical, unglamour- 
ous, sexless. Behaviour . 


§ G. Behaviow ist ‘ Summn Conversation . 9 

That Behaviourism has its i ffi < L upon popular 
thought, or at least upon the ficlionist, vho is the 
middleman come} mg philosophic notions to the 
minds of people not accessible to ideas m anything 
but a sensuous and immediate form, of that there is 
of course plenty of evidence/ I will take a con- 
versation from Th( Apple of the Eye , by Glenway 
Wescott, a ‘first no\cl,’ dealing with life in the 

ICG 



BEHAVIOURIST ‘SUMMER CONVERSATION’ 

• 

Middle West. It is a conversation between a young 
man and a boy, the former instructing the latter as 
to the true character of life. For its possible real- 
ism, you have to allow for the very intense puritanic 
backgrounds provided for it by its ainenean setting. 
% fc Dan hngeijed beside him. . . 

wS “Tell me tyien,’ he asked, "‘don’t you believe 
in chastity?” 

"Mike’s eyes brightened at jfn opportunity to 
teach. “What a queer question ! It has beaut)'. 
Before I went to the university I thought it was 
the only beautiful thing. To li\ e m the spirit in- 
stead of tin flesh. The flesh nothing but candle- 
wax under the flame. Then you feel that you’re 
like Christ and all the saints. Puritanism appeals 
to the imagination, but it makes people sick.” 

" “Sick?” Dan echoed, confused. 

fc “You see, there isn't anything but flesh.” He 
spoke slowly, in broken phrases, pronouncing 1 he 
tv ords with obvious pleasure. “We are all flesh; 
when it \ weak, v r c ’re weak ; w hen n ’s sick, we ’re 
siek; when it’s dead, we’re dead. Now w r e’re 
civilized, we tiy to pretend that our bodies don’t 
matter. But our minds, our imaginations, are 
flesh too, and part of the w T hole. Puritanism is 
like cutting a muscle m your arm, and trying to 
move vour hand with its own muscles. . . 

" “ Your religion is wrong,” Mike went on. . . . 
“It cuts us m tw r o. It di\ ides the body from the 
spirit. The body is what we are and the spirit 
what w T e think. . . 

‘ “And it is only pleasure, your kind of love?” 
Dan asked wistfully. 


167 



PALEFACE 


‘ “Only? Only pleasure?” Mike shouted, and 
lus laughter turned quickly to an affectionate 
seriousness. “Listen, boy. It ’s built on despair. 
Once we thought life didn’t matter, wasn’t any- 
thing but a preparation for ete&nty: a vale of 
tears — with a sunny paradise, ufor y strange and 
full of songs, all ready for t he wiwtliy. Tha“t \s all 
over. We’ve found out we’re only«cells; they 
break up w’hefi we die. We’ve found out that 
we’re animals, just animals that remember more 
and worry more. So life is the only thing that 
does matter. A few years, thirty or forty or lifty 
years, hungry years; then we end up here, under 
the grass; and we’re going to have a good 
tune. . . .” 

‘ “And what is a good time?” 

* “That . . .” Mike paused — “that is a ques- 
tion.” He spoke the words jubilantly. “Joy, 
delight, pleasure — there isn't any word.” Mike 
stretched himself dreamily. . . .“Fun, without 
anv end. A bunch of flowers, falling, falling, over 
the eyes, over the mouth, till you're all still and 
satisfied. . . .” ’ 

That is the central statement of the book (I am 
not considering it with reference to its merits as a 
book, but only as evidence for the infiltration ot 
philosophic ideas), and it is beha\ louristic more than 
anything else, I suppose. Tt is no doubt some such 
attitude as that, resulting from Behaviourism, of 
which Dr. Berman was thinking. But Behaviour- 
ism alone would not have produced even that, or 
anything like it. All the influences that, however 

108 



RACE OR IDEAS? 


paradoxically at first sight, fit into Behaviourism, 
must also be counted into the whole effect. And 
Bergson and Gestalt , and so Berman, is one of them. 
It will now bej possible, I think, for any reader to 
return to the ‘^ark 9 matter of Mornings in Mexico 
with a clear grc.sp not only of the manner m which 
I am approaching what Mr. Lawrence has to sav, 
but also with more chances of understanding some 
of the remoter, and indeed \ery extended and im- 
portant, implications of what he is saying. 


§ 7. Race or Ideas? 

I will quote once more the passage of lus with 
which I began : 

‘The Indian wav of consciousness is different 
from and fatal to our w ay of consciousness. Our 
w r a\ of consciousness is different from and fatal 
to the Indian. The two ways, the two streams 
are never to be united. . . . The consciousness 
of one branch of humanity is the annihilation of 
the consciousness of another branch. That is, 
the life of the Indian, his stream of conscious 
being, is just death to the White man.” — (Morn- 
ings m Mexico, p. 105.) 

Let iis place this side by side with the similar 
passage from Dr. Berman : 

‘In the language of its protagonists: of all 
the modes e^er offered for the use of conscious 
behavior, Behaviorism has the least survival 
value. . . . Information, ideas, theories about 
ourselves may, must, inevitably help or hinder us 

169 



PALEFACE 


to live. The effect may be to exalt, intensify, 
inspire, transform consciousness and conduct. Or 
it may be to depress, infect, sicken, dishearten to 
the point of death.’ i 

f 

So the ‘stream of conscious be/nq,’ which is the 
Mexican Indian, ‘is just death to the White Man.’ 
That is Mr. Lawrence. For Dr. Berman ‘ideas and 
theoiies* are capable of aehie\mg the same result. 
They can ‘depress, infect, sicken, dishearten to the 
point of death.’ 

Is it necessary for this different ‘consciousness/ 
between wlueh and ours ‘there is no bridge, no canal 
of connection,’ this soul , to he incarnated m a Mexi- 
can Indian (or a Ilmdu, a Polynesian or a Bantu, to 
choose Mr. Lawrence’s other examples) ? Or can 
this be merely a disincarnatc idea? Is the scien- 
tific or mathematical man of genius as good for those 
destructive purposes as the Toltee or Hopi? Or 
must it he a ract ? 

The romantic side in Mi . Lawrence, las love of the 
sensationally concrete, would always dispose him 
to seek tins situation m the psychological clash of 
races, as others can only s* t it in classes. He sees 
it as a 7 ace situation and also quite conventionally, 
as a conventional and wholly melodramatic race 
situation. East is East, and West is West, and the 
unbridgeable something— the alien and unassimilable 
seed m the matrix of the Indian ‘conseiousiu ss.’ -will 
not accommodate itself to the White. It is a fight 
to the death. One or the other dies. 

My more abstract interests would naturally make 
me seek it rather in ideas than in laces. I admit, 

170 



• RACE OR IDEAS? 


however, that the culture of one race, acquiring a 
political mastery over another, and imposing its 
ideas upon it, Is able and very likely to destroy the 
soul and so lilt physical life of another race. There 
are too many events that testify to it m leeent his- 
tory for that not* to be beyond possibility of ques- 
tion. But an idea is quite as powerful. E\en a 
race, for that matter, can annihilate another race 
with a sAvarm of ideas, or mtelleetualized notions; 
ideas proper to itself but Avith properties of disin- 
tegration for another race; or with ideas not neces- 
sarily its own, but such as it could manipulate with- 
out injury to itself, and which are destructive to its 
adversary. W e ha\ T c examples of something of that 
kind. But the ideas themselves, swarming over 
from the fields of scientific research, arc just as 
potent. 4nd though thev do no harm to their 
trained manipulator, they ma\ be harmful enough 
to those Avhom they attack. Besides, tlure is no 
puAverful race with A\hom \\e arc m contact whose 
alien ‘ consciousness ’ could affect us m this waj, 
unless you count the half-asiatie masters of Russia, 
whose ideas, it is true, are pouring through our con- 
sciousness, and a modified and diluted form of Avhose 
gospel has established itself in our midst. 

If we war m touch with an alien ‘consciousness’ 
( there would be no need even to b< physically at war 
with its possessors) m the avuv that the Melanesians 
Avere with the White, or the neighbours of the Chuk- 
chee avj tli the Russian, on terms difficult and dis- 
advantageous to ourselves, then avc should find that 
‘consciousness,’ no doubt, mimical, confusing and 
dangerous to our vital impulses, as Mr. Lawrence 

171 



PALEFACE 


describes. And in the same way the Whites cer- 
tainly are finding the attack of alien rleas confusing 
and dangerous for their Will and In ’agination, just 
as much as though they were cleaijy, sharply and 
picturesquely incarnated m some alien people, with 
whom we came in daily contact, alid who had tested 
us politically. So the racial analogy .will serve. 
But you must fix* your eye on something less palp- 
able — on systems of ideas, and a restless mass of 
theories. 

Wc are almost reminded of the superstitions as- 
sociated with the tombs of the egyptian dead, and 
the belief in the unlucky nature of the enterprise of 
the excavator: the late Lord Carnarvon and Tutan- 
kamen, for instance. His death seemed to come very 
suddenly after disturbing Tutankamen. — The White 
Man has unearthed and brought to light an enorm- 
ous historical rubbish-heap: there is nothing he has 
not excavated and brought into his own ‘conscious- 
ness 5 for examination. Sonic of the distant charms 
and remote systems have released into his ‘stream 
of consciousness’ things that are not healthy for it, 
perhaps ? 

These general considerations (which presented 
themselves and demanded to be dealt with at the 
beginning of this section) disposed of, we can return 
to the Mexican Indians, Toltec and Hopi. 

The Toltec and Hopi, Mr. Lawrence believes, and 
with that I for one am prepared to agree, might be 
dangerous for the ‘consciousness’ of Mr. Lawrence 
if he did not possess that ‘little ghost’ looking both 
ways at once, on account of which he is immune. So 
they will do no harm to one of the most justly cele- 

172 



•RACE or ideas? 

bratcd of endish novelists, we can be reassured. 
And it is verjV unlikely that the ‘consciousness’ of 
the Toltec andjjHopi will ever cause any noticeable 
embarrassment at this time of day to anybody else. 
At least this would be so if it wnc not for Mr. Law- 
rence (the only Wfiite liable, even, to interference at 
the hands »f these faded daimons). 

Through Mr. Lawrence (who mtikes himself into 
a sort of Hopi or Toltec for the occasion), they may 
still add their quota of confusion to the civilized 
world. Jt’or Mr. Lawrence is repeatedly telling his 
White readers that they are poor specimens com- 
pared to his energetic and ‘mysterious’ Indians, and 
a certain proportion of his White readers are liable 
to believe this, and add this ‘theory,’ or 'informa- 
tion’ (whichever you care to call it) to the material 
of then rapidly developing ‘inferiority complex.’ 
(For wc are speaking, too, of a ‘consciousness,’ of 
which often enough, even, people are not conscious.) 
It is perhaps bv itself a tiny factor, bul it fits m with 
‘The Revolt of Asia igainst White Civilization,’ or 
what not. So it is wortli while to examine it. If 
wc get to understand one or two things of this kind 
thoroughly, ue shall understand the lot. 


173 



PALEFACE 


f 

Section III f 

‘ LOVE ? WHAT HO ! SPELLING 

STRANGENESS ’ 

*> 

§ 1. ‘IVc Whiles, creatines oj apiiit .’ — P. H. Law- 
rence. * 

I WILL now turn to Mr. D. H. Lawrence’s ac- 
count of the Mexican Indian, and especially to 
his chapter ‘ Indians and Entertainment 
‘It is almost impossible for the White people to 
appioach the Indian without either sentimentality 
or dislike.* 

[Mr. Lawrence proves himself in this respect a 
good, While Man , I think, m his book about the 
Indian. There is no sign of dislike, so he is the other 
sort of conventional White Man.] 

‘The common healthy vulgar White usually 
feels a certain native dislike of these drumming 
aboriginals.’ 

Mr. Lawrence we can at once agree is not ‘a 
common healthy vulgar White*; he has nothing 
very ‘native* about him, cither white oi dark. 

‘The highbrow invariably lapses into senti- 
mentalism hke the smell of bad eggs.’ 

Mr. Lawrence is a ‘highbrow,’ about that I think 
there cannot be two opinions. And a ‘sentimental- 
ism like the smell of bad eggs,’ I am sorry to have to 
say, rises from all the work of Mr. Lawrence. It 

174 



‘WE WITTES, CREATURES OF SPIRIT’ 

is all slight! yl‘ high’ arid faisandc in a sentimental 
way. \ 

Anyhow, faJ from ‘disliking’ the ‘ drumming 1 of 
these ‘aboriginals,’ there is no question that he likes 
it \gcry much; and hca\ lly implied in all his d< scrip- 
lions is the notion that these drumming and other 
‘native’ habits are far superior to ours; the dark 
ones to the white. If we followed Mr. Lawrence to 
the ultimate conclusion of Ins romantic teaching, 
we should allow our ‘consciousness’ to be over- 
powered by the alien ‘consciousness’ of the Indian. 
And we know what he thinks that would involve: 
for he has told us that ‘the Indian way of conscious- 
ness is different from and fatal to our way of con- 
sciousness.’ 

We w T ill now turn to his account of the specific way 
in which this ‘consciousness’ of the Mexican Indian 
differs from ours. 

The ‘commonest entertainment among the Ind- 
ians,’ we are told (that is I suppose among the ‘com- 
mon healthy vulgar' Indians, if Mr. Lawrence’s 
romantic soul could bring itself to admit that a 
Toltec or a Hopi could be ‘common’ or ‘vulgar’), 
‘is singing round the drum, at evening.* 

There are fishermen in the Outer Hebrides, he 
says, who do something of this sort, ‘approaching 
the mdian way,’ but of course, being mere Whites, 
they do not reach or equal it. Still, the Outer 
Hebrideans do succeed m suggesting to Mr. Lawr- 
rence a realm inhabited by ‘beasts that . . . stare 
through . . . vivid mindless eyes.’ They do man- 
age to become mindless : though not so mindless as 
the Indian, therefore inferior. 

175 



PALEFACE 


‘This is approaching the India m song. But 
even this is pictorial, conceptual far t eyond the Ind- 
ian point. The Hebridean sti ll sees himself human, 
and outside the great naturalistic influences. . . .’ 

The poor White Hebridean still, alas, remains 
human, he is not totally mindless, though more 
nearly so than ary other White Mr. Lawrence off- 
hand can bring to mind. 

The important thing to note in all these accounts 
is the insistence upon mindlessness as an essential 
quality of what is admirable. The Hebridean is not 
to be admired so much as the Mexican Indian be- 
cause he still deals m 4 conceptual,’ ‘ pictorial * things ; 
whereas the Mexican Indian is purely emotional — 
‘musical,’ in a word, in the Spenglcr sense. (For 
the full analysis of this type of thinking I refer you 
to Time and Western Man, where there is a detailed 
account of spenglensm.) And the first impulse to 
the anti-coneeptualist, anti-intellectual, anti-pictor- 
lal point of view in philosophy, and thinking gener- 
ally, was given by Bergson: just as m Berman’s 
account of Behaviourism we saw linn attributing 
the genesis of Gestalt to Bergson. So at last we 
know just where we are, philosophically, with Mr. 
Lawrence. Mr. D. H. Lawrence is a distinguished 
artist — member of the great and flourishing society 
of ‘Emergent Evolution,’ ‘Creative Evolution,’ 
‘Gestalt,’ ‘ World-as-History,’ etc. etc. 

§ 2. Mr. Lawrence a Follower oj the Bergson-Spcngler 

School. 

I will go on quoting to show how completely Mr. 
Lawrence is beneath the spell of this evolutionist, 

176 



THE BtrttGSON-SPENGLER SCHOOL 

emotional, nol-human, ‘mindless’ philosophy: and 
how thorougmy he reads it into and applies it to 
the manifestations of the Indian ‘consciousness.’ 

‘The Indian, singing, sings without words or 
vision.' 

I am italicizing the expressions that it is parti- 
cularly necessary to mark in wh^t I am quoting. 
How the attitude to ‘words,’ on the one hand, and 
to ‘vision’ and the things of \ision, ‘pictorial’ 
things, on the other, is puie Spongier! 

‘Faice lifted and flightless', eyes half dosed and 
visionlcss, mouth open and speechless, the sounds 
arise m Ins chest, from the consciousness in the 
abdomen .’ 

A ‘consciousness in the abdomen’ or a visceral 
consciousness (which otherwise is ‘sightless,* ‘ vision- 
less,’ and k speechless “) is what we commonly should 
call unconsciousness . And indeed that is what — if 
we wrire to capitalize it under one v\ord — we should 
take as describing tlic kernel of this propagandist 
account. It is as a servant of the great philosophy 
of the Unconscious (which began as ‘Will’ with 
Schopenhauer, became k Tlie Philosophy of the 
Unconscious’ with Von Hartmann, launched all 
that ‘the Unconscious’ means m Psychoanalysis, 
and was ‘Intuition’ for Bergson, which is ‘Time’ 
for Spcngler, and ‘Space-Time’ for Professor Alex- 
ander) that Mr. Lawrence is writing. 

‘ The consciousness in the abdomen ’ removes the 
vital centre into the viscera, and takes the privilege 
of leadership away from the hated ‘mind 1 or ‘in- 
tellect,’ established up above in the head. 

177 


M 



PALEFACE 


§ 3 Spengler and the ‘Musical' Consciousness. 

The c sounds that arise . . . from the conscious- 
ness m the abdomen’ should be compared with the 
‘sounds' 1 or ‘sound-symbols 1 transcending mere 
words of Spongier. When Speitgler is trying to 
give us an idea of what lie means by ‘Time/ for in- 
stance, lie writes'. 

1 “Time” — that which wc actually feel at the 
sound of the word, which is clearer m music than 
in language . . . has this organic essence, which 
Space has not/ 

As I have pointed out elsewhere, Spongier’ s is in 
the same sense an ‘organic philosophy 1 as White- 
head’s. (The ‘philosophy of organic-mechanism’ 
is how Professor Whitehead describes his philo- 
sophy.) — These names and bare indications will sug- 
gest to you the theories that lie behind the romantic 
interpretations of Mr. Lawrence. I cannot here go 
into his philosophic derivations any more than to 
indicate very generally what they arc. — So, with 
him, we sec the impulses of the evolutionist, organic 
plnlosoplu reaching the glorification of the ‘con 
sciousncss in the abdomen 1 - -a sort of \isceral, ab- 
dominal, mind. involved with the gonadal affective 
apparatus, and establishing m these ‘centric parts' 
a new rc\olutionary capital, the n\al and enemy of 
the head, with its hated intellect , the aristocratic 
prerogative of the human being, that is such tin 
offence to communism. 

‘Every higher languagc/says Spengler, ‘pos- 
sesses a number of words . . . about which there 


178 



the ‘ Musical ’ consciousness 

is a veil. No hypothesis, no science, can ever got 
into touch with that which we feel when w r e let 
ourselves sink into the meaning and sound of these 
words. They arc symbols, not notions. . . . The 
Dcstim -idea demands . . . depth , not intellect 
— (Decline of the West , p. 117 of english transla- 
tion.) 

In Spengler's language (winch, as you see, is 
‘sound’ or ‘music,’ as he calls it, not anything so 
definite gs zvotd, s) ‘Time* is about the same thing as 
‘ Destinv.’ To say that it was the same would be to 
suggest an exactitude which is foreign to Spengler. 
And upon the feminine nature of ‘Time’ or ‘Destiny* 
Spengler insists a great deal. 

‘Endhv,s Becoming is comprehended m the idea 
of Motherhood . Woman as Mother is Time and 
is Destiny.’ 

A glorification of the Feminine principle, natur- 
ally, is also a great feature of the writing of Mr. 
D. H. Lawrence. The joining up of all these thread % 
is no doubt a tax upon the reader’s attention, and 
I wish it were not necessary so often to set out the 
evidence of what T am writing. But if I confined 
myself to assertion, or to a reference, merely, to 
where these parallels could be found, and omitted to 
give the text of some of the things at lea^t to w hich 
I refer, my argument would not be so substantially 
founded as it is, and above all, for piactical pur- 
poses, would want the convincing appeal domed 
from ‘chapter and verse.’ 


179 



PALEFACE 


§ 4. Communism , Feminism , and the Unconscious 
jound in the Mexican Indian by Mr. Law- 
rence. 

One of the rhythmical patterns of ‘sound’ pro- 
duced by t lie Indian the latter describes as a ‘Lear 
hunt,’ Mr. Lawrence tells us. 

'But,’ say\Mr. Lawrence, ‘the man coming 
home from the bear hunt is any man, all men, the 
bear is any bear, every bear, all bear. There is no 
individual , isolated expedience. It is the hunting 
. . . demon of manhood which has won against 
the . . . demon of all bears. The experience is 
generic, non-individual.’ 

So we reach Mr. Lawrence's communism, cast into 
the anthropologic moulds fiist prepared by Sir 
Henry Manic. For Mr. Lawrence is, m full hys- 
terical flow er, perhaps our most accomplished enghsh 
communist. lie is the natmal communist , as it w r ere, 
as distinguished from the indoctrinated, or tlico- 
ictic, one. 

(1) The Unconscious; (2) The Feminine; (3) The 
Communist : those are the mam principles of action 
of the mind of Mr. Lawrence, linked m a hot and 
piping trinity of rough-stuff primitivism, and freud- 
ian hot -sex-stuff. With Sons and Lovers, his fir 
book, he was at once hot-foot upon the fashionable 
trail of incest; the book is an eloquent wallowing 
mass of Mother-love and Sex-idolatry. His Women 
in Love is again the same thick, sentimental, luscious 
stew. The ‘Homo ’-motive, how could that be 
absent from such a compendium, as is the nature of 
Mr. Lawrence, of all that has long passed for ‘rcvolu- 

180 



COMMUNISM IN THE MEXICAN INDIAN 


tionarjV reposing mainly for its popular effective- 
ness upon the meaty, succulent levers of sex and 
supersex, to bait those politically-innoccnt, roman- 
tic, anglo-saxon simpletons dreaming their ‘anglo- 
4 axon dreams,’ whether m America or the native 
country of Mr. LaVrenee ? The mot if of the * child- 
cult,’ which is usually found prominently m any 
‘revolutionary’ mixture, is cchted, and indeed 
screamed, v ept and bellowed, throughout Sons and 
Lover*. 

At first sight, I ani afraid, many of the rappiachc - 
men Is that I make here may sound strained, since, 
I am sorry to sav, if things do not he obviously to- 
gether and publish their conjunction explicitly and 
prominently, it is not considered quite respectable 
to suggest that they have anv vital connection. 
The suggestion of anything ‘illicit’ shocks, even 
where ideas are concerned. That one idea should 
have a hidden liaison or be m communication with 
another idea, without e\er approaching it in public, 
or any one even mentioning them together — that is the 
sort of thing that is neve r admitted in polite society. 

So the majority of people are deeply unconscious 
of the affiliations of the various phenomena of our 
tune, which cm the surface look so very autonomous, 
and even hostile ; yet, existing under quite a different 
label, in a quite different region of time and space, 
they are often closely and organically related to one 
another. If you test this you will be surprised to 
find how many things do belong together, m fact, 
m our highly contentious and separatist time. 

Yet it is our business — especially, it appears, mine 
— to establish these essential liaisons, and to lay 

m 



PALEFACE 


bare the widely-flung system of cables connecting up 
this maze-like and destructive system in the midst 
of which we live — destructive, that is of course, to 
something essential that we should clutch and be 
careful not to lose, on our way to the Melting-pot 
What, you might say, for instance, has Mr. Law- 
rence’s remark about the ‘mindlessness 9 of the Mexi- 
can songs got t** do with communism ? Or, again, 
‘mindlessness 9 or ‘communism 9 to do with ‘the 
Feminine Principle’ (as opposed to the Masculine)? 
I can show you at once wlml ‘mindlessness 9 has to 
do with ‘communism.’ I will quote the latest euro- 
pean advocate of Bolshevism, ltene Fulop-Miller, 
from his book The Mind and Face of Bolshevism . 
It should really be called The Face of Bolshevism* 
since we learn that ‘Mind 9 is of all things what Bol- 
shevism is concerned to deny and prohibit. He is 
relating how the ‘higher type of humanity 9 is to be 
produced, the super-humanity of which Bolshevism 
is the religion. 

‘It is only by such external functions as the 
millions have m common, their uniform and simul- 
taneous movements, that the many can be united 
in a higher umt\ : marching, keeping m step, 
shouting “hurrah ” in unison, festal singing m 
chorus, united attacks on the enemy, these are the 
manifestations of life which are to give birth to 
the new and superior type of humanity. Eva y - 
thing that divides the many fiom each other , that fos- 
ters the illusion of the individual importance of man , 
especially the “ sovlf hinders this higher evolution 
and must consequently be destroyed . . . organiza- 
tion is to be substituted for the soul . . . the 


182 



COMMUNISM IN THE MEXICAN INDIAN 

vague mystery of the “soul,” with that evil handed 
down from an aecursed individualistic past. . . .’ 

Let us now continue with our quotations from 
Mr. Lawrence. 

'There is no individual , isolated experience. . . . 
1 1 is an experience of the blood- stream, not of the 
mind or spirit. Hence the subtle incessant insist- 
ent rhythm of the drum, winches pulsated like a 
heart, and soulless and inescapable. Hence the 
strange blind unanimity of the . . . nun’s voices.’ 

As jvu see, it might equally be Mr. Fulop-Miller 
on the beauties of Bolshevism. The Mexican Ind- 
ian of Mr. Lawrence is the perfect Bolshevik. The 
‘blind unanimity of the men's voices’ (the ‘keeping 
in step . . . festal singing in chorus’ of Fulop- 
Miller) assures ‘soullessness.’ The ‘soul . . . must 

be destroyed * says the apostle of Bolshevism. ‘ 

the Indian song is non-individual. . . . Strange 
cfappmg, crowing, gurgling sounds, m an unseizable 
subtle rhythm, the rhythm of the heart m her throes : 
. . . from an abdomen where the great blood- 
stream surges m the dark, and surges in its own 
generic experiences.’ 

To witness all this is, to Mr. Law r rence, heaven. 

‘ perhaps it is the most stirring sight m the 

world m the dark, near the fire, with the drums 
going,’ etc. etc. 

‘It is the dark blood falling back from the mind, 
from sight and speech and knowing, back to the 
great central source where is rest and unspeakable 
renewal.’ 

On the same principle as ‘Back to the Land,’ the 
183 



PALEFACE 


cry of Mr. Lawrence (good little Freudian that he 
has always been) is ‘Back to the Womb!’ For al- 
though a natural communist and born feminist, it 
required the directive brain of Freud and others to 
reveal lam to himself. 

‘We Whites, creatures of spirit?! he cries. Ah, 
the ‘strange’ things we ‘nevci icalize’! (sueli as the 
‘strange falling jb^ck of the blood . . . the down- 
ward rhythm, the rhythm of pure forgetting and 
pure renewal '). 

§ 5. The Indian a c Dilhytambic Speetato 

As to the pantheism of Mr. Lawrence’s Mexican 
Indian, the following passages inform us about 
that: 

‘There is strictly no god. The Indian does not 
consider himself as created, and therefore external 
to God, or the creature of God . . . Creation is a 
great flood, for ever flowing. . 

Everythin i* Flows!— -for the Indian, as for Bergson, 
Mr. Lawrence, etc. In art the Mexican Indian ap- 
proximates closely to the ideal of the contemporary 
bolshevik theatre (the principles of which 1 ha\e 
discussed in an essay. The Dithyrambic Speetato?). 

‘There is no division between actor and audi- 
ence. It is all one.’ 

‘There is no OnJooktr. There is no Mmd. 
There is nc> dominant idea. . . . The Indian is 
complete]) embedded m . . . Ins own drama. 
It is a drama that has no beginning and no end. 
... It can’t be judged, because there is nothing 
outside it, to judge it.’ 

184 



THE INDIAN A 4 DITIIYR AMBIC SPECTATOR* 


It is evidently just like life . It is a form of natural- 
ism, the mystical form. And above all there is no 
bunk about mind. Mind is kept in its place, m the 
mdian idea of drama ! 

'The mind is time merely as a servant. . . . The 
mind bows dowh before the creative mystery.’ 

As to the good and the bad, that rfgam consists in 
being possessed of a personal will or individuality 
(which is wicked), or not being possessed of anj indi- 
viduality (which is virtuous). 

‘Wickedness lies in . . . seeking to prostitute 
the creative wonder to the individual mind and 
will. . . 

The magician, the Prospero, is the supremely 
wicked person in the Indian scheme of tilings, m the 
eyes of iliesc ‘soulless,’ ‘drumming,* visceraliv- 
chumed-up Calibans. Magic, ‘witchcraft,’ Mr. 
Lawrence tells us, is the archetype of all wickedness. 

What is virtue m woman? Mr. Lawrence be- 
comes very Western at once, under the shadow of a 
kind of sulfragist -chivalry, at the mere thought of 
‘Woman.’ 

‘In woman [virtue] is the putting forth of all her- 
self m a delicate, marvellous, sensitiveness, which 
draws forth the v onder to herself, etc.’ (To ‘draw 
the wonder to herself’ is to be a witch, surely? So 
virtue and wickedness would get a little mixed up.) 

What would the Indian think if he heard his squaw 
being written about m that strain? — ‘delicate, mar- 
vellous sensitiveness.’ He would probably say 
‘Chuck it, Archie!* m Hopi. At least he would be 

195 



PALEFACE 


considerably surprised, and probably squint very 
hard, under his ‘dark’ brows, at Mr. Lawrence. 


§ C. The Under-Pan of and the Over-Don. 

When we are busy contrasting the White ‘con- 
sciousness* with the Dark, we arc always compelled 
to remember tiftit then 1 are other ‘consciousnesses 9 
as well, perhaps even more hostile. Mr. Lawrence’s 
lirst chapter, ‘Corasimn and the Parrots , 9 is devoted 
to extending the idea of race - 4 consciousness 9 (in the 
sense of different species of men) to the whofe animal 
world. 

In the patio of his house Mr. Lawrence sits on a 
sunny morning m Mexico : and he ‘makes an instant 
friend of the reader’ (the publisher assures you on 
the back of the dust-cover) by telling you that he is 
only ‘one little indi\ idual looking at a bit of sky and 
trees, then looking down at the page of an exercise 
book.’ {Exercise book! Quite like a little child.) 
lie is nothing if not democratic, Mr Lawrence: just 
a ‘little individual,’ like yourself, dear reader, but 
bringing you a sunlit Morning all the way from 
Mexico. 

In the patio is a dog, called Corasnnn. lie is an 
even s mallet individual than Mr. Lawrence. fc Cor- 
asmm is a little fat, curl} white dog. . . . His little 
white nose is sharp, and under Ins eyes are dark 
marks, as under the eyes of one who has known 
much trouble. All day he docs nothing but walk 
resignedly out of the sun, when the sun gets too 
hot, and out of the shade when the shade gets too 
cool.’ 


186 



1 

THE UNDER-PARROT AND THE OVER-DOG 

Meantime the parrots m the trees look down into 
the court, and observe the dog with hatred. All day 
long they mock him and lus two-legged masters; for 
all the world as the negroes mock the Whites in 
Sherwood Anderson’s Dark Laughter . — Chapter One 
of Mr Lawrenee’S book is an aeeounl of the ‘Dark 
Laughtei ’ of the parrots, in short. 

‘ “ Perro ! Oh, Perr-rro ! Pei'f-rr-rro ! ! ” shriek 
the parrots, with that strange penetrating, ante- 
diluvian malevolence that seems to make even the 
trees # prick tlieir ears. It is a sound that pene- 
trates one straight at the diaphragm, belonging to 
the ages before brains were invented.’ 

There we are back at the dear old ‘mysterious’ 
abdomen, once more! The ‘dark laughter’ of the 
mocking parrots goes m at the stomach, straight to 
the a lseeral ‘consciousness,* disdaining the meie ear 
and brain. At this point we grow 7 very primitive 
indeed. We are in the antediluvian w 7 orId with 
these parrots, who continue to pour ‘vitriolic’ 
mockery over the piesent masters of this earth, 
namely men and dogs. 


§7. Evolution, d la Metrical ne: (genre cutaelysmique, 
d la Marc). 

Here is Mr. Lawrence’s picture of Evolution d la 
mericainc . 

‘Myself, I don’t believe m evolution, like a long 
string hooked on to a First Cause. ... I prefer 
to believe in wdiat the Aztecs called Suns: that is. 
Worlds successively created and destroyed. The 

187 



PALEFACE 


sun itself convulses, and the worlds go out like so 
many candles. . . . Then subtly, mysteriously, 
the sun convulses again, and a new set of worlds 
begin to flicker alight. 

‘I like to think of the world jjoing pop! When 
the lizards had grown too unwieldy, and it was 
time they were taken down a peg or two.’ 

ft 

You see it is evolution just the same, with giant 
lizards and so forth But a jealous god 'mysteri- 
ously’ takes things dow r n a peg or two periodically. 
It is cataclysmic evolution, a la Marx, rather than 
evolutionary evolution . 

‘Then the little humming-birds beginning to 
spark m the darkness and a whole succession of 
birds shaking themselves clean of the dark matrix 
. . . parrots shrieking about at midday, almost 
able to talk, then peacocks unfolding at evening. 
. . . And apart from these little, pure birds, a lot 
of unwieldy skmny-neckcd monsters bigger than 
crocodiles, bargmg through the mosses; till it was 
time to put a stop to them Then some one mys- 
teriously touched the button, and the sun went 
bang, with smithereens of birds bursting m all 
directions. Only a few parrots’ eggs and pea- 
cocks’ eggs and eggs of flamingoes smuggling in 
some safe 1100k, 1 o hatch on the next Day, when 
the animals uro»e. 

‘Up reared the elephant, and shook the mud ofl 
his back. The bird* watched him in sheer stupe- 
faction. “What? What m heaven’s name is 
this wingless, beakless old perambulator?” 

‘No good, oh birds » Curly little white Coras- 



EVOLUTION A LA MEXICAINE 

nun ran yapping out of the undergrowth, the new 
undergrowth, till parrots, going white at the gills, 
flew off into the aneientest recesses. Then the 
terrific neighing of the wild horse w r as heard in the 
twilight for the first time, and the bellowing of 
lions through the night. 

‘And the birds w r ere sad. “ What is this l ” they 
said. “A whole vast gamut of- # ncw \oices. A 
universe of new voices.” 

‘Then the birds under the leaves hung their 
heads and were dumb. “No good our making a 
sound,” they said. “We are superseded ” 

‘. . . Only the real litile feathery individuals 
hatched out again and remained. This was a con- 
solation. The lai ks and w arblers cheered up, and 
began to sav their little sa^ , out of the old “Sun,” 
to the new r sun. But the peacock, and the turkey, 
and the raven, and tlic parrot above all, they 
could not get over it. Because, in the old da\ s of 
the Sun of Birds, they had been the big guns. 
The parrot had been the old boss of the flock, lie 
was so clever. 

‘Now he was, so to speak, up a tiee. Nor dare 
he come down, be cause of the toddling little curly 
w T hile Corasnun. and such -like, down below. He 
felt absolutely bitter. That wingless, beakless, 
fcatherless, curly, misshapen bird’s nest of a Cor- 
asmin had usurped the face* of the earth, w r add!mg 
about, w'liereas his Grace, the hea\v-noscd old 
Duke of a parrot, was forced to sit out of reacli 
up a tree, dispossessed. 

‘So, like the riff-raff up in the gallery at the 
theatre, aloft m the Paradise of the vanished Sun, 

189 



PALEFACE 


he began to whistle and jeer. Yap-Yap ! said his 
new little lordship of a Oorasmin. “Ye Gods!” 
ened the parrot. “Hear him forsooth! Yap- 
Yap! he savs! Could anything be more imbe- 
cile? Yap-Yap ! Oh, Sun of the Birds, hark at 
that! Yap-Yap-Yap! Pcrro* Pcrro! Pcrr- 
rro! Oh, Pcrr-rr-rro! ” 


‘ The third Sun burst in water. . . . Out of the 
floods rose our own Sun, and little naked man. 
“Hello!” saul the old elephant. “What’s that 
noise?” ’ 

‘ ‘ Come on! Pen o' Pen o'” called the naked 
two-legged one. And Corasnnn, fascinated, said 
to •himself: “Can’t hold out against that name. 
Shall have to go!” so off he trotted, at the heels 
of the naked one. 

‘And m the branches the parrot saul to himself: 
“ Hi llo! What 's this new sort of halj-bird ? Wlvp 
lie's got Corasmrn trotting at his heels! Must be a 
new sort of boss! Let’s listen to him, and see if 
I can't take him off 

‘“Perr-rro! Perr-rr-rro-oo ! Oh, Pcrro!” 

‘ The parrot had hit it. 

I need not point, out to the reader, probably, the 
virtues of t his passage as a tour dc force of literary 
art. If is reminiscent of the best manner of Anatolc 
France, only possessing greater freshness — and in- 
deed the whole book is one of the best of Mr. Law r - 
rcncc’s that I have read. Unfortunately I have had 

190 



EVOLUTION A LA MEXICAINE 

to compress this lengthy passage, for all we are con- 
cerned with here is the notions underneath it, and 
not the literary expression. 

What this very vivid mock-account of a series of 
cataclysms and aztee ‘Suns’ reveals is the same 
thread of feeling as*is to lie found everywhere else in 
the book, and in those other numerous books whose 
underlying ideas, or philosophy, I iftn scrutinizing 
here. On the earth beneath, strutting about, is the 
ridiculous little white dog; up m the trees is the 
dignified aristocratic parrot. But the parrot is 
forced to remain ‘up a tiee 5 because this ridiculous 
little dog is the overlord of the moment, or the ser- 
vant of 1 lie present overlord, Man. But the ‘little 
white naked man 5 is not much less ridiculous than 
the little yapping white ball of a dog. Compared 
with the beautiful or at least aristocratical birds 
they have supersedrd, tins pair rut a poor figuie. 
Biit they have the power: thev walk the earth. The 
‘ consciousness 5 of the little white dog and the little 
white man has been too much for the ‘consciousness 5 
of the bird-world. 

But the sympathy of the reader, in this play of 
fantasia, it is cleaily intended, should be found en- 
tirely on the side of I he birds. They arc the finer 
beasts. And w lien in later chapters w r e arrive at the 
Indians, and pluck out the ‘ dark 5 heart of then ant c- 
dilu vian mystery, again we have a defeated race, but 
a far finer and profoundcr one than that that has 
superseded it. Chaplc r One, with the evolutionary 
apologue, is a psychological introduction to a study 
of the Indian, especially as contrasted with the 
White mind. 


191 



PALEFACE 


§ 8. Rare or Class Separation by means of ‘ Dimen- 
sion . * 

The situation m tins bnd-aud-man play is the 
same situation as the White and Negro situation, the 
Civilized man and the Savage situation, or the White 
Overlord and subject asiatn faces situation. The 
play is introdujcd, at the start of the book, to stress 
and illustrate the situation to be considered and de- 
picted later on, when the ‘ consciousness 5 of the Ind- 
ian is to be pitted against the ‘consciousness* of the 
White Man. 

The monkey at a certain point comes on the scene. 
He is a survival from another ‘dimension/ Mr. 
Lawrence having introduced the mcxican machinery 
of his ‘Suns/ thinks of the woid ‘Dimension’ as 
being especially vague and picturesque, so he uses 
that. 

‘If you come to think of it/ he says, ‘when you 
look at the monkey you are looking straight into the 
other dimension . . . lie's in the same universe of 
Space and Time as jou are. But there’s another 
dimension/ 

This other dimension the thought or ‘conscious- 
ness’ ot the monkev, of course. 

‘lie’s different. There’s no rope of (‘volution 
linking him to you. like a na\ el string ho! Be- 
tween you and him there's a cataclysm and 
another dimension. It \s no good. You can’t 
link linn up. Never will. It ’s the other dimen- 
sion. 

‘He mocks at you and gibes at \ ou and imitates 
you. Sometimes he is even more like you than 
10‘2 



RACE OR CLASS SEPARATION 

you are yourself. He *s funny, and you laugh just 
a bit on the wrong side of your face. It's the 
other dimension.’ 

As between Dark and White, Indian and Euro- 
pean, so between Man and Monkev, there is this ab- 
solute gulf for Mr. Lawrence, like the cleavage be- 
tween mathematical dimensions. ‘The Indian way 
of consciousness is different from and fatal to our 
w T ay of consciousness. . . . There is no bridge, no 
canal of connection.’ For ‘Indian’ substitute 
‘Parrots'* (why not with a capital P though — is that 
because \vc are on the ground and the ‘parrot* up 
aloft?) or Monkeys (why not a capital M, like Ind- 
ian ?) and you have the same situation. 

‘The Simian way of consciousness is different from 
and fatal to our wiv,' etc., or ‘The Parrot's way of 
consciousness,’ etc. That is the idea. — It is all ar- 
ranged to heighten, or deepen, the separation be- 
tween the Indian and the White — or the Bantu or 
Hindu or the American Negro and the White 

§ 9. An Imitation to Suicide add) eased to flu Whitt 
Man . 

The emotion throughout the book from which I 
have quoted is the dogmatism of ‘revolution,' of 
political revolution, to be precise. In contrast to 
the White Overlord of this world in which we live, 
Mr. Lawrence shows us a more primitive type of 
‘consciousness,’ which has been physically defeated 
by the White ‘consciousness,’ and assures us that 
that defeated ‘consciousness’ is the better of the 
two. But, since the ‘consciousness’ of the Indian 

N 193 



PALEFACE 


is death to the ‘consciousness’ of the White, and 
eventually, if it prevailed, to the White, physically, 
as well, it is (however indirectly, and in the form of 
an entertainment, a book of ‘fiction’) an invitation 
to suicide addressed to the White Man. ‘Give up, 
lav down, your White ‘‘consciousness,” ’ it says. 
‘Capitulate to the mystical communistic Pan of the 
Primitive Man! He Savage!’ 

Not only the opposition as between beasts and 
men, or Black and White, is stressed (with, always, 
the rebellious hypnotic accompaniment of the re- 
volutionary drum, the primitive tom-tom, and al- 
ways, that is the important thing, all the sympathy 
of the reader engaged on the side of the oppressed 
and superseded, the undei-dog — or, in the abo\c in- 
stance, of the under-parrot); also we arc taken into 
the dark-backward, to more exaggerated opposi- 
tions. Once we ha\e got to the earliest birds, and, 
most ancient of all the dispossessed, the serpent 
(whom Mr. Lawrence sees biting his tail with an im- 
memorial rage, and remarking, as lie glances malev- 
olently up at Man, ‘I aaiII bruise Ins heel!’), beyond 
this wo reach Hungs —beyond the eaihest amoeba. 
Mr. LawTenee does not lak< us as fai as that. But 
the philosophers who mainly influence him do. 

This will be without mi a mug peiliups foi &omc 
readers. Elsewhere I have shown how r ihal iiionI 
fundamental of all revolutionary impulses Avorks, 
too. Mr. Bertrand Russell, for instance, obedient to 
Ins liberalist traditions, Avlueli he imports into his 
physics, attempts to stir up the tables and chairs 
against us and lead them in revolt against the over- 
Aveemng overlord Man, avIio sits upon them and 

194 



AN INVITATION TO SUICIDE 

uses them to write books at, without even asking 
himself if they may not resent Ins behaviour, and 
have their private thoughts about him — as he flings 
himself down upon them, or rests his elbows upon 
them and scratches Ins head. 

The reason why I direct an adverse analysis 
against this type of ‘revolutionary 5 emotional i tv, is 
not, once more, because I believe that the White 
Man as he stands to-day is the last word m animal 
life, or m spiritual perfection, or that he is not 
often quite as ridiculous as Mr. Lawrence’s parrots 
would have him, and in any ease lie is engaged in 
the road to the Melting-pot. I w ill not hen* 
enumerate my reasons for hostility" where this re- 
volutionary picture is concerned: 1 will say, only, 
that most Aztecs are probably fairly bored with 
being Aztecs. th«n the av< rage* IIopi. like the aver- 
age eat, is rather negatively admirable and exceed- 
ingly mechanical. that admiration for savages and 
eats is really an expression ol the worst side of the 
Machine Age — that Machine-Age Man is effusive 
about them because Hie;/ me machines like lumself; 
and Mr. Lawrence, at least, makes no pretence ol 
admiring Ins savages because they ai< fice — they are 
no longer for the cor.tc mporary rev olutionary ’ doc- 
trinaire ‘the noble savage' in the rousseaiiesquc or 
Fenimorc Cooper sense, at least not for the best 
informed doctrinaire* and, lastly, w r hat sueli gospels 
as those of Mr. Lawrence or of Sherwood Anderson 
really amount to is an (.motional, and not quite dis- 
interested, exaltation (indirectly) of the average 
man 9 rhomme moyen sensuel — though m this ease 
the average IIopi . 


195 



PALEFACE 


I find the average White European (such as 
C'hekov depicted) often exceedingly ridiculous, no 
doubt, but much more interesting than the average 
Hopi, or the average Negro. I would rather have 
the least man that thinks, than the average man that 
squats and drums and drums, with ‘ sightless,’ ‘ soul- 
less’ eyes: I would rather have an ounce of human 
‘ consciousness * than a universe full of ‘abdominal’ 
afflatus and hot. unconscious, ‘soulless,’ mystical 
throbbing. — These few remarks must suffice to in- 
dicate the orientation of my attitude in ibis part of 
the debate. 

I am now going over into the books of Sherwood 
Anderson : and I assure you that, if you have fol- 
lowed my analysis of the passages in Mornings in 
Mexico, you will be in a much better position to 
understand exactly what Mr. Anderson wants lo say 
to you, at the same tunc that he spins you an ex- 
cellent yarn. 

I will begin with Dark Laughter (it pairs very well 
with Mornings in Mexico , though, as a book, in 
every w r ay inferior, and not, even a ‘good yarn’); and 
I will take my leave of Mexico with a quotation de- 
scribing the parrots in the patio mocking Kosahno 
the Indian servant, with their ‘dark laughter.’ In 
this way the two types of ‘dark laughter’ w r ill be 
brought into the nearest possible contact, so that 
any reader will be able to sec how verv near thev arc 
together in spirit, as well. 

The two parrots ‘a quite commonplace pair of 
green birds’ sit or hang there, with their ‘flat dis- 
illusioned eyes,’ their ‘heavy overhanging noses.’ 
their ‘sad old long-jowled faces,’ and watch the 

196 



‘SPRING WAS COMING ON FAST 5 

ridiculous human beings underneath hour after hour, 
bursting into mockery when tired of watching and 
noting. 

‘The parrots whistle cxacth like Rosahno, only 
a little more so . . . Rosahno, sweeping the patio 
with his twig Ibroom . . . covers himself more 
and more wit h the cloud of his own obscurity. . . . 
Up goes the wild, sliding Indian wdnstlc into the 
morning. . . 

§ 10 ‘ Spring was cowing on fas/ in Southern Indi- 
ana. 9 

Mr. Sherwood Anderson’s book. Dark Laughter , 
ends as follows: 

‘Why couldn’t Fred laugh? He kept trying 
but failed. In the road before the house one of 
the negro women now laughed. There was a 
shuffling sound. Tin' older negro woman tried to 
quiet the jounger, blacker woman, but she kept 
laughing the high shrill laughter of the negress. 
“I knowed it, I knowed it, all the time I knowed 
it,” she cried, and the* high shrill laughter ran 
through the garden and into the room where Fred 
sat upright and rigid in bed. 

‘The End.’ 

The negresscs m Dark Laughter (they are the black 
servants, and their mocking laughter usually rises 
from the seullerv or kitchen) perpetually release 
their ‘high shrill laughter of the negress,’ as they 
observe with astonishment and derision the feeble- 
ness and absurdity of their White Overlords up in 
the parlour and out on the lawn . ‘ Up goes the wild, 

197 



PALEFACE 


sliding Indian whistle in the morning’ from the 
parrots (mocking the human beings in the court be- 
neath, from which, owing to the ovcrlordship of the 
human species, they are excluded, and forced to pass 
their time hanging upon the trees) m Mr. Lawrence’s 
Mornings in Mexico : and up goes the ‘high shrill 
laughter’ of the negroes in Mi. Sherwood Anderson’s 
Dark Laughter. The mgr esses m Mr. Anderson’s 
book are in the role of the parrots in Mr. Lawrence’s 
book: and the White Overlords in Mr. Anderson’s 
book are in the role of Iloino Sapiens in Mj^Law- 
mice’s book. Hut m Mr. Lawrence’s book, as in 
Mr. Anderson’s, the White Overlord , rather than the 
more abstract and fundamental Human Being, is 
the true objective. And the Mexican Indian in 
Mornings in Mexico plays the part (if the Negro m 
Dark Laughter . I think this parallel can be missed 
by no one So there is a good deal of truth, it seems, 
in the ‘moron’ critic’s gibe, ‘Sherwood Lawrence,’ 
m Mr. Mencken's Americana . 

Dark Laughter is the story of a journalist who, 
having escaped from his wife in Chicago, gets em- 
ployment in a small town in the South. He finds 
his employer's wile (‘Fred’ «s the employer) attiac- 
tive. She returns his love. She advertises for a 
gardener. He take^ on 11 k* job After what seems 
a very long time to the negro woman watching from 
the kitchen and other menial vantage points, Fred's 
Avife and the hind man go up to the bedroom of the 
wife of Fred, the emplover, during Fred’s absence, 
and the ‘deed of darkness’ is at last consummated. 

‘A high-pitched negro laugh rang through the 
house.’— End of Book Ten. 


198 



‘SPRING WAS COMING ON FAST’ 

That is the story. It proceeds to the mocking 
accompaniment of the laughter of the negro servants 
who find their masters a great joke. Fred’s wife 
finds their laughter disquieting, but she dismisses it 
as follows • 

‘Soon it would be evening, the negro women 
come home. . . . About the negro women it did 
not matter. They would think fts tin ir natures 
led them to think, feel as their natures led than to 
feel. Von can’t ever tell what a negro woman 
thinks or feels. They aie like children looking at 
you. . . . White eyes, white teeth in a blown 
face — laughter.’ 

But we, the readers of Dark Laughto , know what 
the negresscs think more or less, for we have the 
following enlightenment, winch resolves itself into a 
sort of ‘Attabox * chorus- -the manlv straightfor- 
ward advice of the divinely-inspired black child of 
nature: ‘(Jet down to it ! (Jet to business' Hurry 
up! Have lur quick! Don’t hang and moon about !’ 

‘Negroes singmg. — 

** And the Lord said . . 

II m i y, Hum ” 

‘Negroes smgmg had sometimes a way of get- 
ting at the ultimate truth of things. Two negro 
womeu sang in the kitchen of the house. . . . The 
two negro women in the house sang, did their 
work, looked and listened.’ 

That is the situation. ‘ Spring w r as coming on fast 
in Southern Indiana.’ But the specimen of the 
White race depicted for us, called upon to be the 

199 



PALEFACE 


‘man in the case 5 or third side to the triangle, and to 
accommodate Fred’s wife, is slow, slow — as slow, in 
fact, as the spring in southern Indiana is fast. And — 
‘The two negro women m the house watched 
and waited. Often they looked at edfcli other and 
giggled. The air on the lull tej) was filled with 
laughter — dark laughter. ‘Oh, Lord! Oh, Lord! 
Oh, Lord!’ <sne of them cried to the other. She 
laughed — a high-pitched negro laugh.’ 


§ J 1 . ‘ Tot rents of Spring.' 

It is the ‘Spring’ motif of Dark Laughter that Mr. 
Ernest Hemingway has so ably caricatured in his 
Tot rents of Spring. Just as in Mr. Lawrence’s 
Mornings in Me.rico it is the Indian who takes the 
place of the Negro, so in Mr. Hemingway’s book 
Indian stands for Negro, and docs the ‘dark laugh- 
ing.’ It opens with the ‘Spring’ motif of ‘Spring 
was coming on fast in Southern Indiana,' as follows: 

‘ Yogi Johnson stood looking out of the window 
of a big pump-factory in Michigan. Spring would 
soon be here. . . . Near Yogi at the next window' 
but one stood Scripps O’Neil. . . . Scnpps O’Neil 
had two WTves. As lie looked out of the window' 
... he thought of both of them. One lived in 
Mancelona and the other lived in i'etoskey. He 
had not seen the one that lived m Mancelona since 
last spring. He looked out at the snow-covered 
pump-yard and thought what spring v ould mean. 

‘Yogi Johnson opened the window carefully, 
just a crack. Just a crack, that wasenough. Out- 

200 



‘TORRENTS OF SPJRING’ 

side in the yard the snow had begun to melt. A 
warm breeze was Wowing. A Chinook wind the 
pump fellows ealled it. The warm clnnook wind 
came m through the window into the pump-fac- 
tory. All the workmen laid clown their tools. 
Many of them were Indians. 

The foreman put Ins finger lA his mouth to 
moisten it and held it up in the air. He felt the 
warm breeze' on his finger. He shook his head 
ruefully and smiled at the men, a tittle grimly per- 
haps. 

‘ “Well, it’s a regular clnnook, boys,” he said. 
Silently for the most part, the workmen hung up 
their tools. 

‘Outside through the window came the sound 
of an Indian w T nr-whoop/ 

That, compressed, is the first chapter of Mr. Hem- 
ingway’s skit . Chapter Ele\ en shows Yogi Johnson 
mortified by the ‘clnnook ’ and the sense of maleness 
disgracefully dormant. 

‘Yogi Johnson walked out of the workmen's 
entrance of the pump-factory and down the street. 
Spring was m the air 

‘It ’s a real Chinook wind. Yogi thought. The 
foreman did right to Jot the men go. It wouldn't 
be safe keeping them in a day like this. Any- 
thing might happen 

‘Yogi was worried. There w r as something on 
his mind. It was spring, there was no doubt of 
that now r , and he did not w ant a woman. He had 

201 



PALEFACE 


worried about it a lot lately. There was no ques- 
tion about it. He did not want a woman. Ho 
couldn’t explain it to himself. He had gone to 
the Public Library and asked for a book the night 
before. He looked at the librarian. He did not 
want her. Somehow she meant nothing to him. 
At the restaurant where he had a meal ticket he 
looked hard ht the waitre ss who brought him his 
meals. He did noi want her, either. He passed 
a group of girls on their way home from High 
School. He looked carefully at all of them. lie 
did not want a single one. . . / 

This painful situation is relieved at last by an 
opportune stimulus turning up. This skit amus- 
ingly pursues Mr. Sherwood Anderson through all 
the phases of his stupidii\, especially stressing the 
‘he-man ’ foolishness, the 1 bursting Spring ’ side of it. 

Mr. Hemingway’s book, it is to be hoped, will put 
a slop to Dark Laughter for the time, at least, on the 
pari of Mr. Anderson. But some form or other of it 
(and it becomes, with people more sophisticated than 
Mr. Anderson, though otherwise much the same, 
White laughter or nmt alion-‘ dark’) is sure toabound 
and to multiply, since it has struck root in the anglo- 
saxon mind: and one swallow, that is one Heming- 
way, does not either make or mar an andersoman 
spring — that teutonic zolaesque, meaty, maudlin, 
sexish spring, heralding a communist summer — in 
which, delirious with the ‘chmook,’ creatures are 
rhetorically united to merge m the ‘dark’ juicy 
matrix of Mother Nature in colossal, ‘direct,’ ‘soul- 
less ’ abandons. 


202 



THE DREAD OF SEXUAL IMPOTENCE 


§ 12. The Dread oj Si a nal Impotence . 

Thk dread of sexual impotence, thoughts about 
impotence, taunts about impotence, anxious appeals 
to the 'chinook’ of such chceiiul and ‘manly* 
material as this we many of the pages of Mr. Law- 
rence and Mr. Sherwood Anderson composed Hut 
there is a strain of frank and free •mode sty m Mr. 
Anderson, whenever lie casts a glance m the direc- 
tion of his own ‘ maleness.' ’ It lea\es much to lie 
desired, m his eyes. Throughout his books Mr. 
‘Anderson indeed is comparing himself unfav ourablv, 
on the score of his 'manhood,' with other men (his 
brother for instance, in the account of his child- 
hood). In his Story-Tclln's Slot y, and indeed ever) - 
where 'when he appears in a more or less veiled form, 
these dark doubts beset him. The adulterous Bruce 
m Dark Laughter feels that « real man would behave 
quite differently from what he does m most things. 
He would make less fuss, think about things less, act . 
He is a bit of a poet, really, that is what it is, not 
a man of action he says to himself. Perhaps Mr. 
Anderson is over-mode si lie is probably as ‘manly * 
as most men: but, however that may be, he is very 
much puzzled and befuddled : he isa poor henpecked, 
beFreuded, bewildered White, with a brand-new 
‘inferiority complex.’ 

Mr. Lawrence is quite a different story. He is in 
full and exultant enjoyment of a full battery of 
‘complexes’ of every possible shade and shape of 
sexiness. He possesses them en connoisseur , and 
any new one that is suggested to him he receives 
with an experienced delight . He is Thomme moyen 

203 



PALEFACE 


sensuel gloating over the savouriness and variety of 
1 he contemporary fare. Beside him Anderson strikes 
one as a rather muddle-headed, clumsy, in some 
ways very stupid sensationalist, doing his best for a 
group of ‘dark ’ influences which he very imperfectly 
understands, and often misinterprets. 


§13. The Manner oj Mr. Anderson. 

This is m no sense a piece of literary criticism, I 
have remarked at the outset. But just as it was 
necessary to say, when dealing with it from another 
standpoint, that Mornings in Mexico was a work of 
art, that it was worth reading on that score (pro- 
vided you know how to laugh zvhilely at the ‘dark’ 
ideas, and dismiss them as the sticky, over-cxeitcd, 
shallow stuff that they are), so it is perhaps as well 
to say that Mr. Sherwood Anderson in Dark Laughter 
writes in a manner that is really distracting. What 
the manner is 1 don’t know: it may be a supremely 
undeft mutation of Mr. Joyce. I will give you a 
specimen of it. 

‘He could hear himself saving it to Ilareourt 
and others — smiling while he said it. 

‘A brave man. What one does is to smile. 

4 When one gets out of anything there is a sense 
of relief. In war, m a battle, when one is v ounded 
— a sense of relief. Now Fred would not have to 
play a part an> more, be a man to some woman’s 
woman. That would be up to Bruce. 

‘In war, when you are wounded, a strange feel- 
ing of relief. “That's done. Now get well.” 

‘“She has gone to Chicago.” That Bruce! 

204 



THE MANNER OF MR. ANDERSON 

Shoes twenty to thirty dollars a pair. A work- 
man, a gardener. Ho, ho ! ” Or : 

‘“Go softly. Don't hurry. What’s all the 
shooting about l A little more white, a little more 
white, graying white, muddy white, thick lips — 
staying sometimes. Over we go! 

‘Something lost too. The dance of bodies, a 
slow dance. 4 

‘Sleep again, white man. No hurry. Then 
along e street for coffee and a roll of bread, five 
cents. Sailors off ships, bleary-e> ed. Old nigger 
women and white women going to market. They 
know each other, nigger women, white women. 
Go soft . Don’t hurry ! ’ 

It. is, m its least dextrous form, the chopped Mr. 
Jingle style empkned by the author of Ulysse*, to 
represent a person thinking: for instance (from 
Ulysses, p. 281): 

‘Damn good gm that was. — Fine* dashing young 
nobleman. Good stock, of course. That ruffian, 
that sham squire, with his violet gloves, gave him 
away. Course they were on the wrong side. They 
rose in dark and evil days. Fine poem that is: 
Ingram. They were gentlemen. lien Dollard 
does smg that ballad touchingly. Masterly rendi- 
tion. 

“ At the siege of Ross did my father fall.” 

4 A cavalcade in easy trot along Pembroke quay 
passed, outriders leaping, leaping in their, m their 
saddles. Frockcoats. Cream sunshades. 


205 



PALEFACE 


‘Mr. Kernan hurried forward, blowing furi- 
ously. His Excellency ! Too bad! Just missed 
that by a hair. Damn it ! What a pity!’ 

Here is Anderson again : 

‘Once he had read a book of Z*>la, La Tare* and 
later, but a shot l tune before he left Chicago, Tom 
Wills had sluVn him a new book bv the Irishman 
Joyce, Ulysses. There were certain pages. A 
man named Bloom standing on a beach near some 
women. A woman. Bloom's wife, m her bed- 
room at home. The t bought s of the woman — her 
right of animalism — all set down — minutely. 
Realism m writing lifted up sharp something 
burning and new like a raw sore. Others coming 
to look at the sores.’ 

In The Enemy (No. 1 ) I said all t hat it is necessary 
to say about this jerky sententious way of writing, 
in dealing with Wush & Co. ‘Ulysses. There were 
certain pages. A man named Bloom.' — ‘Others 
coming to look at the sores.’ Pick up any monthly 
magazine devoted tot he most popular sort of fiction, 
and you will read ‘He flung out bitterly, in short 
jagged sentences, as though it was painful for him to 
speak : ‘ No good. All 1 over belw ecu ih. Things 
might have been diflerent. It — Ah well, it’s too 
late. Good-bve.” * This is intended to represent 
a person labouring under an emotion too deep for 
words. In the above passage of Mr. Anderson’s the 
effect aimed at is a sort of bitter brevity — stuff flung 
out carelessly by a man who m the opinion both of 
the author and of himself is rather a line fellow. 


206 



THE MANNER OF MR. ANDERSON 


The other passage 1 have quoted, beginning: ‘Go 
softly. Don’t hurry!’ etc., represents a maddening 
trick of many not a cry good writers to-day, who arc 
too nervous and stupid to be simple, and who con- 
sider that they have m some way modernized what 
the> have to tell, flr that they have made its essential 
banality more difficult to detect, bv breaking it up 
into jerky statements, and stark Elliptical noisy 
clauses. Also it poeticizes it. It is a very similar 
sort of stupidity, or else deceit (according to who 
employs it), to a\ erage free \ erse. If they are really 
live vwres they say most of their sentences Ivvo or 
three times over, like Miss Stein, occasionally, to 
vary it a little, breaking off m the middle, or pun- 
ning and fumbling incessantly with sonic word. 


§ It. ‘ Hi uia! Heal ism mm the Sophistication of 
Fiend . 

Non , abov e, in the third passage by Mr. Anderson 
that I have quoted, Zola is mentioned first, and 
Joyce afterwards. Zola, standing for ‘brutal real- 
ism,’ or for ‘animalism, like Joyce (in Mr. Ander- 
son’s eyes) must bav e been always at the back of Ins 
mind, I suspect. La Terre is surely a recognizable 
forebear of Doth Laughter. All that is suetij, and 
stupid — all the thick, fat dummheit — in this book, is 
the authentic /.olaesque romance — Nature, sensu- 
ality, hot lowering sulphurous Summers — -bursting, 
sappy Springs; cows mooing for bulls, bulls bellow- 
ing for cows, etc. etc. It all is there. But Freud 
has come in, too. So when the hero is thinking 
about las childhood, no one w r ill be surprised to lind 

207 



PALEFACE 


that he first of all describes himself as a small boy, 
sitting beside his mother on a river-steamer, and 
‘sensing* that his mother was ‘lusting* for a young 
man who stood near them with a dark moustache; 
and that then he half withdraws the young man with 
the dark moustache, and half-exoilerates Ins mother 
from these fresh sensations, and takes the blame 
himself. It was he , the little boy, who in reality 
(the authors dutiful eye on Dr. Freud) was ‘lusting ’ 
for his mother. 

‘That young man Bruce had once seen on an 
Ohio river- boat when he was a boy taking a trip 
up river, with Ins father and mother. ... It would 
be an odd turn of the nnnd if the young man had 
never existed — it a boy’s mind had invented linn. 
Suppose he had just in\ ented lnm later — as some- 
thing — to explain Ins mother to himself, as a means 
forgetting close to the Ionian, Ins mother.’ 

So much for the usual incest. Next I will take 
the mystical communism. (Not that Freud’s teach- 
ing is not an integral part of eommuinsm, too, for 
it is Hie psychology appropriate to a highly coni- 
mumzcd patriarchal society in which l he family and 
its close relationship is an intense obsession, and the 
obscene familiarities of a closeiy packed communal 
sex-hfe a family-joke, as it were. It is a psychology 
foreign to the average European and his individual- 
istic life. The mccst-thcme is inappropriate to the 
european communities, on whom no severe religious 
restrictions of race or of caste have been imposed.) 
So by ‘communism’ here I mean what currently we 
mean when we say communism. Mr. Anderson is 

208 



‘BRUTAL REALISM* 


describing happenings on the Mississippi before the 
coming of industrialism, and especially he is glori- 
fying the negroes. 

4 black mysticism — never expressed except 

m song or in the movements of bodies. The bodies 
of the black workers belonged to each other as the 
sky belonged to the river. ... * 

‘Brown bodies trotting, black bodies trolling. 
The bodies oj all the men running up and down the 
landing-stage were one body . One could not be dis- 
tinguished from another They were lost in each 
othn-- Could the bodies oj people be so lost , m each 
other j etc. 

He apostrophizes american painters, and calls 
them ‘silly American painters!’ He says that silly 
painters ‘chase a Gauguin shadow to the South Seas.’ 
Why don’t they stay at home and paint the Ameri- 
can Negro? he asks. If they v ant to lind romance — 
mystical romance, or ‘black mysticism,’ here it is at 
their doors. 

‘The skm colors brown, golden yellow, reddish 
brown, purple brown. Where the sw r eat runs 
down high brown backs the colors come out and 
dance before the eyes. . . . Flash that up, jou 
silly painters . . . song-tones in words, music m 
w r ords — m colors too.’ 


§ 15. The Black Cormnhmsm of Anderson. 

I will now quote successively those passages in 
Bark Laughter that contain the gist of Anderson’s 
whitmanesque message of Black and White brother- 

209 


o 



PALEFACE 


hood, or rather of Black-worship, and religious sub- 
mission to the Black-idea, as being a more primitive 
one than the White. 

The hero is going down the Mississippi. The fol- 
lowing passages represent the cogitations of this 
figure (expressing, presumably, many of the ideas 
peculiar to Fr. Anderson), upon those amencan 
problems connected with race. 

'People talked with a slow drawling speech, 
niggers were hoeing cotton, other niggers fished 
for catfish in the river. 

‘The niggers were something for Bruce to look 
at, think about. So many black men slowly 
growing brown. Then would come the light 
brown, Ihe velvet browns, Caucasian features. 
The brown woman tending up to the job — getting 
the race lighter and light er. Soft southern nights, 
warm dusky nights. Shadows flitting ... in dusky 
roads . . . soft voices laughing, laughing. . . 

This quotation has its ironical significance: for it 
shows the ‘noble savage’ (as represented by the 
amencan Negro) trying to get a white skin as quickly 
as possible, at the same time as the White is begin- 
ning to hide his head m shame at the thought that 
his is not a black, yellow or brown one. 

‘Was there such a thing as an American ? Per- 
haps Bruce was the thing himself. He was reck- 
less, afraid, bold, shy. . . . 

‘Could you ever really know ... a nigger? 

‘Consciousness of brown men, brown women, 
coming more and more into american life — by 
that token coming into him. too. 

210 



THE BLACK COMMUNISM OF ANDERSON 

‘More willing to conic, more avid to come, than 
any Jew\ etc. . . . Standing laughing — coming 
by the back door — with shuffling feet, a laugh — a 
dance in the body. 

‘Facts established would ha\e to bo recognized 
sometime. . . /• 

‘Thinking of mggeis! What >orf of business is 
that ? IIow come v Northern /neir so often get 
Ugly when they think of niggers, or they get senti- 
mental. 1 Give pity where 1 none is needed. The 
men and women of the South understand better, 
maybe. ‘Oh, hell, don’t get fussy! Let things 
flow! Let us alone! We Ml float! 5 Brown blood 
flowing. White blood flow mg, deepmer flow ing. 

‘A slow- da nee, music, ship’s cotton, corn, coffee 1 . 
Slow’ lazy laughter of niggers. Bruce jomcni- 
bercel a line he had once s ecu written by a negro. 
“Would white pent ewer know why my people 
walk so softly and laugh at sunrise?” 9 

So : “ silly ainenean painters’ chasing ‘a Gauguin 
shadow to the South Seas*’ No! ‘Across the street 
. . . a nigger woman ol Iwent j arises at live and 
stretches her arms. . . Nigger girl with slendei, 
flexible body.’ — Thai's the stufl! Why go to the 
South Seas v ‘Fheh that up, \ou silly painters. . . . 
Song-tones . . . m colours/ ‘Hot days. Sw r eet 
Mama! 5 

§ 16. ‘ JVhaf ho! Smelling Strangeness' 

Or let 9 s return to ‘that Gauguin ’ — he is, after all, 
the goods — though he chd go to the South Seas, 
1 Cf quotation fiom T) II. Law rent e, p 174 
211 



PALEFACE 


whereas for half the money he could have stopped 
right here in New Orleans, and ‘flashed up 5 just as 
good a brand of Darkic (if that was all he wanted). — 
‘Do you remember the night when that Gauguin 
came home to his little hut and there, m the bed, 
was the slender brown girl waitirig for him ? Better 
read that book. “Noa-Noa,” they call it. Brown 
mysticism in* the walls of a room , in the hair — of a 
Frenchman, m the (yes of a brown girl. Noa-Noa. 
Do you remember the sense of strangeness? French 
painter kneeling on the floor m the darkness, smell- 
ing the strangeness. The brown girl smelling the 
strangeness. Love? What lio* Smelling strange- 
ness.’ 

Love, What ho ! it is indeed : for it smells strange - 
ness, which is the essence of romantic love, as of 
('very other form of romance. We here get the full 
flavour of the clumsy and rather drab exoticism of 
Mr. Anderson. The ‘brown mysticism’ of Gau- 
guin’s dusky mistresses lie wishes to transport into 
the Mississippi, and create a Noa-Noa upon its flood. 
And Niggerland shall henceforth be their Paeitic, for 
those inland populations that have never seen the 
sea, and each manbea Gauguin in lus own backyard. 

§ 17. The 4 Poetic 9 Indian 

Them: is an important feature of the teaching of 
Mr. Sherwood Anderson with which lam much in 
sympathy. This he inherits too from Walt Whit- 
man. But it is flatly contradicted by the commun- 
ism of the rest of his work. 1 refer to Ins eloquent 
opposition to the influences of industrial life — to the 
killing ot life and natural beauty that that entails. 

212 



THE ‘POETIC’ INDIAN 


Part of Dark Laughter is devoted to a eulogy of 
life on the great river, Mississippi, and generally of 
the lands through which it flows. 

‘A warm rich land of growth — trees growing 
rank — weeds and corn growing rank. The whole 
Middle American Empire — swept by frequent and 
delicious rains, great iorests, prairies on which 
early spring flowers grow' like a carpet — land of 
many risers running dosvn to the brown slow 
strong mother of ris'ers, land to live in, make love 
m, danee m. Once the Indians danced there, 
made feasts there. Tlie\ r threw poems about like 
seeds on a wand. Names of ris’ers, names of 
tow'ns. Ohio! Illinois! Keokuk! Chicago! 
Illinois ! Michigan ! ’ 

'New York’ and ‘Boston,’ it is Irue. might appear 
intensely romantic to a Blaekfoot or a Mohican: and 
they may have remarked to each other, among their 
wigwams, sharpening their tomahawks, ‘These 
Whites throw poems about like seeds m the wind! 
Boston! Brotf'im'illr 1 llow beautiful!’ Still ! 
suppose there is sonic abstract superiority in the 
mdian names set beside the anglo-suxon ones. I 
am reminded of Matthew Arnold’s contrasting of 
the place-names for which the ‘creeping Saxon ’ was 
responsible, and those names originating with the 
Celts. 

‘As the saxon names of places, with the pleas- 
ant, wholesome smack of the soil in them — 
Weatherfield, Thaxted, Shalford — are to the Celtic 
names of places, with their penetrating lofty 
beauty — Velmdra, Tyntagel, Carnarvon — so is 

213 



PALEFACE 


the homely realism of german and norse nature to 
the fairy-like loveliness of eeltie nature.’ 

So, if Mr. Anderson happens to be of ‘celtic 5 
origin, he can match Carnarvon with Keokuk, Tyn- 
tagel with Chicago, and Vclindra Villi Michigan, and 
hold his head up once more! 

§18. The Mississippi and ihc Manufacturers. 

Bruce, the hero of Doth Laughter , having torn 
lumself free from domestic life in Chicago, 

‘spent nearly two months ... in getting down 
river to New Orleans. . . . Nearly every man 
who lived long in the Mississippi Valley had that 
notion tucked way in linn somewhere. The great 
riser, lonely and empty now, was, in some queer 
way, like a lost river. It had come to represent 
t he lost youth of Middle America perhaps. Song, 
laughter, profanity, the smell of goods, dancing 
mggers — life everywhere! Great gaudy boats on 
a ri\er, lumber rafts floating down, voices across 
the silent nights, song, an empire unloading its 
wealth on the face of the waters of a river! . . . 
In its youth the Middle West had breathed with 
the breathing of a river. 

‘The iactory men were pretty smart, weren't 
lhey v First thing they did when they got the 
chance was to choke off the river, take the rom- 
ance on I of commerce. They may not have in- 
tended anything of the sort, romance and com- 
merce were just natural enemies. They made the 
river as dead as a door-nail with their railroads 
and it has been that w r ay ever since. 


214 



THE MISSISSIPPI AND THE MANUFACTURERS 

‘Rig river, silent now. Creeping slowly down 
past mud banks, miserable little towns, the river 
as powerful as ever, strange as ever, but silent 
now, forgotten, neglected. A few tugs with 
strings of barges. No more gaudy boats, pro- 
fanity, song, gamblers, excitement, life. 

‘When he was working his way down river, 
Bruec Dudley had thought that* Mark Twain, 
when he went back to visit the river after the rail- 
roads had choked to death the river life, that 
Mark might have wntt en an epic then. He might 
have written of song killed, of laughter killed, of 
men herded into a new age of speed, of factories, 
of swift, fast-running trains.’ 

When wc in Europe* discuss America, w r e picture 
it only as this ‘soulless’ (to use Lawrence’s w r ord in 
another connection) desolation of the Machine Age. 
It typifies to the European the Robot, Machine-life, 
m excelsis. We forget, or we have no means of 
knowing, that the more intelligent American sees 
this, ‘sees through it/ as well as we do; and happen** 
to hate it with far moie intensity, sometimes, than 
is found with us. 

Earlier m this essay I have remarked that I w r as 
agreeably surprised to find those people I talked to 
m New York about t hat v cry remarkable city (which 
I was seeing for th* first time) expressed nothing 
but a veiled or open dislike for its famous colossal- 
ness. They looked pained or bored if I drew their 
attention to a particularly beautiful skyscraper. It 
was like talking to a farmer about the beauty of the 
scenery. And m american books you meet every- 

215 



PALEFACE 


where the same impatience and contempt for all this 
commercial display of power, scale and speed. No- 
where in the Old World have I ever met such a 
thorough aversion for all the things that we regard 
as typically ameriean, and which the American of 
the popular imagination is always supposed to be 
boasting about. 


§19. Passages from ‘Poor While.' 

That Mr. Anderson realizes that in this attitude 
towards the staggering material achievements of his 
country, he, and the many Americans of his way of 
thinking, are rebels against an entire scheme of 
things — the whole of our ‘ainericanized’ civilization, 
in fact — is clear from what happens in his book. 
Poor White. That is the story of a child of Poor 
Whites on the Mississippi, who discovers a genius 
for engineering. His inventions are highly profit- 
able to himself and those with whom he is associ- 
ated, and the town where he is settled rapidly turns 
from a village into a big factory town. We have a 
picture of the struggle between the old order and 
the new — between the craftsman and handiworkcr, 
and the new industrialism. 

But eventually Hugh the inventor begins turning 
against his own mechanical-toys, and even loses his 
power of inventing these. But by this reaction, Mr. 
Anderson says, he is still in advance of his fellows. 
He has become conscious ; before he bad been un- 
conscious (that is certainly a step in advance : but 
does it tally with Mr. Anderson’s teaching else- 
where?). 


210 



PASSAGES FROM POOR WHITE 


‘He had been an unconscious worker , a doer, and 
was now becoming something else. The time of 
the comparatively simple st niggle with definite 
things, with iron and steel, had passed. He 
fought ... to understand himself, to relate him- 
self with the lift about him. The poor white, son 
of the defeated dreamer of the river, who had 
forced himself m advanec of Ins ftnow’s along the 
road of meehameal development, was still m ad- 
vanee of his fellows of the growing Ohio towns. 

‘ The struggle he was making was Ihe shuggle his 
fellows of another generation would erne and all have 
lo make. . . . 

‘There w r as unconscious defiance of a whole 
civilization m Hugh’s attitude. . . .’ 

The heroine ol the story, Clara, hates her hus- 
band’s and father's machinery even more than 
Hugh (as far as we are allowed to follow r him) comes 
to do. There is a sensational scene m which a 
harness-maker has cut a man’s throat for importing 
mac h i n e-made harness into the town, and forcing 
linn to sell it. 

‘In her mind’ (in Clara's) ‘the harness-maker had 
come to stand for all the men and women in the 
world who were m secret revolt against the absorp- 
tion of the age m machines and the products of 
machines. He had stood as a protesting figure 
against wdiat her father had become.’ A little earlier 
Clara's father, Tom, has turned up, m a state of 
great excitement, w r ith the first motor car to be seen 
in that part of the country. He takes his daughter 
and son-in-law for a drive, Clara sitting behind, and 

217 



PALEFACE 

Hugh beside Tom . Here arc* two passages, recount- 
ing this event. 

‘As the daughter sat in the motor listening to 
the shrill voice of the father, who now talked only 
of the making of machines and money, that other 
man talking softly m the moonlight as the horse 
jogged slowly along the dark road seemed very 
far away. *A11 such men seemed \ery far away. 
‘‘Everything worth while is very far away,” she 
thought bitterly. “The machines men are so in- 
tent on making have carried them very far from 
the old sweet things.” 

‘The motor flew along the roads and Tom 
thought of his old longing to own and drive* fast 
racing horses. “I used to be* half crazy to own 
fast horses,” he shouted to Ins son-in-law. “I 
didn’t do it, because owning fast horses meant a 
waste of money, but it was m my nnnd all the 
time. 1 wanted to go fast : faster than any one 
else.” In a kind of ecstasy he gave the motor 
more gas and shot the speed up to fifty miles an 
hour. The hot, summer air, fanned into a violent 
wind, whistled past his head. “Where would the 
damned race horses be now,” he called, “where 
would your Maud S. or your J.l.C. be. trying to 
catch up with me m tin.-* car? ” 

‘Yellow wheat fields and fields of young corn, 
tall now and in the light breeze that was blowing 
whispering in the moonlight, flashed past. . . .’ 

‘“You don’t know anything about it, and I 
don’t want you should talk, but there are new 
things coming to Bidwell,” he added. “When I 

218 



PASSAGES FROM POOR WHITE 


was in Chicago last month I met a man who has 
been making rubber buggy and bicycle tires. I ’m 
going m with him and we ’re going to start a plant 
lor making automobile-tires right in Bidwell. The 
tire business is bound to be one of the greatest 
on earth and*thcy ain’t no reason why Bidwell 
shouldn’t be the biggest tire center^ or known in 
the world.” Although the ear now ran quietly, 
Tom’s \oice again Ik came shrill. “There’ll be 
hundreds of thousands of ears like this tearing 
over '‘very road in America,” he declared. “ Yes, 
sir, they will; and if I calculate 1 lght Bidwell ’ll be 
the great tire town of the world.” ’ 


§ ‘JO. The Contradiction between the Communist Emo- 
tionality of Mr Anderson and his impulses to 
counter the Machine Age. 

It is plain from the quotations I have given that 
Mr. Anderson is (whatever the origin of those im- 
pulses may Ik* wilh him) insurgent or reactionary 
where the greal mailed list of Big Business is con- 
cerned- -rebellious to all that giant orthodoxy of 
mercantile collectivism which is pulverizing th< life 
of the contemporary world, in herding people m 
enormous mechanized masses. Any independent 
intelligence*, standing aside from the two great hos- 
tile sects of Capitalism and Communism, must de- 
plore in the* latter, side by side with its doctrine of 
deliverance, the fact that its Promised Land looks 
too, in the distance, so like the film Metropolis . 

Mr. Anderson no doubt would be incapable of 
seizing the fundamental liaison of many of his 

219 



rALEFACE 


favourite ideas with the materialist aspect of the 
communist doctrine Where he bestows upon Clara, 
m Poor While , a lesbian chum, and makes her re 
spond to her life experience a la garQOvne; or, again, 
where he advertises in Dark Laughter a passion, as 
a child of six, for his mother (so conforming to the 
incest motif of Freud j, he is far from realizing, I 
should say, where these ideologic boriowmgs would 
lead him, had he the curiosity to track them back 
to their true sources. All this is hidden from Mr. 
Anderson : but that is not for a moment to say that, 
had lie the energy or intelligence to track the prin- 
cipal and most picturesque notions by which he has 
been influenced back where they most truly belong, 
he would not be even better pleased with himself 
than now he is. Nor do I saj r that, swiftly navigat- 
ing the broad stream of influences (to which he, m 
common with everybody else to-dav, has been sub- 
jected) up to its fountain head, and finding himself 
at last m the company of early Generals of the 
Society of Jesus, or Grand Inquisitors, closeted w T ith 
the chiefs of the Templars or passing into the shadow 7 
of the Star Chamber, or findmg himself at length 
face to face with the learned priestly rulers of East- 
ern theocracies, such for instance as the priests of 
Sais. who told Solon that tin Greeks were only 
ignorant children, hi would not Ik* m better intel- 
lectual company than ever lie has been m the Middle 
West. What of course I really mean is that he, him- 
self, w T ould certainly be worse off with those master 
minds. But lus interests are ours, up to a point, 
and it is perhaps as well not to allow' Palefaces like 
Mr. Anderson to make too many mistakes and to 

220 



MR. ANDERSON AND THE MACHINE AGE 

arrive at the Melting-pot practically Black. Muddle 
and blindness is bad, encountered in the spokesmen 
of our race: for if such men as Shaw, Russell, Law- 
rence and so on, here m England and Anderson 
amongst the best-known dozen m America are not 
our spiritual spokesmen, ihen who are? Not Sen- 
ator Borali or Mr. Churchill, 1 suppose: nor Dean 
Inge nor Rabin Wise. Once the deep cloud of lgnor- 
auce and misunderstanding were dispelled, it would 
be found that many people w T itli even more enthu- 
siasm would stick to their present beliefs. Others, 
how’ever, would abandon them. We should all 
know' where wc w r ere, then, the issues would be stark 
and plain, and the argument would move more 
rapidly to its conclusion — smoothly, more satisfac- 
torily. to the best of all possible Melting-pots. 

So I think that the emotional insurgcnce of Mi . 
Anderson against the conditions of Big Business is 
flatly contradicted by his communism. I w r ill repeat 
the quotation where he is exclaiming about the 
peculiar solidarity of the negro workers. 

‘The bodies of all the men running up and down 
the landing-stage were one body. One could not 
be distinguished from another. They w r erc lost 
in each other. Could the bodies of people be so 
lost in each other? 5 

The answer of course to that last question (the 
exclamations of Mr. Anderson have usually the form 
of questions) is ‘ Yes, they can. It is quite easy for 
White Men, as w ell as Negroes, to become Mass men , 
“not to be distinguished from one another. 55 In- 
tensive Industrialism is able to achieve that for y r ou 


221 



PALEFACE 


whoever the bosses.’ But Intensive Industrialism 
is what Mr. Anderson never ceases to fulminate 
against. And his reasons for hating it .appear to be 
precisely that it does merge people m the way that 
he exultantly describes the Negro workers as being 
merged, m one featureless anonymous black organ- 
ism, like a gigantic centipidc. So in the same 
breath he is gioomv and joyful over the same phe- 
nomenon! The black skin appears to have the 
power of disguising the reality from him. A sub- 
sidiary confusion is caused, in this instance, by the 
fact that the mechanical Negroes are given as a 
characteristic feature of the free natural life of the 
Mississippi before the arrival of Industrialism, which 
put an end to the mechanical trotting Negroes — 
“running up and down the landing-stage . . . lost 
in each other.’ 


§ 21. While ' SenlinienUilih / ' 

At the beginning of Section I1T, J have quoted 
Mr. 1). If. Lawrence, where hi' says, ‘It is almost 
impossible for the white people to approach the 
Indian without either sentimentality or dislike.’ 

And I remarked that Mr. Lawrence showed him- 
self to be a flood Whih M«n m that respect: for 
there is a great deal of ‘ sentimentality ’ about the 
Hopi in the books of Mr. Lawrence. 

Where the amencan Negro is concerned it is the 
same thing with Mr. Sherwood Anderson, although 
it is a different sort of 'sentimentality.' In any 
book of Jus you pick up you will find, wherever 
Negroes occur, that they are used to score off the 



WHITE ‘SENTIMENTALITY’ 


White; or arc compaied, with considerable ’senti- 
ment,’ very favourably with the White ‘Over- 
lord.’ 

This invariable attitude on the part of Mr. Ander- 
son is partly the effect of fashionable primitivist 
doctrine: and it partly the revolutionary, ‘radical,* 
impulse at work. The Negro is ‘kept m his place,' 
is ‘looked down on,’ is used as a hireling, and 
laughed at, by the arrogant Lord of Creation, the 
White Man. Mr. Anderson has learnt his little 
‘radical’ lesson. So, wherever the Negro occurs, 
and he occurs fairly often in lus books, he is made to 
take the White down a peg or two. What blissful 
ignorance of really dark realities is displayed by 
these old-fashioned habits — old-fasluoned because 
they came into existence amongst and were proper 
to conditions that ha\e passed! There arc many 
duskier things than the big black honest open face 
of the poor Negro. 


§ 22. ‘/ wish I ti as a Niggci.' 

T will give a few lurt her illustrations of roman- 
cing about Negroes. Take, lor example, the first 
storv, ‘I Want to Know \Vh> in The Triumph of the 
Egg. It is a story of the passion for horse -racing — 
it is, as it happens, a very, very emotional, even, in- 
deed, a blubbering story. It is, in fine, the triumph 
of the Egg — in the overtaxed soul of Mr. Anderson. 
Negroes are ‘flashed up' here and there. 

‘Often when I think about it ... I wish 1 was 
a nigger. It *s a foolish thing to say . . . I can’t 
help it.’ 


223 



PALEFACE 


Three other boys and himself run away from 
home and go to the races. 

‘Wc got into Saratoga as l said at night and 
went to the track. Bildad (a Negro) fed us up. 
He showed us a place to sleep in liay over a shed 
and promised to keep still. Niggers are all right 
about things like that. They won’t squeal on 
you. Offen a white man you might meet, when 
you had run away from home like that, might, 
appear to be all right and give you a quarter or 
half dollar or something, and then go right and 
give you away. White men will do that, but not 
a nigger. You can trust them. They are square 
with kids. I don’t know why.’ 

I have said in my introduction that I am propos- 
ing to you an entirely new system of feeling and 
thought, a new way of looking at the world in which, 
since the War, we have been called upon to live. ‘ I 
Want to Know' Why’ is a good thing to exercise 
jour teeth on if you arc giving this system a trial. 

But let us put under the microscope the two 
passages 311st quoted, to start with: afterwards the 
rest of the story can he associated with our results, 
derived from the scrutiny of that particular portion. 

Mr. Anderson of course is writing to start with in 
the breathless, unpunctuated jargon of childhood: 
for he is a little simple child once more, running 
away from home. (Often in The Triumph of the 
Egg he take s many lea \ cs out of the book of ‘ Trudy ' 
Stein, it is worth noting, for it is, as I have said, the 
Triumph of the Egg right enough.) So when he 
says ‘I wish I was a nigger,’ we should not be justi- 

224 



4 THE IvID s 


ficd in paying much attention to that, if it wcfc not 
that elsewhere, when no longer the irresponsible 
truant child, he displays just the same proclivities 
where Negroes are concerned. lie is always, in one 
form or another, ‘ w i slung he w as a nigger.’ So it is 
‘a loolisli tlnng fro saj.’ It is a foolish thing, all 
right, and Mr. Anderson, in one way or another, is 
always saying it. 


§ 23. 'The Kid: 

In the second passage 1 have quoted, Bildad, the 
kind dusky Uncle Tom, with the Dickens tear in the 
corner of Ins pathetic rolling benevolent black eye, 
gives the little runaways lots to eat; and then lie 
bustles off and finds the dear little chaps (m the tiue 
Dickens manner) a eosv little hiding place. 

k Ali, the good kind Nigger! Would that those 
hard unsympathetic White Men were as good to 
4 kids” as that! (live me a Nigger e\er\ time — it 
you ’re a little mnoec nt kid (as I am for the moment, 
in misty-eyed memory) (making Ihr hard, cruel, 
White law% which foibids you to run aw r ay from 
home, and which imposes its disgusting White disci- 
pluie upon you. Ah, if the White Momnier and Pop 
only could understand ! As t he Nigger understands ! 
The Child is a thing that requires understanding! 
He is a w T ild, rousscauesque thing, a fragment of 
wild Nature. He hates discipline ! He w r ants to run 
wild! The Nigger is nearer to Nature: he under- 
stands the Child. Up, the Nigger! Down, the White 
Mamma! And especially, Down the White Papa ! * 
That is the andersoman idea. The Nigger and the 

OO'? 

*IM J 


p 



PALEFACE 


Children are kindred souls — both are giggling, emo- 
tional — laughing and crying — Children of Nature. 

‘ you know how a nigger can giggle and laugh 

and say things that make you laugh. A white man 
can’t do it. . . .’ ( Triumph of the Egg, p. 10). 
Only the adult White is no sport,* is against Nature l 
Tt is he that has invented discipline ! It is the White 
that spoils % e verytlung ! So, down with discipline 1 
Down with the White! Let Children and Niggers, 
moist -eyed and hand in hand, run wild and free! 

That is the andersonian message: and when we 
have wiped our eyes and put our handkerchiefs away 
(still sniffling a little, and still red around the eyes) 
— if we ever do that at all, of course! — let us open 
our little peepers and see what has been happening 
to us all. We ’ve been ha\ ing such a hell of a good 
time, such a lovely luscious cry, and so much luxuri- 
ous sob-stuff has been our bath for so long (not only 
as readers of Anderson, but as readers of so many 
books), that to be a little inflexible, and on the cold 
side, will be a change, at least. Suppose we begin 
to do what — in such a radiant, free and highly emo- 
tional world — wc should never never do at all : I 
mean, tall into that beastly condition, so abliorzent 
to all emancipated, i'recdom-lovmg Children of 
Nature, to all Behavioun-t'., to all Beigsomans, Ges- 
talt ites and Emergent Evolutionists — that condi- 
tion we call (as it were m mockery of our ‘reflexes’) 
‘reflection.’ How would that new state of muid 
affect our view of the above passages in ‘ I Want to 
Know Why,’ indeed of the whole of that piece? 

First, we should undoubtedly say to ourselves 
that it was a little late in the da}’ to indulge in Uncle 

226 



‘THE KID * 


Toma Cabin emotions. Things have changed too 
much throughout the world for the ‘ conquering* 
White Man to allow himself, without appearing 
ridiculous, those sentimental superiorities. It is 
even an offence to our Black brothers. On the other 
hand, the White t)verlord (not being an ‘overlord’ 
at all of course) can no longer strictly speaking afford 
the luxury of remaining a ‘kid.’ That is no good: 
the World is no longer his nursery, or happy hunting 
ground, so Ins days of charming Childhood, it should 
be recognized by him, a^e at an end. There arc 
many people, of course, who arc only too anxious to 
encourage him to remain a child. On all sides he is 
encouraged to remain very, very ‘young’ and harm- 
lessly ‘boyish,’ not to trouble his little head with 
thinking, not to allow any anxiety to come into 
his eternally young and divinely irresponsible life. 
‘Ju&t have a good time: just be a “kid” — we’ll do 
the rest, we’ll look after the world!* his mentors 
practically say to him. 4 You are so young: much 
too young to do anything but enjoy yourself — at our 
expense! Don’t stmt j ourself! The mortgage will 
never have to be paid!’ Soothed and flattered, 
Little Master Paleface simpers and archly contorts 
himself, and turns to the toys provided for him — 
more insidious, < ertainly, than bread and circuses — 
by Ins indulgent guides, philosophers and friends. 
Some of his toys are getting very noisy and danger- 
ous. ‘Why not have another little War with the 
next nursery?’ Ins mentor suggests. ‘Just one!* 
Little Master Paleface frowns, pouts, and blows 
out his chest. 

If we were acquainted with these backgrounds — 
227 



PALEFACE 


and I am imagining us m order to represent us as 
reflecting, possessed of such knowledge — the senti- 
mental blandishments of Mr. Anderson, and his 
Unelc Tom up-to-date, would enable us verv quickly 
to dispose of all traces of our emotion. We should 
not develop a great power of sympathy for the glee- 
ful alliance ol ‘the Kid' with ‘the Nigger.’ The 
age-war, or more properly the war between the 
master and pupil, or between father and son, so ably 
fomented m Paleface society as a part of the revolu- 
tionary programme, would not tin ill us so very 
much. We should know, for instance, that if the 
Nigger helped the insurrectionary ‘Kid’ against Ins 
family, it might conceivably be because the Nigger, 
although not a bad sort, perhaps, might all the same 
be rather glad to cause a little anxiety and discom- 
fort to the adult White, who lorded it over lnm 
rather brutally. All Bildads, bearing m mind what 
the circumstances are, must be potential insurgents, 
and must have some sympathy with revolt m any 
form. We should know' (if w e w ere acquainted with 
the backgrounds specified above) that the order of 
the White World was far from perfect, but that it 
was nevertheless a form of order that should not 
utterly be allow r ed to decay before w t c reached the 
Melting-pot; that discipline is the enemy of the 
‘good tune/ certainly, whether it is discipline m a 
fannl\, army, school, or state: but that no good 
time, even, ever was secured for very long by a 
studied neglect of disgusting disciplines. All these 
elementary, universal, homely truths, from w r hich 
there is no escape for successful life, and which arc 
the first conditions of organization or ‘mind/ as op- 

228 



‘THE KID * 


posed to chaos or ‘sensation,’ we are supposing that 
we possess as a matter of course. Then, cerlnmh , 
after a good diekensian cry o\ er the kind loyal Black 
Man, shielding and caring for the runaway ‘kid/ Mr. 
Anderson’s eloquent appeals to our hearts and senses 
would begin to gure place to something disagieeable 
and mathematical, almost like the meter of a taxi. 

There is, of course, some exaggeration in this 
analysis: but it is only by ovir-stressing the signi- 
ficance of such material that the true meaning of all 
such wilting can be laid ban tor the inattentive 
reader. The reader must lie induced somehow to 
contract the habit of muling between the lines. 
That is really the wav to lead such stulf, ll you must 
read it (and masses of people do), the way I have 
just bc< n reading it for \ ou. K\ t n if sometimes vou 
are mistaken m \oui enthusiastic detective aetmty, 
that is better than alwa\s accepting blindly, as pur- 
poseless ‘cnt< itamim nt,’ what so often is saturated 
with some political philosophy or other — even un 
known to its author and evtn (d a good philosophy) 
interpreted, it may be, upside down. 

What Mi. Anderson ivauls to kn ore why about is, 
however, not anything to do with White and Black 
questions, nor is it part of the ‘Fathers-and-sons,’ 
the Kid m.sMA Uud, i evolutionary situation. It i-> 
the ‘sex-war,’ that other fundaiiKiital sub - 1 war/ 
that provides the material for the mam theme of the 
story. And the homo-sexual seiisibildy is, I think, 
brought in to reinforce tins part of the business. 

When the runaway ‘kid’ gets home, ‘Mother 
jawed and cried, but Pop didn’t say much.’ Pop 
was perhaps a rather cowed type of Poor White, or 

229 



PALEFACE 


perhaps he had no desire to add the burdens of the 
Kid — Pop war to those of the sex-war of Man — 
Wife. 4 1 told everything we done except one thing. 
I did and saw that alone. That what I 5 m writing 
about.’ — It is about that he ‘wants to know why.’ 

What happened apparently *hat ‘the Kid’ 
(who was sixteen) fell iu love with a trainer called 
Jerry Tilford. But prior to lus infatuation for Mr. 
Tilford, lie evidently fell head over ears in love with 
the horse trained by Tilford — ‘Sunstreak.’ 

‘There' isn’t anything as sweet as that horse. 
... I was standing looking at that horse and 
aching. In some way, I can’t tell how, I knew 
just how Sunstreak felt inside . . . he w r as just a 
raging torrent inside. ... I could just in a w r ay 
see right inside him. He was going to do some 
awful running and I knew it ... I knew it and 
Jerry Tilford his trainer knew.’ 

So we arrive at his yearning emotions as regards 
the trainer. Anything that interests him ‘the Kid’ 
seems to translate immediately into the hot, ‘ach- 
ing ’ terms of sexual love He has a permanent 
lump m Ins throat, 'the Kid.’ ‘If my throat hurts 
and it’s hard for me to swallow,’ he tells us, why 
then the horse he has these sensation^ about i< a 
good horse. It is the same more or less about 
trainers. A good tiainer, or I suppose a kind Nigger, 
affects him in the same' way. It w'ould require the 
tearful art of a Charlie C haplin to give us a proper 
version of this ‘Kid’; only Charlie w r ould have to 
throw in a ‘Nancy 5 touch to get the emotional im- 
pact required. 


230 



‘THE KID’ 


‘I knew it and Jerry Tilford, liis trainer, knew. 
I looked up and then that man and I looked into 
each other’s eyes. Something happened to me. 
I guess I loved the man as much as I did the horse 
because he knew that T knew. ... I cried and 
Jerry Tilford had a shine in his eyes.’ 

The orgasm continues: but the point of ‘the 
Kid's’ story lies in the fact that the orgasm js trans- 
ferred from the horse to the trainer. * I watched the 
race calm. . . You expect the crisis of the orgasm 
to occur, of course, when Sunstrcak passes the win- 
ning post. But nothing of the sort happens. All 
is suddenly ‘calm.’ That is the authors little sur- 
prise. 

‘A funny thing hud happened to nie. I was 
thinking about Jerry Tilford, the trainer ... all 
through the mcc I liked him that afternoon 
e\cn more than I ever liked my own father. I 
almost foigot the horses thinking that way about 
him. ... It was the first lime 1 ever felt for a 
man like that.’ 

So Jern Tilford is his first love. — The race-meet - 
mg ends. — But ‘the Kid s’ passion for Jerry Tilford 
does not die down. 

‘After the race that night I cut out from Tom 
and Hanley and Henry. I wanted to be by my- 
self and I wanted to be near Jerry Tilford if I could 
work it. ... I wanted to be as near Jerry as I 
could. I felt close to him. ... I was just lone- 
some to see Jerry, like wanting to see vour ow T n 
father at night when you are a young kid.’ 

231 



PALEFACE 


‘The Kid * wanders about, tracks Jerry to a farm- 
house. He drives up with some other men. The 
Kid w'atches him enter, ‘aching,’ of course. But 
then come the ‘fantods.’ 

§ 24. The Fantods . 

‘I crept up along a fence and looked through 
a window and saw. It’s what gives me the fan- 
tods. I can’t make it out.’ 

This is where the great Why ? comes in. For the 
farmhouse was a brothel, it seems. And Jerry, his 
idol, proceeds to defile himself with women, who 
arouse m ‘the Kid’ the ml eases t and most correct 
aversion. 

‘The women in the house were all ugly, mean- 
looking women, not nice to look at or be near. . . . 
1 saw everything plain. . . . The women had on 
loose dresses and sat around m chairs. The men 
came in and sat on the w omen’s laps.’ 

And then, of course, Jerry belm\es m a way that 
makes ‘the Kid’ bate him. ‘His eyes began to 
shine,’ and ‘then he went and kissed that woman 
and I crept away .’ 

While watching all this through the window his 
emotions are of a Negro demonstrativeness. ‘I 
began to hate that man. I wanted to scream and 
rush 111 the room and kill him. I never had such a 
feeling before*. I was so mad clean through that I 
cried.’ 

Everything ends in tears, sooner or later. Every- 
232 



THE FANTODS 


thing ‘ends m a whimper.’ He creeps away and he 
is so upset that ho never goes to a racecourse again. 

The paroxysms of the over-feminine ‘Kid 5 do, no 
doubt, represent an important element in the White 
American nature: the sort of thing that has made 
it easy to fling it?mto jazz, that caused the gigantic 
farce of the lying m state of Valentino, and the rest 
of the things that give the European his idea of the 
american hysteria. If there were nothing but that, 
the noble Red Man, with his legendary calm aloof- 
ness, his faultless self-discipline and self-reliance, so 
that a solitary Brave was as much to be feared as a 
troop, would indeed be as superior to the White as 
he is to the Jigging, laughing and crying, yapping 
and baaing, average Negro. 


§ 25. 4 Uncas 5 and the Noble Rtd&hin . 

I will conclude this scrutiny of the material in 
which the political message of Mr. Sherwood Ander- 
son is imbedded w ith some quotations from A Ntojy- 
Tellers Story . 

‘Uncas — t4 Le Ccif Agile” . . . has an idea. 
Drawing a line m the snow, Ik* stands some fifty 
feet from the largest of the trees m the grow and 
hurls the hatchet through the air. What a deter- 
mined fellow ! I am of the paleface race mysdf 
and shall always depend for my execution upon 
la longue carabine , but Uncas is of another breed.’ 

These passages are from the account of the child- 
hood of the Story-teller, and this first chapter of his 
autobiography is full of the dramatization of the 

233 



PALEFACE 


early pioneering life that lay just behind his brothers 
and himself. This sensitive incubation period is full 
of Indian-worship, and a long preoccupation with 
the 1 primitive ideal. ‘Uncas 5 is Ins brother. 

‘There is something direct, brutal and fine in 
the nature of Uncas. It is not quite an accident 
that m our games he is always the Indian while I 
am the despised White, the Paleface. It is per- 
mitted me to heal my misfortune a little by being 
not a storekeeper or a fur-trader, but that man 
nearest the Indian's nature of all the Palefaces 
who ever lived on our continent, “La Longue 
Carabine”; but I cannot be an Indian and least 
of all an Indian of the tribe of the Delawares. I 
am noL persistent, patient and determined enough. 
As for Uncas, one may coax and wheedle him 
along any road, and I am always clinging to that 
slight sense of leadership that my additional fif- 
teen months of living gives me, bv coaxing and 
wheedling, but one may not drive Uncas. To at- 
tempt driving linn is but to arouse a stubbornness 
and obstinacy that is limitless. Having told a 
lie to mother or father, he will stick to the he to 
the death, while I — well, perhaps there is m me 
something of the dog-like, the squaw-man, the 
Paleface. . . / (d Slut y-ltlh)'* Story , p. 10). 

Here you get the contrast that is much older and 
more fundamental than the Negro question — for 
the American has always had more contempt than 
anything else for the ‘Nigger’ — or than the sort of 
problems raised by Mr. D. H. Lawrence in his Morn- 
ings in Mexico . It is the memory of the values that 

234 



‘UNCAS* AND THE NOBLE REDSKIN 


were suddenly confronted when the first White Christian 
colonists found themselves face to face with the pagan 
Redskin . The White defeated the Redskin, and 
even rapidly exterminated linn. But it was with a 
bad conscience. He knew that lie had been able to 
do it only beeausc*he possessed his ‘longue carabine.’ 
The noble vigour, unbreakable resolution, high code 
of honour, of these physically splendid races, picked 
off, thinned out and finally destroyed by his silly 
little pop-gun, and m the last stages by his lire-water, 
left an ineffaceable impression upon the mind of the 
White settler, which can he best defined, perhaps, 
as a sense of having stolen a march upon Nature, or 
having sinned against Nature, as the puritan con- 
science would probablj tlnnk of it. 


§ 26. Machines versus Men . 

These red ‘savages,’ the Whites always have felt, 
w T ere noble 1 sa\ ages 5 (and so they have always cele- 
brated them), and not an ignoble, slothful, shamb- 
ling, jazzing, laughing-nnd-crymg, sort of big black 
baby, w r »th silly, rolling eyes, and big characterless 
lips, as the average ‘Nigger 5 is apt too much to be. 
To mention the ‘Nigger’ in the same breath as the 
Redskin would be absurd. They were of different 
clay. And the proud and splendid races possessing 
these difficultly -acquired qualities, who inhabited 
the northern aniencan continent w T licn they armed, 
and w T ho contemptuously called them ‘ Palefaces,’ 
‘squaw-men,’ and so forth — these races had been 
wiped out not by them, but by civilization— by euro- 
pean science and its deadly weapons. These 

235 



PALEFACE 


machines had killed those men. Was it right that 
these machines should kill those people — and such 
splendid people, too ? 

This was the first lesson of the White m the great 
issue that later on was to occupv such a central posi- 
tion m his life — namely, of Man vfi'sus the Machine. 
The Redskin provided the first illustration. In that 
first picture the Win te was on the side of the Machine. 
With his machinery he drove back and then de- 
stroyed the Redskin. Later, all human enemies 
apparently disposed of, the struggle began between 
the all-conquering Machine and himself It looked 
as though Ins fate might be the same as that of the 
Redskin. To-day that is the problem more than 
ever. But it is never stated very clearly, because 
all the organization of publicity is m the hands of 
the owners of the Machines. Here and there such 
writers as Anderson however gi\e expression to it. 

§ 27 . Hen/y Fold and the ‘ Poor White ' 

I have given above a fair account, I belie\ e, of 
what must be at the bottom of the anglo-saxon 
mind of America, though of course that would not 
at all apply to the mind of a recent german 01 rus- 
sian immigrant. It is strange that llenry Ford, 
who is, I daresay, the greatest Ining Amirjcan, 
should stand for all that is most mechanical in the 
world and at the same lime should ha\e almost 
identically the point of view of Mr. Sherwood Ander- 
son as regards the modern city-life of the Machine 
Age, and attempt to revive, side by side with, and 
away from, his \ast commercial plants, the atmos- 
phere of the early colonist days m America. 

230 



HENRY FORD AND THE 4 POOR WHITE ’ 

Where Ford is discussing, in one of his pronounce- 
ments, the criticisms brought against him for ‘me- 
chanizing human beings’ m his factories, he says, 
with admirable candour, that lie himself could not 
lead the life of one of Ins herd of workmen. Bill he 
points out that t?ie humanitarian is wasting his sym- 
pathy who wrings his hands over the condition of 
these men; for that — Ford says — is the sort ot lile 
that brings the greatest happiness to the greatest 
number. Most men wish to be machines. They 
want to feed and sleep — and mechanical work is a 
sort of sleep — and be told what to do, nothing more. 
Food, just enough exercise for health, rest and sleep, 
a constant supply of new toys, and, above all, no 
responsibility — that is the idea. 

But Ford is trul\ humane and public -spirited, in 
the traditional ouropcan sense, and if others would 
agree to follow suil , Ik would cmpt\ his factories to- 
morrow, I expect, break up his plant, and return to 
the ‘simple life’ with groat satisfaction. That is 
whcie he differs from most of In'- follow -magnates, 
lie is a superman of the Machine Age, but he is still, 
paradoxically, a ‘creature of spirit.’ He is not him- 
self a machine. 


237 



PALEFACE 


CONCLUSION 

§ 1. The While Machine and Us Complexes. 

I T was originally my intent ion, *as an excursus to 
this preliminary essay, to pro\ide a carefully 
sifted list of the great group of 'complexes* 
carried about by the average White Man to-daj r . (I 
use the word 4 complexes ’ as that will eonvey to the 
general reader w r hat is meant, and it also particu- 
larly recommends itself, since it is precisely Freud 
and his assistants, w r ho, along with the idiotic word, 
ha\e supplied the idiotic thing — have helped in 
short to build up the full Idiot, as lie is emerging 
today.) 

It would be necessary, of course, to overhaul this 
list e\ery six months, as new material arrives by 
every post. But the mam lines could now be defi- 
nitely established. 

I should lia\c grouped these complexes under 
their specific* headings. There would be, for in- 
stance, the ‘husband’ complex (virility-motif); age 
complex (A. young, B. old, variety); sex complex 
(shamamstic vanety, sentimental frothing capitula- 
tion, etc. — the basi-ard-american negntic hysteria of 
k I Want to Know Why ’) ; infantilism (the desire to 
remain in sheltered tutelage, refusal of responsi- 
bility), and so on. With each I should have pro- 
vided a complete definition, and a set of concrete 
illustrations, of the fool-proof sort. But as this 
would have great lv extended t he length of my essay, 
it w r as necessary t o abandon that part of the evidence. 

238 



THE WHITE MACHINE AND ITS COMPLEXES 


As the White spirit shrinks, oppressed under its 
burden of war, business insecurity, blood-tax, do- 
mestic interference, domestic disunion, constant 
threat of revolutionary cataclysm, anti-cataclysm, 
and so forth, its very position of world-mastery, 
racial advantage and prestige, is inclined to become 
a mockery and burden to it. Everywhere to-day 
the White European (both as a European and also 
among the great White colonics and nations) is pro- 
foundly uneasy, and looks apprehensively behind 
him at all moments, conscious of a watchful presence 
at his back, or somewhere concealed in his neigh- 
bourhood, which he does not understand. Dark 
Laughter of Ihc hidden watching negro servants is a 
typical concrete expression of this uneasiness: evi- 
denth , when mastcis become obsessed w ith their ser- 
vants, they are then only masters m name. But 
this lliieatcmng something to wdiosc presence I refer 
is, of course, m a different category of terror and 
menace from the fairly harmless concrete Negro. 
Mcamvlnle inside himself (then* he never looks, 
though it is, of course, there that he should direct 
the most objective glance that lie can muster), the 
ferment of the intellect ualist disease goes on, and 
‘complex’ after ‘complex’ is introduced, attacks 
some mortal centre of life and vitality, and a further 
portion of the White civilized soul is dismtegiated: 
a further stagger, hop or shamble is given to the 
White machine. 

§ 2. ‘ Inferiority ,’ and t withdrawal ‘ Back to Nature .’ 

So, in the books that we have been considering, 
where the White Man is confronted by the Black, 

239 



PALEFACE 


the Red or the Brown, he now feels inside himself a 
novel sensation of inferiority. He has, in short, an 
‘inferiority complex’ where ever}’ non- White, or 
simply alien personality or consciousness, is con- 
cerned. Especially is it in Ins capacity of civilized 
(as opposed to pi imitivc , ‘savage,* ‘animal’) that he 
has been taught to feel mjeuor. 

The trick of this inferiority could all be laid bare 
by any inquiring person who took the trouble to ex- 
amine, not the purely curative doctrine of Dr. Freud, 
but his philosophical, literary, sociological teaching, 
and its psychological ramifications throughout our 
society. There are many factors beside Freud: but 
Psychoanalysis is m itself quite adequate. 

The trick of the inferiority complex that we have 
been approaching, via creative fiction, is to be 
sought m a certain belief that has been imposed 
gradually upon the White Consciousness, during 
forty or fifty ycais, namely, a belief (it reduces itself 
to that) that man cannot ‘progress’ beyond the 
savage or the animal: that when lie tues to (as the 
White European has done, as the Hellene did), he 
becomes m the mass ineffective and ridiculous: 
therefore, that the sooner lie turns about, and re- 
traces his steps until he is once more like the Huns 
of Attila, or any community whose mam business in 
life is to ‘snnte hip and thigh ’ sonic other rival com- 
munity — or like the plain unvarnished man-eating 
tiger, or the wild boar, the better. 

Tins direction of thought, and With the greatest 
definition this purpose is visible, has moulded all 
those schools of fiction, or fancy, specimens of which 
(from the pages of Mr. Lawrence and Mr. Anderson) 

210 



4 INFERIORITY ’ AND ‘BACK TO NATURE 4 

I have given m evidence. The particular human- 
ism of Pound is cut from the same stuff (cf. The 
Goodly Fere of Pound, with the sentimental-militant 
interpretation of Christ). 

All through the range of his complexes the con- 
temporary White Man can be observed at the same 
occupation, consisting everywhere m a reversal and 
a return. For instance, as an adult lie looks back at 
the child , and he is taught to say m his heart that 
the child is a ‘better man/ so to speak, than he is. 
Therefore he seeks to become as infantile as possible, 
and to approximate, as far as may be, to the infan- 
tile condition. By the Bergson school of thought 
he has been taught to regard intuition (the ‘intuition 
of the Woman,’ for example, contrasted with ‘the 
mere logic of the Man ’) as superior to Intellect. So 
he looks back towards that feminine chaos, from 
which the masculine principles have differentia led 
themselves, as more perfect. As the Child is more 
perfect than, and the conditions of its life more 
desirable than those of the Man, so the mind of the 
Woman is more perfect than, and the lot of the 
Woman — m league with or immersed in Nature — 
more to be desired than the lot of Hie Man. So the 
contemporary man has grown to desire to be a 
woman, and has taken obvious steps to effect this 
transformation (cf. pages on shamnnistic cult, Art oj 
Being Ruled). Then Power or Wealth has been re- 
presented as not only evil m itself, but not at all to 
be desired (ef. the ‘higher type’ of collective man of 
communism, according to Rene Fulop-Miller). And 
so on through all the series of backward- cults, from 
primitivism or naturalism, to fairyhood. 

2tl 


Q 



rALEFACE 


§3. The Revolutionary Rock-cbill and the Laws of 
Time. 

As people stand and watch the rock-drill at work 
in the street, so they watch the engine of political 
destruction ai work, asking themselves stupidly 
what it is all about. Why is all this going forward 
in our midst m this very strange and open manner? 
There is something here I don't understand ! It is 
as though the authorities had sent the ‘revolution- 
ary’ drill, under an armed escort, to break up the 
public thoroughfare. It ’s very odd ! — I suppose my 
brain is not able to grasp these new ideas ! whispers 
poor fuddled Mr. Everyman to himself, apprehen- 
sively. He perhaps looks round guiltily, to see if 
lus astonishment has been observed. 

If one of these puzzled, staring members of the 
great Public consulted Spongier, that celebrated 
philosopher would reply, ‘Well, accoidmg to the 
time-table of the best chronological philosophy (a 
time-table as absolute as that of solar eclipses — I 
have reduced it all to a very orderly and predictable 
scheme indeed), according to that lime-table White 
Civilization is now virtually at an end. The various 
White Governments, leahzmg this, have directed 
various groups of “social workers" (as juumc) to 
come and break up the White World with that up- 
to-date psychological equipment you perceive them 
handling with so much adroitness. Why they use 
that rather violent and noisv “cataclysmic” rock- 
drill is because, if they didn’t do that, it w r ould take 
a very long tune to break up the tirmly cemented 
White World (lots of money and energy was spent 

242 



THE REVOLUTIONARY ROCK-DRILL 

on cementing it, you see, and in making if solid 
and resistent), and then we should all be behind the 
Time-table! The various governments, as it is, 
are exceedingly concerned at the length of time 
it takes to break up any specilic bit of civilization. 
They had not icalizcd how tough their cmliza- 
tion was.’ 

‘Hut why do the Western governments want to 
smash up their own property, papa?’ \ou can hear 
the puzzled Flam Man (making his little eyes and 
mouth three round O’s) liiquiie of the poitontous 
Profcssoi . 

‘Because, niv little man,’ Ilcrr Spenglcr would 
reply severely, ‘because they know they’ie behind- 
hand. They would nevei do anything that might 
result in mv Time-table bung contradicted or dis- 
proved. They w ill not risk — ne\ er fear! — offending 
Timtl Not Tnne\ You understand v When you 
little Flam Men say ‘ Time is money,’ that is saeulege. 
Even/thing — not only money — is Time.’ 

The Man in the Street would be no wiser than he 
was before, but lie would be considerably impiessed 
and frightened. A \asl shadow’ across the sk\, 
labelled Zeitgeist* would dimlv emerge for him, the 
god of the rock-dnil, a sort oJ scientific god. When 
next he saw the engines of upheaval and chaos at 
work, he would take good care to ask no questions! 
He would hurry on. t lying to look as much as pos- 
sible like Brer Rabbit; or else like a little innocent 
Child, ‘mindless’ and irresponsible, slightly moron- 
esque — as small and a hundred times as harmless as 
a fly. 


‘213 



PALEFACE 


§ 1. The ' Jump' from Noa-Noa 1o Class-War. 

Wiiat has ‘primitivism * in art (taking Gauguin as 
a model of primilivist thought) got to do with the 
orthodox revolutionary doctrine of the Mass man, 
you may ask. That “jump’ is ivat a very long or 
difficult one, but it may be that some readers are not 
sufficientlv trained, or have not sufficient political 
experience, to make it. So I will state very briefly 
how these things arc connected. 

All war is compelled to be anti-progressist m the 
first place; it has to deny not only the notion of 
‘progress,’ but also of humanity itself, as a privileged 
classification or principle of action. Every Western 
government has now accepted all that the new con- 
ditions of gas and aerial warfare entail. No future 
belligerent will be able to make use of a propaganda 
campaign about ‘atrocities,’ as was the ease in the 
last war: in advance every form of ‘atrocity’ is 
taken for granted. That is an entirely new situa- 
tion in the civilized european world. It imposes a 
formidable change of attitude upon any civilized 
government taking up arms today. The first thing 
on the declaration of var that all the air-squadrons 
of those governments engaged would have to do 
would be to go and bomb and muidcr the sleeping 
citizens of the nation on whom w r ar had been de- 
clared. The method of murder and poison, only 
upon a vast scale, which formerly w r as recognized as 
the peculiar province of Renaissance Italy and actu- 
ally the monopoly of the Borgias. is imposed upon us 
by the development of our machinery of destruction. 

But the marxian doctrine of ‘ class-war ’ is after all 

214 



THE ‘JUMP’ FROM NOA-NOA TO CLASS-WAR 

war : and it is impossible for revolutionary method 
not to keep pace with its militarist opponent. So 
you get most communists committed to the same 
anti-liumane tram of thought as the militarist. And 
further it is essential lor people engaged in preparing 
for such events to instil into the Public a philosophy 
which must be ‘ruthless,’ materialist and mechani- 
cal. And so a philosophy must ensue that is a 
contradiction of eommonsense, and it will be quite 
unlike anv other popular philosophy that has ever 
existed. For here with our rapidIy-e\oIvmg ma- 
chines of destruction at our sides we are m a differ- 
ent position to any former men. 

The philosophy required will run generally as 
follows* The tiger is ‘ruthless’; the Borneo head- 
hunter used to hunt a man’s head as we go out with 
a butterfly net. those are the true models for you, 
Mr. Citizen! To the ‘Tiger burning bright* the 
political propagandist point s enthusiastically : about 
that apocalyptic beast there is no nonsense, he 
is ‘frankly an animal,’ without any sentimental 
squeamishness, he frankly enjoys the salts lie finds 
in the human blood he taps; as he leaps upon Ins 
human prey, and squashes the entrails out of it, he 
‘thinks’ of nothing, he is a machine that acts . That 
is what poor little Mr. Citizen must do when the 
time comes. And the time is not far off, he is 
warned: and so with the class-war and the little 
communist . 

No room at all is left for either (1) the chivalry of 
earlier nationalist w ar, nor for (2) the sort of humani- 
tarian socialism of Fourier or Samt-Simon, or for 
that matter for the fabianism in which the very 

215 



PALEFACE 

genial and benevolent Mr. George Bernard Shaw 
was nourished. 

But people do not believe in the alleged motives 
for wars any more today, and they are uncertain as 
to the benefits of revolutions. Henceforth then all 

o 

those forms of organized violence must be gone into 
to some extent against human reason; they are 
henceforth motiveless, and hence mad. That is 
why the fever and delirium is essential, in those 
masses who are to participate in them. Organized 
mechanized violence must be made to assume the 
inscrutable face of a 'necessity — a necessity of Nature , 
not of man — man, indeed, must be carefully kept 
out of the picture. 

But these same machines, which impose this type 
of war upon us, and hence also t he philosophy that 
is required by it, in order to make it possible, also 
take us farther and farther aw r ay, in our everyday 
life, from ‘savagery,’ or primitive conditions. The 
petrol engine and rapidly evolving transport facili- 
ties of all sorts, along with wireless and the eniema, 
make nationalism more unreal and implausible every 
day. This is another desperate feature of the 
matter (from the point of view of the promoter of 
violence) that requires a desperate (philosophic) 
remedy. The ordered systematic, sensible atmo- 
sphere of our everyday life again renders men recal- 
citrant to programmes of primitive Molence. That 
is why a lolence today lias to introduce itself a la 
Borgia . A propagandist religion of violence and 
‘action,’ that everywhere takes the form of a return 
to Nature cult, m one form or another, is born of 
these necessities. 


246 



BACKWARD STEPS AS FORWARD STEPS 


§ 5. How all Backward Steps hax e to be represented 
as Forward Steps . 

All tins involves a backward step, then. From 
any standpoint at all that you enre to adopt, except 
that of a invstieal surrender of life altogether, such 
violence as is now involved m war must appear to 
the eye of reason as retrograde. 

And here is the kc\ to the form of a great deal of 
eontemporarv work m every field of activity. The 
backward step has to be represented as a forward step . 
‘Progress/ it is true as a notion, must be violently 
attacked and discredited: but at the same time it 
would be impossible to persuade people to do any- 
thing without some sort of idea of ‘progress’ or 
betterment. So, with an ill grace, ‘progressist’ 
imagery and inducements have got to be used. As 
a sister paradox to this, an extreme primitivism has 
to be preached, vet all I he reality of what is truly 
primitive , chronologically, has to be removed from 
the pictures employed as baits and advertisements. 

There is a very hastv sketch of political primitiv- 
ism , as it could be called. It is not difficult to see 
how beautifully it agrees with the artistic primitiv- 
ism of Mr. D. H Lawrence — with aztee blood-sacri- 
lices, mystical and savage abandonments of the self, 
abstract sex-rage, etc , or Mr. Site rwood Anderson’s 
more muddleel and less up-to-date pnimtivist bag of 
tricks. And, in a general way, how useful art is, m 
a philosophy that must . as its lirst condition, be 
motiveless . 

As to the reason for my interest in these tolstoyan 
problems of War and Peace, it is not, of course, 

‘247 



PALEFACE 


humanitarian. You need go no further than the 
very practical and unsentimental fact, or facts, of 
the most vital interests of an artist being ruined by 
orgies of violence and ‘action,’ to understand my 
attitude, if you look for personal motive m it. It 
takes a long time without interruption to do any- 
thing worth doing in an art or science, and that 
(apart from the fact that it is a philosophy for brutes 
and the most complete ‘morons/ as they are called, 
only) the accursed philosophy we are discussing 
denies us You could not describe such opinions 
as ‘selfish,’ seeing that the interests represented 
are identical with everybody clse’s m this respect, 
except those of such as make money or acquire power 
by means of wars of all sorts. 


§ 6. A Walking Definition of the ‘ Sentimental 

In my analysis of the primitivism of Messrs. Law- 
rence and Anderson, especially with regard to their 
attitude 1 to the Negro or Indian. I point out how in 
both cases they were careful to accuse all other 
people who had ever approached Blacks or Indians 
of being ‘sentimental towards,’ or else full of hatred 
for those coloured aliens . It seems plain to me that 
this was a step, merely, to protect themselves 
against an accusation that they realize they have 
deserved. 

It will be useful, however, to get some meaning 
into the tag ‘sentimental’ before we leave it. 

Any idea should be regarded as ' sentimental 9 that is 
not taken to its ultimate conclusion . I propose that 
as a working definition of ‘sentimentality.’ 

218 



DEFINITION OF THE 4 SENTIMENTAL ’ 


What is the ‘ultimate conclusion * of anything? 
you could object. But that evocation of the distant 
metaphysical limit has nothing to do with a working 
definition: we wish for a definition that will take 
us, not out of sight, but to the limits of our horizon 
only. • 

Why I regard the spirit of the works of Mr. Ander- 
son and of Mr. Lawrence as sentimental, is because 
it indulges m «i series of emotions that, if persevered 
in by the Public they are intended to influence, 
would cancel themselves. I regard Mr. Anderson 
as more sentimental than Mr. Lawrence, because I 
do not think he suspects what the real issues are at 
all; whereas I daresay Mr. Lawrence know r s to some 
extent, though just as he was m the first instance a 
little vague as to w here the ideas lie used came from, 
he piobably is not over clear as to whither they are 
bound, or w hat their atlihations are. All ernati\ ely, 
if both Mr. Anderson and Mr. Lawrence sec these 
conclusions with extreme clearness, then they are 
deliberately employing, at least, the machinery of 
sentimentality. But 1 think they both use it too 
naturally for it not to be native to them. 


§ 7. Eveiy Age has been ‘ a Machine Age' 

The further investigation of those questions that 
have specifically to do with the machine, w T ith an 
adumbration of what our attitude should be w r ith 
regard to the machine, must be left to a later stage 
of this essay. In order to give some completeness 
to this first pul dished part 1 will, however, make a 
few r remarks before having the subject. 

249 



PALEFACE 


The hideous condition of our world is often attri- 
buted t o ‘ dark ’ agencies, willing its overthrow. But 
there have always been such devils incarnate — it 
goes without saying that there are such e\il agencies 
— ‘dark’ influences of every sort are certain at all 
moments to be at work. That alone would not ac- 
count for tin' unique' position of universal danger 
and disorganization in which we find ourselves all 
round the globe. It is obviously to its mechanical 
instrument, not to the human will itself, that we 
must look. Without Wluti Science and the terrible 
power of its engines, such evil people as always 
abound would be relatively harmless. 

How we might dispense with the Machine, or, 
rather, use it differently, can perhaps be suggested 
by a brief consideration of the mechanical, or geo- 
metric, as it appears m art. 

Many attempts lane beui made to associate art 
with the triumph of the Machine Age. The ques- 
tion, ‘A*e machines beautiful m themselves?’ has 
been asked for many years now. What people usu- 
ally neglect to notice is that all the most splendid 
plastic and pictorial art is in a \ery strict sense geo- 
metric. El cry age has been a Machine Ag(. At 
least you can say that as far as art is concerned, and 
as far as the machine is the application of geometric 
punciples. 

An alaskan totem-pole, a Solomon Island canoe, 
a Siamese or nulian temple, is a machine . inasmuch 
as it is m its concatenated parts, composed of very 
mechanically definite units, and is built up according 
t o a rigid geometric plan. The hunch of cylinders of 
a petrol engine has very much the same structural 

250 



EVERY AGE HAS BEEN A ‘MACHINE AGE’ 


appeal as a totem-pole or the column of a mayan 
divinity. Engravings of such machinery have 
something even of the aesthetic appeal of theJaitcr. 

So, m the field of art, there is nothing novel in 
machinery. All jmnntix e people have proved them- 
selves a sort of aesthetic engineers. So, m a sense, a 
great suspension bridge, or a modern factory build- 
ing — or a turbine engine — is only reintroducing into 
our life an element which the most ancient art 
supremely’ possessed, but which has been absent in 
european art, and which existed nowhere in curo- 
pcan life to any great extent, until the industrial age. 

Life itself, in all its foims, lias always possessed 
this, how r ever. The insect and plant worlds, much 
more than the animal world, ha\e always earned 
their structure outside, as it were, and thrust it upon 
the eye. The insect world could be truly said to be 
a Machine World, much more than our age, ih yet, 
is a Machine Age. 

The idea that plastic and graphic art is a soft, in- 
definite, fluffy or vague sort of thing, is more than a 
Victorian prejudice. It is almost a european pre- 
judice. Plastic or graphic ait is, in fact, nothing of 
the sort: it is essentially a geometric thing, a Hung 
of structure. But with european art the structure , 
the geometric ba^is of beauty, has always tended to 
be covered up, hidden away (and so lost very often), 
more than is the case wnth the great aesthetic sys- 
tems of the East. The hellenie naturalism, the 
result of the greek scientific bias, has, as I see it, 
resulted in Europe m an art which, except m the 
case of a few individuals of very great genius, has 
been so inferior to the art of China, for instance, that 

251 



PALEFACE 


it could almost be said that the European had never 
understood the secrets of the pure eye at all. It is 
for that reason that I have said elsewhere that I 
consider this centur\ has to its credit more art of 
the best kind than all the other centuries of euro- 
pean art put together, except the a’ge of the Renais- 
sance. This is, no doubt, partly due to the Jewish 
influence, partly to the fact that specimens of the 
art of the East and of the antiquity of the* so-called 
Ancient East, have become available to the Euro- 
pean. (The gothic naturalism, m its severer mo- 
ments, produced a very great art: but the general 
effect of the gothic buildings, according to the 
standard I am advancing, is one of a cloudy, not 
truly plastic, naturalism, that makes it not a thing 
of the eye, but of the 1 musical’ soul — m Spengler’s 
sense.) 


§ 8. What is 'the West ’ 9 

Tiikkk is a belief, or prejudice, that you cannot 
be a good plastic artist and at the same time ‘a good 
European.’ It would be an important step in the 
reform and rejuvenation of our beliefs if we could 
overcome such prejudices. The appreciation of the 
formal beauties of mexican pottery, for instance, 
does not in any way involve enthusiasm for mexican 
gods, though I daresay the Aztecs themselves would 
scarcely recognize Mr. Lawrence’s account of their 
beliefs. You could ‘flash up’ for Mr Sherwood 
Anderson the perspiring black back of a Negro with- 
out wishing necessarily to share Bildad’s lodging, 
marry Ins sister or daughter, or embrace his beliefs 

S52 



THE INTELLECT 6 SOLIDIFIES ' 

or habits. You could use the colours and forms of 
a half-dozen magnificent beetles without becoming 
an insect ; you could use the shape of a grasshopper 
in an arabesque without taking to hopping, just as 
you could admire the shawl of a IIopi without wish- 
ing to be a IIopi,* } ou could make use of the white 
expanse of an icepack for vour picture without 
yearning to live the life of an Esquimau. These few r 
illustrations will, I hope, be of assistance m bringing 
out this part of mv argument, which is a matter of 
some importance for what we have been mainly dis- 
cussing. 

§ 0. The Intellect * Solidifies * (The Jt^nnenh ad- 
vanced here in their relation to the Thonmt 
Position ) 

TiiKRh is a sinnlai confusion to the above which, 
since it has a good deal of bearing on what I every- 
where have to saw I will attempt to dispel m passing, 
as well as using it to confirm the present phase of 
m v argument 

Extreme concreteness and extreme definition is 
for me a neccssitv. Hence I find mvself naturally 
aligned today, to some extent, with the philosophers 
of the catholic revival. Against the mvsticism of 
the mathematician I find myself with Bishop Berke- 
ley (though, of course he is claimed by the enemies 
of the concrete, strangely enough) : I am on the side 
of commonscnse, as against abstraction, as w r as 
Berkeley, and as are today the thomist thinkers 
(though the militant neo-thomist would repudiate 
any association of their doctrine w r ith that of the 

253 



PALEFACE 


great Irish idealist): and my position, inasmuch as 
it causes me to oppose on all issues ‘the romantic/ 
comes under the heading ‘classical/ 

To show you how this must come about I will 
quote a passage from a book which I have just 
obtained, L'lntellectualismc dc Stunt Thomas , by 
Pere Pierre Itousselot, S.J. lie is enumerating the 
charges usually brought against the thonust ‘mtcl- 
lectualism/ 

‘On reproche a Tint died ualisnic scolastiquc 
d’extenuerei d’abstiaire; on lui reproche aussi dc 
“sohdificr/ 1 Ce nouveau grief, qui pourrait sem- 
bler, au premier abord, s’accordcr mal avec le 
premier, n’en cst, au contraire, qu’unc expression 
plus adequate. Abstrairc , e’est mepriser le fluent 
et postuler la permanence; e’est done cnstalliser 
ce qui so repand, concent ror le diffus, glaccr ce qui 
coule; e’est solid) fier / 

Neglecting here the particular signihcance given 
to the tcim ‘abstraction ’ by Father Itousselot, it 
will be evident that what is laid to the charge of 
scholasticism, m this account, could also be levelled 
at what I si\ or rather I, precisely, would claim 
the possession of all these characteristics that aie 
here catalogued as crimes. To solid) Uj* to make con - 
cute , to give definition to — that is my profession: to 
‘despise the fluid’ (mtpriser lc fluent) and ‘to pos- 
tulate permanence’ (postuler la permanence); to 
crystallize that which (otherwise) flows aw*a>, to 
concentrate the diffuse, to turn to ice that which is 
liquid and mercurial — that certainly describes my 
occupation, and the tendency of all that I think. 

251 



‘THE WEST * AND ‘THE CLASSICAL' 


That is why I range myself, in some sense, with the 
modern scholastic teachers. 

This does not, however, at all mean that I share 
their historical prejudices, any more than it means 
that I share their dogmas. I do neither, in fact. 
‘Classical’ is for me anything which is nobly delincd 
and exact, as opposed to that which is fluid — of the 
Elux — without outline, romantically ‘daik,’ vague', 
‘mystenous,’ stormy, uncertain. The hcllenic age 
has no monopoly of those qualities geneialh cata- 
logued as ‘classical’; so, according to me, the term 
‘classical’ is used in much too restricted, historical, 
a sense; m a word, too historically. 


§ 10. The Xeccssity lot a AVzc Conception of ‘the 
West/ and of the Classical/ 

The opposition, as jl understood here, is not 
between the Roman Cult and Aristotle on the one 
hand, and the ‘modernist’ disorder of Nineteenth 
Century ‘ romant if,* 4 ve\ oiutionary,’ europcan 
thought, on the other. Rather it is a unnersal op 
position; mid the seed'* of the naturalist mistakes 
are ccihunlv to be iound precisely m Giecee: and I 
believe we should use the Classical Orient (using tins 
distinction in the sense ot Guenon) to rescue us at 
length from that far-reaching tradition. 

These are statements of principle only, and I am 
not able here to make them more than that. Rare 
as they are for the present, 1 hope they will have 
served to foreshadow' the conclusions to which the 
whole foregoing analyses of my essay have been in- 
tended to lead. ‘European’ does not mean for me 

255 



PALEFACE 


a fixed historical thing, for it is so little that, in any 
ease. If you tried to make of gache chivalry and 
italian science, german music and norsc practical 
enterprise, one thing, that would be a strange 
monster. Which is demonstrated by Mr. Massis m 
his Defense de l Occident, where li*s ‘West 5 is con- 
fined to the latin soil. This is an evasion only of the 
problem. It is just against that separatism as be- 
tween the different segments of the West that we 
have most to contend. We should have — should 
we not? — our local Melting-pot. 

It is a new West , as it were, that we have to en- 
visage: one that, vc may hope, has learnt some- 
thing from its recent gigantic reverses. For it is 
only bv a fresh effort that the Western World can 
save itself: it can only become ‘the West’ at all, in 
fact, m that wav, bv an act of further creation. 

There arc a great many common traditions and 
memories and a considerable consanguinity: that is 
the ‘material,’ at least, for one 4 West.’ As it is, not 
only such people as Spcnglcr, but also (but \uth 
better motives, and perhaps inevitably) the catholic 
thinkers and the best of the ‘patriots,’ insist on re- 
garding the problem historically, m terms of a rigid 
arrest. ‘The West “ is for almost all of ihose a fin- 
ished thing, either over whoj-c decay th'*v gloat, or 
whose corpse they trantically ‘defend.* It never 
seems to occur to them that the exceedingly novel 
conditions of life today demand an entirely new 
conception : in that respect they arc firmly on the 
side of those people who would thrust us back into 
the medieval chaos and barbarity; at whose hyp- 
notic ‘historical’ suggestion we would fight all the 

‘256 



LIVE AND LET LIVE 


old european wars over again, like a gigantic east of 
Movie supers, and so till the pockets of these political 
impresarios, 

§ 11. IIoiv the Black and the White might live and let 
live . 

Since I have been discouraging, to the best ol* my 
ability, those tendencies (found on all hands) of 
White capitulation and sclf-entieism, in the pre- 
sence of the ‘rising tide of Colour/ and especially 
tendenc.es to invite the White Man to learn and to 
adopt the primitive communism (ri al or imaginary), 
nihilistic mysticism, and so on, of the primitive Ind- 
ian or the Black, it is necessary to return to what I 
have said m the ' Moral Situation,' and to insist once 
more upon the fact that it is not the Melting-pot i 
object to, but the depreciation and damage done to 
one of the ingredients. I should not welcome a 
race-war, or a holy wai, cither of an leelesia millions 
or any other type, as a sub^duti loi all the other 
obviously less real or fundamental class- w f ars that 
have been arranged foi us. That is not my idea. 
Nothing will certainly e\ er com mcc me that a White 
Man is not more deeply separated from a Negro 
(race-separation) than a Poor White is separated 
from a Rich White, or a White Fish-porter from a 
White Miner (cJass-scparatioii). But I have used a 
quotation from the Vision of Judgment , by r Lord 
Byron, earlier m t his essay to illustrate my attitude: 

‘ His Darkness and his Brightness 
Exchanged a greeting of extreme politeness.’ 

I believe that we cannot, in fact, be polite enough to 

r 257 



PALEFACE 


all those other kinds of men with whom we are called 
upon to pass our time upon the face of this globe. 
We should grow more and more polite : but, if pos- 
sible, see less and less of such other kinds of men 
between whom and ourselves there is no practical 
reason for physical merging, nor for spiritual merg- 
ing, or even very many reasons against both — for 
there are such people, too. But why war? If the 
White World had kept more Lo itself and interfered 
less with other people, it would have remained politi- 
cally intact, and no one would have molested it : the 
Negro would still be squatting outside a mud-hut on 
the banks of the Niger : the Delaware would still be 
chasing the buffalo. We could have been another 
China. Such aloofness today, as things have turned 
out, is an ideal merely, though to me it is not an 
ideal. I merely put the matter m that light because 
for the average unenlightened Paleface that would 
seem much better — he would like to be a powerful 
boss rather than a cosmopolitan wage-slave in the 
Meltmg-pot, .and his ideas do not soar above some 
regional dream. It is always from an exaggeration, 
however, on one side or tin other, that the actual 
comes into existence. Everything real that has 
ever happened has come out of a dream, or a Utopia. 
We are the Utopia oi the amoeba. Many of our 
lives would seem heaven to the apes. 

Are the assumptions at the basis of this discussion 
as conducted by me entirely false or merely alarm- 
ist? Very many other people, better qualified, m 
important ways, than I am, to judge, share my 
views. Let me quote one or two. 


•J58 



LIVE AND LET LIVE 

'Several years ago I wrote an essay on ‘‘The 
White Man and his Rivals/’ in which I pointed 
out the menace to the domination of the European, 
races from the awakening ambitions of Asia. Till 
about the beginning of the present century it was 
taken for granted by almost everybody that the 
permanent sujnemaej of the Whites was assured. 
. . . We had forgotten . . . how entnely that 
prepondei anee has hem due to superiority m 
weapons and industrial inventions . . . how for- 
midable the Brow'll and Yellow iaces arc by their 
intelligence, their \ast numbers, and their untir- 
ing industry. 

‘Much has happened since then to confirm my 
forecast, and now we have an important and very 
disquieting book by Mr. Upton Close, an Ameri- 
can (The Revolt of Asia). . . . 

* Hi has fm mi d the eon viclion that the suicidal 
war of 191 4-1 91 8 ushered in “the end of the White 
Man’s world.” . . . Russia as an asiatie nation 
entirely alters the balance of power between the 
two continents. . . . Russia has not ceased to be 
“imperialist” and aggressive under Communism/ 

This is from an article* by Dean Inge (Evening 
Standard , May 11th, 1927). In the Criterion (Au- 
gust, 1927) Mr. T. S. Eliot, referring approvingly to 
a ‘meditation on the decay of European civilization 
by Paul Valery/ writes: ‘the Russian Revolution 
has made men conscious ol the position of Western 
Europe as (in Valery’s words) a small and isolated 
cape on the western side of the Asiatic Continent/ 
While I wa<* w ritmg the rough draft of this essay on 

259 



PALEFACE 


the Atlantic the following news item appeared in the 
Daily Mail, Atlantic Edition, August 15th, 1927 : — 

‘SERIOUS BOLIVIAN REVOLT 

‘Thousands oi Rebels Amok 

4 La Pa4, Bolivia, Sunday . 

‘Five thousand Indians, under Communist in- 
fluence, have destroyed the railway at Potosi and 
Sucre, and invaded the surrounding districts. 
They are murdering any who offer resistance. 

‘The Bolivian Federal Army are fighting the 
savages, and heavy casualties are reported on both 
sides. 

‘The revolt has assumed serious proportions 
and l he Federal Army cavalry captured several 
chiefs and executed them, together with 100 of 
their followers. — Central News' 

i 

‘VVHITKS 11EINU Klljl/KD 
'(From Out Own Cot respondent) 

* Buenos Aires, Sunday 

' Reports from La Paz, the Bolivian capital, de- 
clare that the Indian rising, under native and 
foreign Communist leaders, is most serious. Two 
hundred thousand well -aimed insurgents are now 
holding the railway line. 

‘Whites arc being killed and house-, burned. 
They appeal to the Government, which admits 
the situation is grave.’ 

The sequel to tins was reported (September 8th) 
in the Veto York Herald. 


260 



LIVE AND LET LIVE 


‘ BOLIVIAN CHARGES 
‘Red Intervention 
4 ( Special to the “ IloahV ') 

• ‘ La Paz, Bomyi Wednesday. 

4 An alleged proof of Communistic actmtics m 
South America, directed and iinanccd by t lie Third 
International of Moscow, was presented in Parlia- 
ment today by the Bolivian Foreign Minister, 
who read letters signed by Bukharin and Zulkmd, 
prominent Russian leaders of international Com- 
munism. The exposure was followed by a vote of 
confidence m the Government. 

‘The documents included instructions to “Com- 
rade Martinez, member of the Lat in-American 
section of the Communist International, '* to pro- 
ceed to Pans to obtain funds. After this he was 
to return to Bolivia, open a business house to con- 
ceal re\ olutionai \ work, and foment Communist 
revolt among the workers. 

‘One letter was addressed to “Comrade Bas- 
tion, Pans.” It introduced Martinez and in- 
structed Dastion to give 1,000,000 francs to the 
Bolivian agitator out of the propaganda fund.’ 

I have quoted this to show how the regrettable 
imperialist and also humanitarian zeal of the Soviet 
probably is responsible for trouble, often, where 
Whites and the Coloured peoples are found together, 
as in South America or South Africa. 

The ‘open conspiracy,’ as Mr. II. G. Wells de- 
scribes it m Clissold, rumbles and drags itself for- 

261 



PALEFACE 


ward, spitting fire and brimstone, only very imper- 
fectly subterranean : it is a pity that we should have 
to admit that the Communist is responsible for the*e 
Coloured aggressions, and that it should after all be 
a Paleface (a russian agitator) who requires our 
White attention. In any ease we know that the 
Indian, like the Negio, politically apathetic and 
would do little himself. But no tears are necessary 
to deal with l Ins: only a strong movement of in- 
structed opinion The Indian, like the Chinese, is 
friendly and pacific. Even Ins black laughter is im- 
ported. The White teaches him that too. Really 
our White moral zeal is regrettable! for its immedi- 
ate result can only be, when exercised so clumsily, to 
provide our bosses with labour cheaper than ours, 
rather like Hie feminist revolution. It seems to be 
playing into the White bosses’ hands. 

§ 12. The pat l Race has always played in Class . 1 

I will quote here, without further comment, a 
passage from l he Ait of Being Ruled. It will, 1 
think, be of assistance where those questions of race 
that we ha\ e been discussing are concerned. Especi- 
ally it will throw into relief the great pari that ract 
must play m class. 

fc Il may be well to go for n moment into flit* 
relation between class and race m the formation of 
the former. The classes that have been parasitic 
on other classes have always m the past been 
uiees. The class-privilege lias been a raee-privi- 
lege. Every white man has until recently been in 
full possession of a race-privilege where other 
races* of other colours were concerned, which con- 
262 



THE PART RACE HAS PLAYED IN CLASS 


stituted the white man as a class. The privilege 
was never developed to the extent that the ach- 
aian race-privilege of the atheman citizen, for 
example, was. But in a general wav it formed 
part of the consciousness ol the white man. 
Cleanliness wjis next to godliness, and whiteness 
was the indispensable condition of cleanliness. 
So to be a chosen people was to be a white people. 

‘This class element in race expressed itself in 
the application of the term “lady,” for instance, 
to the most modest citizens of the anglo-saxon 
race. The lady m char-lady is a rice court esv- 
t itle. It is a class-title that it was possible for hei 
to exact on the score of race. This rudiment arv 
fact \ cry few poor whites lia\ e understood. They 
have been inclined to take these small but pre- 
cious advantages for granted, as indicative of a 
7 cal superiority, not one resulting, as in fact it did, 
*from the sum ss ol the organized society to which 
they belonged. They have confused class with 
race — somewhat to their undoing as far as the 
immediate present is concerned. 

‘Today race* and colour are as distinctive feat- 
ures as ever and it is unlikely in the future that 
race will cease 10 play its part in the formation of 
class/ 

Since writing this I have visited America and have 
somewhat modified my views in const quencc. 

§ 13 . Black Laughter in Russia. 

Ik these last tw o sub-scctions of my Conclusion I 
will return to the subject that occupied fcuch a con- 

203 



PALEFACE 


siderable space in my criticism of Anderson and 
Lawrence. The clumsy adulteries of the dull Whites 
haunted by the black laughter of their Negro servants 
was the contribution of Anderson. Much more 
thorough and fundamental, Mr. D. H. Lawrence 
showed us all creatures whatever, a position of 
servitude or defeat, ‘taking it out’ of their oppres- 
sors, successors, or masters, by malevolent laughter 
and mockery of some sort. Thus the parrots ‘take 
it out of’ the little dog, Corasmm, or out of his 
masters (Rosahno or Mr. Lawrence), with their per- 
petual mutations. The ‘high-pitched negro laugh- 
ter,’ and the shrill voices of the parrots, come out of 
the same situation. 

All these are examples of revenge, in the form of 
mirth, directed against creatures who are evidently 
‘bourgeois’ and recognized as Top-dogs. But Mr. 
Fulop-Miller has his story of Black Laughter of 
another sort. The Black Laugher no sooner has 
overthrown the overlord or master and stepped into 
his shoes, than up goes the Black Laughter against 
him. He is now the ‘ boss.’ That is, at all events, 
the story. Here it is. 

‘For the new ruler of Russia, the Mass man. 
who came to bring freedom to the earth, id a very 
short time learned how to use the resources and 
tncks of tyranny bitter than the cruellest tsars. 

. . . No one ventured on any protest, any resist- 
ance, however slight : there was not a single open 
word of censure. . . . 

‘But all at once it became evident that the 
subtly constricted apparatus of “mechanized 
obedience ” w’as not entirely reliable. . . . Some- 
264 



BLACK LAUGHTER IN RUSSIA 

thing disconcerting happened, due to natural 
forces without any intervention on the part of the 
subjects: that unplea sail! thing the '‘soul” which 
in spite of all mechanization had never been com- 
pletely eradicated, and was sleeping a sleep that 
looked like deaih,suddenl\ woke up in a smile that 
lurked on the lips of someone somewhere With 
this first smile at the failure of the loudly trump- 
eted experiments of Bolshevism began the real, 
the dangerous, counter-resolution, for it worked 
m secret and gradually attained a sinister penver. 
At firsi one person smiled, then others m increas- 
ing numbers. Soon the snulcrs united in a mys- 
tical organization and then mirth at last expanded 
into uncontrollable elemental laughter. Tins first 
revolt against Bolshevik oppression was the re- 
bellion of’ the despairing ; evermore frequently the 
hidden wrath became irony, ever louder swelled 
a to uncanny mirth, which threatened to shake the 
very foundations of the whole structure of Stale 
authority . . 

. .m the provinces, among the peasants, 
laughter went m a triumphal march through the 
village streets, captured the market-places, and 
began topress steadily forward towards the official 
headquarters. . . . 

‘. . the dreaded masters of the Red Kremlin 

themselves trembled at this rising of laughers and 
jokers. In order to prevent an elemental out- 
burst of all-dissolving universal mirth and to de- 
prive this grave danger of all significance, the au- 
thorities hit on the clever idea of having recourse 
to an old institution, which has always been m- 

265 



PALEFACE 


separably bound up with despotism, the office of 
the court fool. By this means the powers effect- 
ively took the initiative m this mockery of un- 
popular institutions and guided it into the right 
path. . . . 

*. . . the old court fool was transformed into 
a circus clown and from the ring amused the 
people with his malicious jokes. 

"... “Bim” and “Bom” were the names of 
the two “merry councillors” of the new tsar, the 
Mass man; they alone among the hundred mil- 
lions of Russians were granted the right to express 
their opinions freely; they might mock, criticize, 
and deride the rulers at a time when the most 
rigorous persecution and terrorism prevailed 
throughout the whole country. Bun and Bom 
had received a special permit from the Soviets to 
express openly everything which was current 
among the people m a secret and threatening A\*ay, 
and thus to provide an outlet for latent rancour. 
Every evening, the thousand-headed Mass man, 
fawned upon by the whole eourt, sat m the circus 
and listened eagerly to the slanderous speeches of 
the two clowns Bim and Bom. In the midst of 
grotesque aerobatics and buffooneries, amid jokes 
and play, these two were allowed to utter bitter 
truths to which otherwise the ear of the ruler was 
angrily shut. 

‘The circus in which Bim and Bom performed 
was crowded night after night to the farthest 
limits: people came from far and wide to hear 
Bim and Bom, who soon became star clowns. 
Them jokes were the daily talk of Moscow. One 

266 



BLACK LAUGHTER IN RUSSIA 


person told them to another, until finally l he 
whole town knew the latest insults winch these 
two fools had permitted themselves to make. 

‘In the dark penod of militant communism, 
people were particularly under the sp< 11 of 1 he two 
clowns; at that lime, the loose jokes to which Bun 
and Bom Heated them with untiring energy were* 
the one respite from the continuous pressure oi 
force and tyranny, the only possibility of hearing 
open criticism and tnoekeiv of the ruler, the Mass 
man. People abandoned I hemseh es \ olupt u- 
ously to these precious moments of mlelli dual 
freedom. 

( In spite of then impudent criticisms. Bun and 
Bom won tu vert heless one ot the duel supports 
of the Bolshevik regime: the universal discontent 
would have burst all bounds if it had not been 
dissolved in harmless mirth bv tin two clowns. 
But, however biting might be the satire of Bim 
and Bom, the Government could rely on their 
nevci overstepping the limits of the permissible*, 
for Bun and Bom were completely trustworthy 
members of the Communist Parly, and at the 
bottom of their hearts loyal servants of their 
masters. They understood how to draw tin* 
fangs of the seemingly most malicious jest before 
they let it loose in tin* ring Their attacks were 
never directed against the whole, bni only against 
details, are! thus they contrived to divert atten- 
tion from essentials. Besides, every one of their 
jokes contained a hidden warning to the laughter 
lovers: “Take care. Look out, we know you ! We 
are aw r are* of what > ou are thinking ancWechng * ” ’ 

267 



PALEFACE 


I do not suggest that there is any resemblance 
between the Black Laughter of Mr. Anderson’s negro 
servants and the official laughter of the Soviet 
clowns. The poor little provincial Whites of the 
american story have not the pow r er of life and death 
over their negro servants. They do not go down 
into the kitchen beforehand and arrange what the 
Black clown shall laugh at and what lie shall spare. 
The poor little White is at the mercy of lus dark 
‘inferior,’ his traditional sense of ‘superiority’ 
dwindling every da\ . but of course, since he is not 
in reality superior, he should not have a Black ser- 
vant, then he wouldn't be laughed at. 

The Soviet clowns were apparently rather like 
members of Mr. Henry Ford’s propaganda depart- 
ment, which is supposed to have invented all the 
terms, such as ‘Tin Lizzy/ Flying Bedstead/ and 
so on, that are thrown at the Ford ear. Such an 
official, carefully regulated safety-valve is the great- 
est advertisement for the thing ‘attacked.’ It is 
like the jokes about the Scotchman’s meanness, 
which (I am glad to say) endear the Scot to all 
Britons. 

The kind of black la ugh In 1 have been considering 
all along is of quite a different character from that. 
It, too, of course, describes itself as mnucuuiis. The 
White is flatteringly assured that he is such a very 
secure Big While Chief that he can afford to become 
the laughing-stock of the rest of the world. But in 
practice that flattering picture is proved to be un- 
true. The account of the Black Laughter m Russia 
contains some apt instruction for us, if w r e can bring 
ourselves to be attentive to it. 


268 



WHITE LAUGHTER 


§ 14. White Laughter . 

There is nothing today lor us to laugh about, it 
is true. Bernard Shaw and Company laughed all 
the tune. A merry twinkle was ne\er out of their 
eye. llappy sunny White children of long ago! 
But their laughter was the opposite of what ours 
should be. They laughed ever m) genially over 
things that, unfortunately, we can no longu ajjord 
to laugh at: today w ( are all, actually or potentially. 
Poor Whites. The prosperity even of America is a 
very precarious tiling as most Ameiicans today 
realize. 

Few people, as yet, even, understand that we can 
no longer alford to laugh in that sense. Nine people 
out ol ten live in the past: they are aware that 
‘things have changed,’ but they do not realize very 
clearly in what speeilic way . They are ereat arcs of 
habit : they go on laughing as formeily, at the same 
things, as though the same things were there, and as 
though tin* Euiopean were in the same place. This 
really tragic sloth, and unwillingness to admit any- 
thing unpleasant, of the Many, is our main difficulty 
m proposing a change of orientation for our satire, 
or indeed m proposing a realistic eliort of any sort* 
The Present can only be icvcaled to people when U has 
become Yesterday . Another way of putting this is 
that people are historically -minded, and this, again 
and again, must be stressed. It is by taking ad- 
vantage of this human peculiarity that the politician 
invariably operates, and brings otf his most tragic 
coups. The bovarysme of man is as nothing com- 
pared to this trait (unless you take it aif a depart- 

269 



PALEFACE 


mcnf of bovarysmc) — namely, that Man is an animal 
that believes he is living m a different time to what 
m fact he is. So it is that a firm and concrete, 
totally unromantic, realization of the mam features 
of the Present, gives the man possessing it enormous 
advantages over others. It is, as it were, the hypo- 
thetic ground of the lever of Archimedes, when he 
said of his le\er, ‘Give me somewhere to rest it, and 
I will move the world.’ 

Bernard Shaw and Ins light-hearted fahian ehums 
laughed at their own kind. In those remote days 
their kind was all-powerful. That kind is vs. The 
White is still, in appearance, where he was: but he 
is not powerful: he has no triumphant world, all of 
his own kind, behind him. We have all, less than 
a decade ago, issued from a uar with each other — in 
which we all lost. We are surrounded by prophets 
announcing our doom. Our commerce, naturally, 
has languished and shrunk. It is a very different 
scene, m short, from that of merry, play-boy social- 
ism, mischievously disporting itself m the midst of 
that power and plenty of the Victorian Age. 

But even that laughter, in its time, was foolish 
and ill-advised, as, earlier in the Nineteenth Century, 
were the romantic re\olutionary tirades of Shelley 
and Byron. The Emuuiit Victorian*, and their in- 
stitutions, could not, m their day, afford to be 
laughed at as they permit ted everybody to do. The 
proof of the w eakness of t he racial policy of the White 
Overlord (simply taking him as an overlord and as- 
suming that it was his policy to remain that m some 
form or other, his lutheran conscience permitting) is 
to be react in the light of his present position. 

270 



WHITE LAUGHTER 


Today wo should not give up our laughter : for the 
White Man knows how to laugh, and the Anglo- 
Saxon has a kind of genius for it. But we should 
develop another form of laughter. We should make 
a more practieal use of I his great force, and not treat 
it as an lriesporisiblc, mischievous luxurv. Other 
peoples, their habits, their faces, their institutions, 
are just as ridiculous as ours. It is a little over- 
Christian to he this perpetual, ‘dignified ’ butt ! But 
it is no use at all for our laughter to he of that easy, 
‘kindlj * schoolboy variety, that merely endears the 
people laughed at to the lookers-on. WV are not 
laughed at in that manner. There is nothing of the 
advertisement-value of that kind of laughter m the 
Black Laughter or Red Laughter directed at us. 

So let ns get a point into our new laughter, if we 
are going to have it at all. Do not let us fear to 
hurt people’s feelings by our laughter, since v f c may 
depend on it they will not spare ours. Nothing can 
help us so much as to develop tlm type of laughtei. 

Let the usual Black Laughter, or Red Laughter , 
directed at us, go on : but let it become a thing of the 
past for us to remain as its annahle, accommodating, 
and self-abasing butts. 

We can even dispense with the musical arpeggios 
of laughter itself: let us rather meet with the slight- 
est smile all those things that so far we have received 
with delirious rapture — first, at all events, until we 
are sure of them. All this frantically advertised 
welter of ideas that pour over us from all sides, from 
nowhere, let us above all, at last meet that as it 
should be met. Do not let us spring up and pro- 
strate ourselves every half-minute, as tlie latest 

271 



PALEFACE 


ambassador arrives with News from Nowhere, with 
an auctioneer’s clatter. Let us remain seated, the 
feminine privilege : let us smile sceptically, also the 
feminine privilege : let us insist upon every feminine 
privilege : let us be faultlessly polite, or rather over- 
polite, crudely polite : let us show tln^ political tout, 
dressed up as a wise man from the East, that we 
have expected him, that we should only have been 
surprised if he had not turned up : that we hope lie 
soon will go. That is the only way to treat the 
Thousand and One Magi and Chaldeans who suc- 
cessively rattle our knocker. 


272 



A FINAL PROPOSAL 
A MODEL ‘ MELTING-POT ’ 


T HERE are, m the specifically moral nature of 
the situation in which we find ourselves, fac- 
tors that I do not propose, to investigate. 
There is the contradictory spectacle, which we can 
all observe, of our institutions, as they dehumanize 
themselves, clothing themselves more and more, and 
with a hideous pomposity, with the stuff of morals — 
that stuff of which the pagan world was healthily 
ignorant, in ils physical expansiveness and instinct 
for a concrete truth, and which, for the greatest 
peoples of the East, has never existed except as a 
purely political systematization of something irre- 
trievably inferior, a sentimental annexe of a meta- 
physical truth. It is natural that ‘the Congo’ 
should ‘flood the Acropolis’ (though I am not sure 
that I did not misunderstand the Princess) when we 
see the attitudes of Renaissance culture, as illus- 
trated by the great french stylists, being subtly 
combined with the militant emotional gloom of the 
Salvation Army : v\ lien t he Sa 1 vation Army marches 
weeping, in jazz-step, into the study of Montesquieu, 
then the crocodiles are on their way to Ilellas. 

What I shall especially neglect is to analyse the 
artificial character of this puritanic gloom, settling 
m a dense political f moke-screen about us, gushed 
from both official and unofficial reservoirs. I shall 
confine myself to remarking that the person who 
meets all these sham glooms with an anguished De 

273 


s 



PALEFACE 


Proiundis 9 instead of a laugh (however unpleasant), 
is scarcely wise, though he may be good. To see a 
vineyard in the sun surrounded by armed federal 
officers of the law. who prevent anybody from taking 
the grapes and making them into wmc, is absurd, 
more than anything else. Foodstuffs rotting upon 
the quays while people arc 1 starving, is a fact that 
should be met, if at all, not by stylistic theologic 
melancholy, that seems obvious. Or again, the 
abstruse principles of the manufacture of paper- 
money, like the arbitrary non-manufacture of a 
healthy and pleasant wmc, and all that results from 
one as from the other — of gloom and a sense of the 
difficulty of everything — this is not the material for 
profound heart-searching groans, although that is 
the correct unofficial response, it is true. But a 
reader of this book will be left with those sums or 
equations on lus hands, to work out or not, as he 
may feed inclined. I have made it clear, T think, 
how the ethical , introduced into the physical pro- 
blem of the Melting-pot, produces a gloomy and 
passionate infusion : that is all I set out to do. With 
a definite proposal, one that has been made often 
before by many people, 1 will bring this essay to a 
dose. 

In America the expression Mdtmg-pot has been 
coined to describe the assimilation of european 
nationalities in the United States, and now of the 
negro population, ten million strong, which has 
begun m earnest. In Europe we have no such ex- 
pression, for the excellent reason that there is no 
assimilation in progress. If the United States pos- 
sessed fixed areas m which Danes, Spaniards, Ger- 

274 



A MODEL ‘MELTING-POT’ 

mans, Negroes, Irish and so forth were segregated, 
as we are, each settled m certain slates, with fortified 
frontiers, taught only their mother-tongue and un- 
able to converse with tin inhabitants of the next 
state, then there would lie no Melting-pot there 
either. America without its Melting-pot would 
simply be another Europe, plus a Black Belt and a 
few Chinatowns. 

There is a radical contradiction between the curo- 
pean and ameriean way of regarding this problem. 
Perhaps because it is so much taken lor granted, 

1 his difference passes for the most part unnoticed by 
us. Whereas the rulers of America are committed 
to fusion (liowt ver dissimilar the racial stocks) m 
one form or another, in Europe the question does 
not even arise. Since the French live upon one side 
of the Rhine and Lhe Germans upon the other, or the 
English and the French upon opposite sides of the 
English Channel, there is no ‘problem’ as to their 
mixing: indeed the great majority of Germans or 
Frenchmen or Englishmen never set a member of 
the neighbour-nation except during such times as 
their respective governments decide appropriate for 
a mass-mei ting, as it were, and they are despatched 
to kill one another with bomb and bayonet. Even 
then it is only the infantry w'lio see members of the 
‘enemy’ nation at all distinctly: and it is possible 
for an infantryman to pass many months in the Line 
without catching sight of more than a few of his 
european neighbours, and these mostly dead speci- 
mens, or even nothing more than their facetious 
skeletons. 

Of these two attitudes — the melting andAhc non- 
275 



PALEFACE 


melting — the American appears to me by far the 
better : I am heart and soul upon the side of the Melt- 
ing-pot, not upon that of the Barbed Wire. That is 
why 1 have called this book ‘The Ethics of the Melt- 
ing-pot,’ and not ‘The Ethics of the Barbed Wire.’ 
But what a terribly sad thing it us to reflect that 
literally millions of Basques, Finns, Scotsmen, 
Danes, Normans, Prussians, Swiss, should be kept 
rigidly apart while in Europe, bv the intensive per- 
petuation of purely historical frontiers (which the 
Versailles Treaty has made even more numerous and 
complicated than before), whereas if they emigrate 
to America they are liable suddenly to be hectored 
for an opposite reason — namely because they show 
some slight compunction in coupling with a jet- 
black Kaffir. Personally I consider that they are 
quite wrong in looking down upon the transplanted 
Kaffir: but it is far more stupid of them (if, say, a 
Swede) to look dow n upon a lovely Basque, or (if a 
Bavarian) to look down upon an industrious Gascon- 
esse. Yet have they not always been taught to do 
that, at least since the rise of the national idea m 
Europe or since the time of the great religious 
schisms? 

My own view is that the Melting-pot should be set 
up in Europe, upon tin spot. Instead of posters on 
our walls which say ‘ Join the Royal Air Force and 
See the World,’ there should be posters (and offices 
in every district to deal with applicants) saying, 

‘ Marry a Swiss and See the World,’ or, more jocularly, 
‘Get spliced to a Finn, and Get About.’ 

What can there be against it, except that it would 
be impossible to have wars any more in Europe ? If 

276 



A MODEL 4 MELTING-POT 1 

it is objected that there is no unifying principle in 
Europe to compare with americanization , it is neces- 
sary to recall that only five centuries ago the whole 
of Europe possessed one soul m a more fundamental 
way than America can he said to at this moment, 
and the actual appearance of its towns must lia\e 
been at least as uniform as today (and that is very 
uniform), though m a more agreeable fashion. As 
to the individuals of the various races, there is no 
obstacle there. In the valleys of the Pyrenees, for 
instance, you meet with a great many people physic- 
ally as like as two eggs to the inhabitant of Devon- 
shire, Derby, Limerick, or Caithness : a swiss peasant 
woman is »n character and physical appearance often 
so identical with a Swedish, cnglish, german, or 
fiench girl, that they might be twin sisters. Tins 
everyone must have remarked who has ever travelled 
to those countries. It has always been fratricidal 
that these people should be taught to disembowel, 
blind and poison each other on the score of their 
quite imaginary "deferences* of blood or mind, but 
t oday there is less exeusi for it than ever before . So 
why not a Melti ng-pot '* — instead of more and more 
intensive discouragement of such a fusion. Europe 
is not so very large: why should it not have one 
speech like China and acquire one government ? 

But feeling about Europe in that manner, and all 
too familiar with that situation, the spectacle of the 
rather feverish opposite to that attitude, wherever 
these same Europeans leave their countries and live in 
the proximity of people so different from themselves 
as the Negroes or the Chinese, cannot* but occur to 
one as a very sudden and from some points*of view 

277 



PALEFACE 


unsatisfactory reversal. On the one hand you have 
too absolute a segregation, on the other too absolute 
a freedom to mix. America is the child of Europe 
entirely, except for the Negroes and m Mexico and 
south of Panama the Indians, and the two problems 
should not be dissociated. What happens to 
Europe is of great importance to America, and vice 
versa — what happens to America, that othcr-Europe, 
must be of great moment to us. 

This essay is much more to propose that we set up 
a Melting-pot in Europe — which would be as it were 
a Model Melting-pot, not at the boiling-pomt but 
cooking at a steady rati* day in day out — than to 
venture any criticism of the principle underlying the 
amcncan or afnean Melting-pot or, alternatively. 
Colour Line. Indeed a quite irrational attitude is 
often adopted by the American to miscegenation. 
Another factor of ‘inferiority’ feeling has its roots 
m a profound misunderstanding of the true sifua- 
tion. The American is apt to accept the false euro- 
pean attitude towards ‘race,’ as it is called. It is a 
common experience m talking to Americans to hear 
some magnificent human specimen (who is obviously 
the issue of say a lhst-ciass Swede and a magni- 
ficent Swissess, with a little Irish and a touch of 
Basque) refer tu himself a ‘m^ngicl.’ It is in- 
conceivable, yet indeed that is how such a ‘mixed’ 
product is apt to look upon this superb marriage of 
Scandinavian, Goth and Celt — all stocks as closely 
related in blood — if it is ‘ blood Jiat is the trouble — 
as the brahmanic caste of India. Merely physically 
this epithet is given the he : for all you have to do is 
to look at this sterling type of ‘ mixed ’ American to 

278 



A MODEL ‘ MELTING-POT ’ 

admire the purity Qf line and fine adjustment achieved 
by the conjunction of these sister stocks. Far from 
being a ‘mongrel/ of course, he is a sort of super- 
Europcan: the best of several closely allied stock* 
have met m him, in exactly the same way as was 
constantly happening in the noble curopean families 
— where the issue of a marriage between nobles, 
whether from England and Italy or Spain and Russia, 
did not constitute a ‘half-breed/ but rather a more 
exalted feudal product, so subtly ‘mixed/ 

Some racial mixtures are not so fortunate as 
others, however, it is necessary to allow: the Indian 
and spamsh mixtures, in say Peru or Mexico, have 
not proved really very good. The Barber of Seville 
that peeps through the Inca removes him from 
Mozart, and yet does not make a good Indian of him, 
though there arc exceptions. But practically all 
europcan intermarriage presents no problem at all, 
and is indeed politically much to be desired, as 
certain to abolish the fiction of our frontiers and the 
fiction of the ‘necessity* of war. The asiatic ele- 
ments in Southern Spain, Italy and Russia aside, the 
European is as much of one blood as are the in- 
habitants of the British Isles, and in many instances 
more so — for instance the Bavarian and the lowland 
Scotch are man for man as nearly one race (to look 
at them, as well as m their character) as you could 
find anywhere at all. If they spoke a common Ido 
the Austrian with his Spiclhahnfeder and Eichcnlaub 
stuck m his Steierhnt would melt into the Crofter 
without noticing he had left his native village. 

But (until they reach America, and all have to 
speak english, or, in Latin -America, spamsh) the 

279 



PALEFACE 


great difficulty is language. In discussing such a 
question as this we always get back to the problem 
of Babel. It is m the* interest of the Melting-pot 
that every European should wish to learn Volapuc 
as I do, or to ha\e some language picked for him 
that it shall be agreed all shall speak and that he can 
easily learn and speak— woo his possibly distant 
bride m, and talk over all those subjects of common 
interest with lus brother at the other extremity of 
Europe, which since the decay of latin as a universal 
tongue no one has been able to do. I cannot ima- 
gine any person in Europe who, when the matter was 
presented to him in that light, would not plump for 
some Volapuc: but if there is anvwliere a person 
who would not, lunv slender Ins reasons must be 
compared to those a Dutchman say in Africa could 
allege for refusing to mate his daughter with a Cape- 
Black or a settler from the Dekkan ! And yet even 
the Dutchman would not be right, would he? — how' 
much more wrong then would not the man m Europe 
be who stood out, for in fifty per cent, of the cases he 
would be vetoing a closer match than could be made 
even in the honic-\ llluge at any given time — for I 
would guarantee to match a young man in a Devon 
village better m the Canton of Berne than would be 
possible probably, at any given moment, m lus own 
cnglish district . 

On the other hand if the Dutchman in Africa had 
ten daughters and seized the other end of the stick 
(after a reading of Plomer) so fanatically as to pester 
them all to choose upou the spot a Black bridegroom, 
that would be a sentimental extreme that it would 
be perhaps allowable to deplore: if he should em- 

280 



A TVIODEL ‘MELTING-POT’ 

hellish his persuasiveness with highly-coloured abuse 
of all owners of a pale skin, then he would definitely 
become irritating and perhaps even absurd, and if 
his ten girls took him and flogged him no one could 
find it m his heart to bliimc them, though if called to 
a Grand Jury it would be necessary to send the 
whole of the ten girls to jail of course, for they should 
not, strictly speaking, flog their father, either, how- 
ever misguided, as potentially Ins whiteness would 
be the symbol of their consanguinity and the ulti- 
mate reason for their objecting to the break-up of 
their pigment. Tins last illustration touches upon 
a complexity which (m rare instances, so far) quali- 
fies the absolute simplicity of tins question — the 
problem of the gaga Paleface Papa who reads Plomer 
or Du Bois. But — as I have prophesied —he w r ill bo 
dealt with by Ins children or grandchildren, when he 
disinherits them and lea\es all Ins money to the 
fctaiale Kaffir cook. 

What m these concluding page'* it has been mv 
intention to stress is that the (icry ethics of the Melt- 
ing-pot are eonjunctly european and protestant m 
origin more than anything else (though the gallic in- 
vention of the ‘great nation’ plays its part as well). 
The fanatical ill-temper and the black intolerance 
that accompany the discussion and propaganda for 
‘race-fusion’ can be traced to those* sources, when 
they cannot be directly traced to the equally intem- 
perate ethical zeal of the ‘radicahst’ righteousness. 

At this time the Anglo-Saxon is no longer para- 
mount in North America: but his language is still 
the general speech, and american civilization is m its 
main principles anglo-saxon. The alternation of 

281 



PALEFACE 


emotional indulgence in liberalist programmes (and 
anglo-saxon ‘radicalism 9 is newer and more heated 
liberalism, merely) and unintelligent race-prejudice, 
with which distressing see-saw we are so familiar, is 
anglo-saxon, is it not ? Neither the Spanish, Portu- 
guese nor French as colonists have handled their 
respective Melting-pot m that manner. The latin 
tradition, more tolerant, catholic and mature, has 
not sentimentalized about the deeply-pigmented 
skin, nor fixed upon it, on the other hand, a 
stigma. You would not be so likely to get adepts 
of jazz in a Black Belt m a latin land, nor the fer- 
ocity of lynching neighboured by anti- White tracts, 
written by Whites, nor a universal thunder of 
psalms from Black and White throats mixed, and 
evangelist extremes of intolerance and hysterical 
expansion — it would be more likely you would find 
a firmer attitude, more satisfactory to both sides, 
far less superstitious, m the Latin. 

Yet, although it is necessary to fix, for any such 
survey, the anglo-saxon responsibilities, they are 
not all anglo-saxon, and the nationalism of Europe 
as a whole is to blame, I think, both for the excesses 
of the ‘Nordic Blondes 9 or what Mencken calls tht 
‘Ofays,’ where they occur, and for the excesses of 
their satirists and del rat tors. Must wc not agree 
that it is the artificial principle of europcan separa- 
tism (of all the Irelands, Ulsters, Catalomas, Pol- 
ands, Czecho-Slovakias and the rest) transplanted 
to America or Africa, that, there, is apt to issue in a 
quite new form m a hotbed of separatist, or of fusion- 
ist, passion — which in the near future may wreck 
those societies as it is wrecking ours? 

282 



A’ MODEL ‘ MELTING-POT ! 

If (to show my enthusiasm for fusion) I may allow 
myself a strikingly mixed metaphor, u is at the 
fountain-head that we should establish our Melting- 
pot — an example to all other Melting-pots. And it 
is here in Europe that we should start a movement 
at once for the miscegenation of Europeans — with 
each oiheu that is- -Asia and Africa could be con- 
sidered later, no doubt, for incorporation in our 
Model Melting-pot. 

I have dealt with this subject before, but in 
another connection, in The Lion and the Fox : I 
would refer the reader to pages 205-320 of that 
essay. There the problem of the Melting-pot as it 
applies — or rather as it docs not appty — to England, 
was discusst d at length, particularly as if concerns 
the ‘Saxon’ and the ‘Celt/ The ‘Celt,’ I there 
demonstrated, was a complete myth: and I showed 
how, with a great deal of wit, Matthew Arnold, who 
was probably aware of the shadowy nature of his 
‘Celt/ staged an ironical drama for the John Bulls 
and Fenian Paddies of his time. I w ill quote a few 
lines from Chapter VI., Part IX., in which 1 lay bare 
the full w'orkmg of Arnold's ironical vision. I say— 
‘From the treacherous polished surface of 
Arnold’s prose (its body clouded for its reception) 
I w T ill now expiscate that laughing idea which we 
have been preparing to examine. It is the idea of 
two island neighbours and strongly hallucinated 
brethren, the Irishman and the Englishman, the 
Celt and the Teuton (both m the baleful ‘grip’ of 
‘celtisni/ which stands between them and success 
m science, or any exact, unemotional study), in- 
volved in a curious fratricidal strife a«d tangle of 

283 



PALEFACE 


romantic misunderstandings. . . . Arnold is not 
himself’ (I add) ‘at all the dupe of the “celtic” 
notion: his whole essay is written to expose it. 
Yet he accepts the conventional nomenclature of 
‘Celt’ for all that type of expression and senti- 
ment that had been popularized under that name.’ 

And I then quote him, where he says, apropos of 
this famous ‘Celtisni’: 

‘Nay, perhaps, if we are doomed to perish 
(Heaven avert the omen!) we shall perish by our 
Celtism, by our self-will and want of patience with 
ideas, our inability to see the way the world is 
going; and yet those very Celts, by our affinity 
with whom we are perishing, will be hating and 
upbraiding us all the time.’ 

It is generally forgotten that Ireland was colon- 
ized, especially in the east, by the Norsemen, nor- 
wegian being spoken m Dublin, as it was in Bristol, 
until the fourteenth century. That famous ‘celtic’ 
literary buccaneer, Mr. Bernard Shaw r , is no doubt 
a typical Norseman, as to stock at least. And m 
the essay from winch 1 have just quoted I illustrate d 
(page 322) the upshot of all this m the following 
fashion, Irom an average experience of inv own, 
which I am sure many people could match Here 
is what I wrote : — 

‘During the martyrdom of the Mayor of Cork 
I had several opportunities of seeing consider- 
able numbers of Irish people demonstrating among 
the London crowds. I was never able to dis- 
cover which were Irish and which were English, 

284 



A MODEL 4 MELTING-POT * 

however. They looked to mo exactly the same. 
With the best will in the world to discriminate the 
orderly groups of demonstrators from the orderly 
groups of spectators, and to satisfy the romantic 
proprieties on such an occasion, my eyes icfused 
to effect the necessary separation, that the prin- 
ciple of “celtism’ demanded, into chalk and 
cheese. I should have supposed that they w r cre 
a lot of romantic english-people pretending to be 
lrish-people, and demonstrating w r ith the assist- 
ance of a few priests and pipers, if it had not been 
that they all looked extremely depressed, and 
english-people when they are giving romance the 
rein are ahvaj s very elated * 

It is singular I hat from the time of Arnold's Celtic 
Literatuie to that of The Lion and the Fas there 
should have been nobody in England to deled this 
colossal anomaly — there where there lane been so 
many people to foment, or (upon the other side) to 
take quite seriously, th* Irish Separatist passion. 
The fact is that it has always paid the Irish indi- 
vidually too well, to allow them to laugh at it 
(though now it is all over they are beginning to do 
so, witness Mr. Hernard Shaw m his article in Time 
and Tide , Dec. 1928): and the english politician in 
every case found Ireland such an uncomfortable 
problem that he w r as in no mood to relish the farce 
that might lie hidden under these disturbances. 

That will terminate for the present what I have 
to say upon this difficult subject. A Volapuc for 
Europe and an internationally organized Melting- 
pot/ a general international exchange s>f workers 

285 



PALEFACE 


and of women or men, an official Marriage Bureau, 
with photographs and pedigrees and all those certi- 
ficates that arc 4 indispensable in such a case — ar- 
rangements with the republics of America to adopt 
our particular Volapuc — that is the idea, in its 
brutal outline. I will not work it out further until 
I hear what response* the public makes to my sug- 
gestions, not only because that would be otiose, 
seeing the passionate atmosphere of jingo ideology 
that prevails at the moment, but because I am not 
so well qualified as many other people to draw up a 
practical scheme. Hut I shall be extremely happy 
to get in touch with any experts who arc so quali- 
fied, and to offer them what merely theoretic assist- 
ance lies m my power. 


286 



APPENDIX 


Note. — This review of Miss Mayo’s Mother India 
appeared in Enemy No. 2 m Tt is reprinted here 
without alteration, as an indirect contribution to 
the discussions conducted in Paleface 




APPENDIX 


MOTHER INDIA 

T HIS very much discussed book breaks a depth - 
record , as it were : it unerringly sinks to a level 
of vulgar untruth that should make it a para- 
gon of its kind. Miss Mayo is, therefore, to be con- 
gratulated: she has achieved what I feel she has in- 
tended; she has left an appreciably greater mess 
behind her in the world, oi that part where she 
operates, than was there already, and has sent up an 
appreciable distance the international tension and 
fever. She has had the satisfaction of insulting 
three hundred million people : and should it be that 
three hundied million of her ancestors sustained in- 
sults. or one of her most prominent ancestors three 
hundred million insults, this should do something 
towards wiping that out. (Such fantastic assump- 
tions come to your mind : for what can make a 
person want to write such a book?) There have 
already been mass meetings of protest in India. 
Her little book is assured of its place in the pantheon 
of Ilate. 

Its main argument leads the reader at once, with 
a firm matter-of-fact step, into the region of sex: 
and with a hand accustomed to the licences of the 
hospital, a few intimate physiological particulars are 
brusquely laid bare, just to put the reader m a good 
humour. 

The argument is this : owing, says Miss Mayo, to 
then premature sex-life, all the inhabitants^ India 

T 289 



PALEFACE 


are ‘degenerate’ — quite the opposite of us. ‘At 
about eight years old the Indian male child is apt to 
be hired out to prostitution,’ she says. ‘The little 
boy ... is likely, if physically attractive, to be 
drafted for the satisfaction of grown men, or to be 
regularly attached to a temple, in the capacity of a 
prostitute. Neither parent, as a rule, sees any harm 
in this.’ Indeed the Indian mother, according to 
this lady, is addicted to practices all her own. ‘So 
far are they from seeing good or evil, as we see good 
and evil, that the mother, high caste or low caste, 
will practise upon her children — the girl “to make 
her sleep well,” the boy “to make him manly,” an 
abuse which the boy, at least, is apt to continue 
daily for the rest of his life.’ (The ‘at least’ is a 
curious clause.) Marriages between the immature 
is another feature of the picture. If, at eight years 
old, the boy is not ‘attractive’ presumably, his 
parents look round for a wife of his own age. So in 
that case between eight and fourteen he marries: 
but fourteen is late. Once married, being, of course, 
of an unbelievably degenerate stock, or else syphil- 
itic, he is found to be barren. No one is surprised. 
Usually the child-wife, in that case, is sent to a 
neighbouring temple for the night, where a priest 
can be relied on not to dismiss her without a fair 
prospect of a child, if he know's his business and likes 
the look of the girl. For there are a few, a very few, 
undegenerate Indians, they become priests. 

So it is with no surprise that you learn — or ‘after 
the rough outline just given, small surprise will meet 
the statement that from one end of the land to the 
other the average male Hindu of thirty years . . . 

290 



MOTHER INDIA 


is an old man : and that from seven to eight out of 
every ten such males between the ages of twenty- 
five and thirty are impotent.’ 

That is the sad tale of ‘ sex * that this writer, whose 
indignation and the form it has taken have sold a 
great many copies of her book, has to tell. That 
leprous thing — India — that provoked her to put all 
this down, she tells us, is such a gigantic menace to 
the United States that it would ‘seem to deprive one 
of the right to indulge a personal reluctance to incur 
consequences.’ So, deprived of all rights, with the 
air of a Christian martyr, Miss Mayo goes manfully 
on, and throws Ganges mud at the great Indian 
people, ridicules tlieir religion (what is hers?), and 
quotes to support her statements the Abbd Dubois. 
The Abba’s book, as indicated by her in a footnote, 
is Hindu, Manners, Customs and Ceremonies, Claren- 
don Press, 1921. 

‘Of all the readers of Mother India how many arc 
likely to know anything about the Abbe Dubois? 
One m a hundred may, but that is not probable. 
Yet it is, of course, a very well known and exceed- 
ingly interesting book, and most students of anthro- 
pology are familiar with it . Should Miss Mayo not 
point out, when she first quotes him in her account of 
her mdian trip last year, that he died in 1848 — in- 
stead of leaving it ‘Clarendon Press, 1924,’ and re- 
ferring later on, in passing, to the fact that the evid- 
ence of the Abbe Dubois dates from ‘the Nineteenth 
Century’? He is actually her main source of in- 
formation : he is quoted on pages 31, 37, 73, 75, 119, 
143, 165 and 204. No other authority is drawn 
upon to this extent. Some of the most ‘ sqpsational ’ 

291 



PALEFACE 


matter of her book comes out of this text-book of 
the anthropology of British India. That, for ex- 
ample, is the case with the story about the Indian 
child- wives who go to the temples, if barren, and 
who are accommodated bv the priests. The ac- 
count given by the Abbe Dubois m Hindu Manners 
and Customs is as follows : Miss Mayo does not quote 
it, it is her custom to paraphrase, so as to make it 
seem more actual, probably, and more like her own; 
but, whatever the reason, it is a habit that breeds 
confusion, unfortunate m the circumstances. 

‘Expert at reaping protit from the virtues as 
well as the vices of their countrymen, the Brah- 
mins sec m these touching impulses of nature 
merely a means of gaming w caltli, and also at the 
same time an opportunity of satisfying their 
carnal lusts with impunity. There are few temples 
where the presiding deity docs not claim the power 
of curing barrenness in women. ... On their 
arrival, the women hasten to disclose the object of 
their pilgrimage to the Bralmnns, the managers of 
the temple. The latter advise them to pass the 
night m the temple, where, they say, the great 
Venkateswara, touched by their devotion, will 
perhaps visit them in the spirit and accomplish 
that which until then has been denied to them 
through human power. I must draw a curtain 
over the sequel of this deceitful suggestion. The 
reader already guesses at it. The following morn- 
ing these detestable hypocrites, pictendmg com- 
plete ignorance of what has passed, make due 
enquiries into all details; and after having con- 
gratulated the women upon the reception they 

292 



MOTHER INDIA 


mot with from the god, receive the gifts with which 
they have provided themselves, and take leave of 
them. . . .’ (Hindu Manners, etc., p. 59 i.) 

It should be said that the well-known book of the 
Abbe Dubois is written m a very different tone as 
touching the Indian people from that of Miss Mayo. 
But then, as Dr. Max Muller writes, the views of the 
Abbe Dubois were those of ‘a scholar wutli sufficient 
knowledge, if not of Sanscrit, yet of Tamil, . . . to be 
able to enter into the view’s of the natives, to under- 
stand their manners and customs, and to make 
allowance for many of their superstitious opinions 
and practices, as mere corruptions of an originally 
far more rational and intelligent form of religion and 
philosophy.’ 

It is a quarrel between priests m the ease of the 
Abb6 Dubois. For was not this catholic priest m 
the Dekknn in order to get converts to Christianity? 
Naturally as a catholic priest he would not give a 
very glowing account of the Brahmin, his profes- 
sional rival. Nor would it be at all likely that his 
account of the Indian cults would be exactly propa- 
ganda for them, nor that he w r ould compare them 
favourably with Ins own ‘shop.’ But m his treat- 
ment of the Indian people there is no trace of the 
Mayo attitude 

In a prefatory note to Hindu Manners and Cus- 
toms^ Dr. Max Muller writes as follows: — 

‘ It is difficult to believe that the Abb6 Dubois, 
the author of Moeurs, Institutions et CMmonies 
des peuples de TInde , died in only 1848. By his 
position as a scholar and as a student of Indian 

298 



PALEFACE 


subjects, he really belongs to a period previous to 
the revival of Sanscrit studies in India. ... I 
had no idea, when in 1840 I was attending in 
Paris the lectures of Eugene Burnouf at the College 
dr France, that the old Abbe was still living and in 
full activity as Direct etir des Missions Etr anger es, 
and I doubt whether even Burnouf himself was 
aware of his existence m Paris. The Abb£ be- 
longs really to the eighteenth century, but as there 
is much to be learnt even from such as Roberto 
de’ Nobili, who went to India in 160C ... so 
again the eighteenth century was by no means 
devoid of eminent students of Sanscrit, of Indian 
religion, and Indian subjects in general. It is 
true that in our days their observations and re- 
searches possess chiefly a historical interest. . . .’ 

This note of Dr. Max Muller’s was not written 
yesterday; but for him, even, the Hindu Manner S, 
Customs and Ceremonies ‘possess chiefly a historical 
interest.’ 

Under these circumstances, and since no one could 
pretend that Mother India was intended for any- 
thing but a large popular Public very unlikely evui 
to have heard of the Abb<5 Dubois, or at all likely to 
refer to his w’ork, would it not have been more 
honest, m quoting the Abbd* Dubois, to explain all 
this to the reader, instead of merely giving the refer- 
ence, with the name of the Clarendon Press, and the 
date 192 /f. ? But apart from that, was it honest at 
all to mingle the ‘eighteenth century’ information 
of this authority with gossip of today, and a few 
facts hastily gathered in a short tour? 

294 



• MOTHER INDIA 


Again there is the fact that the information taken 
from the eighteenth century account of the Abb£ 
Dubois is not necessarily quoted m his words. It is 
(pp. 36-37, Mother India) mixed up with material 
from Young India , Sept. ?, 1UVG, and that of other 
unspecified sources, and so recounted by the author 
as though all part of one story, in the result making 
the eighteenth century generalizations of the Abb6 
Dubois appear something that had happened yester- 
day. 

There is no indication at all that its writer is any- 
thing but a \er> clever, able and practised person; she 
knows quite well that what she gives is not evidence : 
that it is presented in such a wav as to be violently 
offensn e on every ground to the Hindu (she favours 
strangely the Mohammadan): she cannot fail to see 
that in an insidious manner it puts the British 
Government of India m the position of a machia- 
vellian power, leaving the unfortunate Indian alone 
m lus apparently unexampled depravity and squalor 
(all the men sexually impotent and broken at 
twenty-live \ears old — the average age of demise 
23, etc. etc.), whereas she, no doubt, has more than 
enough political intelligence to be aware that should 
the English lea\ e India tomorrow the Soviet would 
quietly walk m, if they are not practically there 
already; and a little compassion for the Indian 
(which she does not possess — nothing but the affect- 
ation of the fury of a kind of mad sanitary inspector) 
would save her from contemplating that particular 
change of masters for even such reptiles, ‘slaves/ 
perverted heathens, morons and masturbators, as 
she complacently describes: she knows that her 

295 



PALEFACE 


inflammatory gibes about ‘slave psychology’ ad- 
dressed to the indian people is the material of 
‘radical’ oratory or of nationalist spread-eagleism 
such as no european public would swallow today, 
since they have found out that they are not, them- 
selves, so peculiarly ‘free,’ and that as to ‘slave- 
psychology’ people who Vve in glass-houses, and so 
on : and, finally, when she claims that the music of 
the spinning wheel of Gandhi has been a mam in- 
spiration to her m writing her book, she pollutes one 
of the only saintly figures m the world; and it is 
to be hoped that he will use all the lustrational re- 
sources of his easte-traming to cleanse himself of any 
traces left by the passage of Miss Mayo : also m con- 
nection with Gandhi, she is not so naive as not to 
know that her super-amencan gospel of dogmatic 
modernist reform (or is it amencan, or rather should 
Americans in general be held responsible for their 
Mayos? I believe not) can scarcely be said to have 
anything to do with what Gandhi teaches. 

What particular demon actuates Miss Mayo? I 
may go into that when I conic to use her book, along 
with many others, as evidence m later parts of my 
Paleface . But, now, I think, m mutation of the 
Abb6 Dubois, I will at this point ‘draw a curtain ’over 
Miss Mayo — not over her ‘daring’ or ‘outspoken’ 
bits about sex, heaven preserve us (Abb6 Dubois is 
much more amusing, if that is what you want, and 
there’s much more of it ), but — just over Miss Mayo. 

But there is another thing that Mis< Mayo knows 
— not quite to draw to the curtain. Miss Mayo 
knows that if an indian lady journalist, for instance, 
hurried to America on such a mission as Miss Mayo’s, 

296 



MOTHER INDIA 


she could very easily draw an equally untruthful 
picture. She knows this as well as I know similarly 
that a visit to England or Germany could be made 
into a Mother England or Mother Germany . Indet'd 
no day passes but we are able in Europe to observe 
this in practice: I refer to the accounts the Euro- 
pean is fed with about Mother America , accounts 
that arc intended to mak*' his llesh creep or his blood 
boil. No picture done m that wav (an be true, of 
course: and I am certainly the last person to lend 
any credence to the stories of the Mother America 
type. Miss Mayo, I am very sure, has nothing to do 
with anything that wc should legitimately call 
‘America.’ The Indian lady \isitor to the United 
States, let us suppose, has arrived. She ‘ court - 
eoush ’ requests to be ‘shown over,’ and m her book 
she can say how very ‘courteous,’ at least (that looks 
well, it shows how fair and unbiassed you arc), e\ try- 
body was (how very stupidly courteous to such a 
person she may privatelj reflect): and she could 
(very easily) hav*‘ a remarkably ‘highly-placed 
diplomatist’ or ‘a great inventor’ perhaps (that 
would look well) always at her elbow, just as Miss 
Mayo alw r ays has a particular ly ‘ high-caste Brahmin ’ 
at her elbow, to inform against other high -caste 
Brahmins* the Indian lady visitor or inquisitor, the 
‘restless analyst 5 from the East, could quote exten- 
sively from some amenean equivalent of the Loom 
oj Youth , and tell the horrified Indian Public how r in 
all the schools and universities of the United States 
homosexuality w r as rampant : then she could tell the 
usual stories of pregnant high-school girls — reveal 
whole classes carried away in one brake to theLying- 

297 



PALEFACE 


in Hospital: she could state as a fact that all ameri- 
can men were sexually impotent at thirty (hence the 
Broadway girl-shows), and that self-abuse was in- 
tense and universal throughout the 48 States of the 
Union : she could describe the death-rate per day m 
an amcncan city by violent crime, quote Mencken 
for bits about the monstrosities of Prohibition : and 
she could wind up by saying that America is ‘a 
physical menace’ (of. p. 23, Mother India) to the 
Hindu. 

‘ Under present conditions of human activity, 
whereby, whether we will or no, the roads that join 
us to every part of the world continually shorten 
and multiply, it would appear that some know- 
ledge of mam facts concerning so big and to-day 
so near a neighbour should be a part of our intelli- 
gence and self-protection.’ ( Mother India, p. 20.) 

The above italics are mine. 

Or the Indian lady investigator might takeanother 
line. ‘The average male Hmdu of thirty years . . . 
is an old man,’ says Miss Mayo. But the Indian 
visitor to the United States might describe herself 
as astounded to find that at thirty years old the 
White Man seemed no older than ‘our Indians’ at 
eight, and. indeed, that that was the case at almost 
anv age: she could remark thereupon that she 
doubted, so childish were they (almost as though on 
purpose, she might suggest), whether these ‘boy- 
men’ had ever exercised their sexual nature at all, 
or ever, properly speaking, reached puberty; and, 
indeed, it was her belief that they never did, that 
was what she thought about it, and that she sus- 

298 



MOTHER INDIA 


pected them of pretending to be pederasts, very 
often, only 1o rover this sexual apathy, and so as to 
retain a sort of false, prolonged, childish immaturity, 
and in order also to evade (much stiffening and ruf- 
fling of Madras-suffragist indignation, here!) — crimi- 
nally to evade their sexual duties; that as to the 
amencan mothers, far fiom sitting by their daugh- 
ters’ bedsides, and ‘helping them to get to sleep’ in 
the mdian fashion, instead, these mothers put on 
flesh-coloured tights and went and danced all night, 
while their husbands stole out, gun m hand, and 
went lynching Negroes in the next block. 

All this the mdian ladv journalist could write to 
her terrified, indignant, delighted countrymen and 
country women. She could point out that now at 
any moment Mr. Levine might be expected to ‘hop’ 
over to Mother India — or Miss Mayo, again, by way 
of the air, for that matter -and heaven knows what 
germs he (or she) would not bring from such a 
country as the United States! She might suggest 
that Gandhi be sent to see what could be done to 
instil a certain sense of womanhood into these lo«d: 
populations. Perhaps President Coolidge could be 
persuaded to spin for a few hours every dav. But 
at least Gandhi— -or perhaps the League of Nations? 
— might dissuade the United States males from 
abusing themselves, every day, at least. 

And then, of course, she could quote Prescott’s 
Conquest oj Mexico to give an idea of the soil of 
blood-sacrifices currently perpetrated by the Ameri- 
cans. This she could easily mix up with the Ku 
Klux Klan, and say that they disembowelled fifty 
Negroes a day in any fair-sized american city. 

299 



PALEFACE 

This book she would call (in Tamil) Rail Columbia , 
Happy Land. 

This is a sort of book, at all events, that you can’t 
have enough of, both ways, and all ways. It pro- 
motes that excellent feeling of brotherly love be- 
tween nations and races that is so very useful and 
comfortable for all of us. 


300 



INDEX 


Alexander (Professor), 177 
All God's Chilton* 58 
Americana , 111, 113, 118, 11*3, 
127-37, 188 

American Mercury , 28, 113. 
American Keqro (The), 28 
Anderson (Dean Paul), 136 
Andewon (Sherwood), 95, 97, 
116-17, 126, 139, 144-7, 151, 
153, 187, 195-236, 240, 247- 
249, 252, 264, 268. 

Antigone , 8 

Apple of the Eye (The), 166 
Arabia Deserta, 150 
Archimedes, 270 
Aristotle, 10, 255 
Arnold (Matthew), 15, 16, 56, 
213, 283-5 
Arthur Press, 67. 

Art of Being Ruled (The), 77, 
. 155-6, 161, 161, 241, 262-3. 
Atlantis , 47-52 
Attila, 240 

Autobiography of an ex-colour cd 
Man (The), 28 

Baudelaire, 52, 149, 151. 
Beecher Stowe (Mis ), 41 
Behaviourism, 157-66. 176, 226. 
Bell (Clive), 100 
Bergson, 158-60, 169, 176-7, 
184, 226, 241. 

Berkeley (Bishop), 253. 

Berman (Louis), 135, 157-64, 
168-70, 176. 

Bim and Bom, 266-68. 
Bonaparte (Napoleon), 133. 
Borah (Senatoi), 221. 

Boigia, 244, 246 
Bosanquet, 7. 


Bottomley (Horatio), 129 
Bouddha riran/, 52. 

Bradley, 7 

Burnouf (Kugtaie), 294 
Bui ton, 55 
Butler (Samuel), 16 
Butt (Clara), 106. 

Byron (Loid), 146, 152, 257, 
270 

Caird, 101 

Carnarvon (Lord), 172 
Celtic Literature , 285 
Chaplin (Charlie), 230. 

Cliekov, 196 

Churchill (Winston), 221. 
Clarendon Press, 291, 294. 
Clark (Sir William), 24. 

67 mold, 261. 

Hose (Upton), 58, 62, 259 
Cloyne (Bishop of), 105 
< 'onquest of Mexico, 299 
4 Corasmm and the Parrots 
186-90, 261 
Cortez, 124. 

Costello (Dolores), 26. 

Creatine Evolution, 158-9, 176, 
226 

Criterion , 259 

Daily Mail , 260. 

Daily Telegraph, 24 
Dark Laughter, 144, 187, 196- 
215, 220, 239, 264 
Dark Princess , 29-43, 46-7, 51, 
85, 273 

Darwinism, 158. 

Decline and Fall of the Roman 
Empire, 85 

Decline of the West , 179. 

301 



PALEFACE 


Defense de V Occident , 256. 
Dickens, 205, 225, 229 
IHthy rambic Spectator (The), 
184 

Dominik (Hans), 47, 52, 58. 
Doughty, 55, 150 
Dubois (Abb4), 291 -6. 

Du Bois (W. E B ), 23, 27, 29, 
41, 50, 281. 


Emstein, 106 
Eliot (T S ), 259 
Emperor Jones, 64 
Enemy (The), 200 
Evening Standard, 250 
Evolution of Theology, 101 


Family II ei aid, 44 
Fcnunore Coopei, 195 
Fine Clothes for the Jew, 28 
Fire m the Flint (The), 28 
Flight, 28 
Fo'melsaday , 28 
Ford (Henry), 236-7, 268 
Forum , 63. 

Fourier. 245 
France (Anatole), 190. 

Freud, 138, 184, 203, 207-8, 
220, 238, 240 
Fry (Roger), 100. 

Ffalop-Miller (Rene), 182-3, 241, 
264-8. 


Gandhi, 296, 299. 

Gauguin, 52, 149, 151, 209, 21 1 
212, 244 

Gobineau, 53, 55. 

Goethe, 67, 77. 

Goodly Fere (The), 241 
Green (T. 11.), 7-16, 21-2, 79, 
76, 88-92. 

Gulnon, 255. 


Hamlet , 58. 

Hartmann (Von), 177* 

Hardy, 151. 

Hayes (Roland), 65. 

Hearn (Lafcadio), 151 
Hegel, 7 

Hemingway (Ernest), 144, 200- 
202 

Hindu Manners , Customs and 
Ceremonies, 291-4 
Hodge (Rev B. G ), 135. 
Huxley (Aldous), 52, 59, 63 

Ido, 279 

‘ Indians and Enteitamment,* 
174 

Inge (Dean), 221, 259. 
Institutes, 13, 70 
Intellectual isme de Saint - 
Thomas (//), 254. 

4 I Want to Know Why,* 223- 
233, 238 

James (Henry), 131-2. 

Jesting Pilate, 59-62. 

Johnson (Doctor), 105 
Joyce (James), 204-7- 
loyful Wisdom, 150. 

Jung, 166 

Kandinsky, 33 
Knopf, 2, 28, 29, 43. 

Ku Klux Klan, 37, 299. 

Lady Luch, 28. 

Lai son (Nella), 43-6, 56. 
Lawrence (D. H.), 31, 95, 97, 
111, 120, 135, 146-7, 153-4, 
157-8, 166, 169-98, 200, 203- 
204, 211, 215, 221-2, 234, 
240, 247-9, 252, 264 
Levine (Mr ), 299 
Lily, 28. 

Lion and the Fox (The), 283-5. 


302 



INDEX 


Livingstone, 65, 151. 

Locke (Alain), 63-6. 

Loin des Blonde a, 52-5 
Loom of Youth (The), 297 
Luther (Mai tin), 131-2 
Jjynn Telegram N cws, 130 

Mademoiselle Juhe, 152. 

Magie Noire , 52. 

Maine (Sir llemy). 87, 180 
Marx (Kail), 119, 187-8, 244 
Mas&is, 256 
Matisse, 33-4. 

Mannas, 91. 

Mayo (Miss), 128, 289-300 
Mayoi of Cork, 284 
Mencken, 2, 111-12, 113-19, 
123, 127-37, 139, 160, 198, 
282, 298 
Metropolis , 219. 

Mind and Face of Bolshevism, 
182. 

Mceurs , Institutions et Cere- 
monies des peoples de VJnde , 
. 29? 

Moh^re, 58 
Montesquieu, 273 
Morand (Paul), 52. 

Mornings m Mexico , 95, 111, 
147, 153-4, 157, 169, 174-96, 
198, 200, 204, 234. 

Moses, 131-2. 

Mother India , 27, 128, 289-300 
Mozart, 279 

Muller (Dr. Max), 293-4. 
Mussolini, 106. 

Nathan, 116. 

Negro Drawings , 28. 

Newton, 74, 102-3, 106, 150. 
New York Herald , 260-1. 
Nietzsche, 53, 67, 146, 150. 
digger Heaven , 30, 153. 
Noa-Noa, 212, 244. 


Nobili (Roberto de*), 294. 
Novarro (Ramon), 26. 

Obsenrr, 146. 

Paul, 27, 86. 

Paul (Lady Dean), 136 
Petty fer, 28 

Philosophy of the Unconscious, 

177 

Picasso, 33-4. 

Pitt, 74 
Pizarro, 124. 

Plato, 13, 90 
Plomei, 2, 23, 28, 280-1. 

Poe (Edgai Allan), 137, 140 
Poor White, 216-22. 

Porgir, 61 

Pound (Ezra), 145, 241. 
Praxiteles, 35. 

Prescott, 299. 

Prolegomena to Ethics, 7, 92. 
Psychoanalysis, 161, 166, 177, 
240 


Quid sand, 28, 43-6. 

Radio Times, 103. 

Raucat (Thomas), 52-5 
Relativity, 166 

Religion of Behaviow ism (The), 
157 

Revolt of Asia (The), 58, 85, 259. 
Revolutionary Simpleton (The), 
161 

Rimbaud, 55, 149. 

Rivers (Dr. W. H. R.), 164. 
Robeson (Paul), 65. 

Rousseau, 195, 225. 

Rousselot (P4re Pierre), S.J., 
254. 

Russell (Bertrand!, 100, 102-3, 
106, 150, 194, 221. 


308 



PALEFACE 


Sage, 27. 

Safar’t Return (The), 28 
Saint-Simon, 245. 

Salvation Army, 134, 273 
Schopenhauer, 67, 177 
Shakespeare, 58, 74, 131 
Shaw (G. B ), 82, 146, 221, 246, 
269-70, 284-5. 

Shelley, 152, 270 
'Sherwood Lawrence,’ 111, 
198. 

Sinclair Lewis 111, 114, 116, 
128 

Society of Jesus, 220 
Socrates, 122, 148. 

Solomon, ‘ mx - cylinder sport,’ 
135. 

Solon, 220. 

Hons and Lovers, 180-1. 
Spongier, 122-3, 176-9, 242-3, 
252, 256. 

Star Chamber, 220 
Stem (Gertrude), 207, 224. 
Stevenson (R. L ), 149-51. 
Stoddard (Lothrop), 64. 
Story-Teller’ e Story, 95, 203, 
233-4. 

Strindberg, 146, 152. 
Strindberg's Systrar Bcratta, 
146. 

’ Suicide as a Symptom,’ 163. 

Templars, 149, 220. ' 

Terre (La), 206-7. 

Time and Tide, 285. 

Time and Western Man, 157, 

176 . 

Tolstoi, 151. 

Torrmts of Spring, 145, 200-2. 


Triumph of the Egg (The), 223- 
233. 

Tutankamen, 172. 

Twain (Mark), 215. 

Ulysses, 205-6 

Uwle Tom's Cabin, 40-1, 227 

Valentino, 233 
Valdry (Paul), 259. 

Vanity Fair, 131. 

Vecbten (van), 29, 30, 153. 
Versailles Treaty, 276 
Vinci (Leonardo da), 123. 
Virginians (The), 138. 

Vision of Judgment, 148, 257. 
Volapuc, 67-8, 280, 285-6. 
Volstead Act, 133 

Watson (Professor), 158, 162, 
166. 

IKean, Blues (The), 28. 

Wells, 261. 

Wescott (Glenway), 166. 
Whitehead, 178. 

White Man and his Rivals (The), 
259. 

Whitman (Walt), 140-3, 145-6, 
209, 212. 

Wildrcat (The), 28. 

Wise (Rabbi), 221. 

Women tn Love, 180. 

Wooing s of Jezebel, 28. 

‘ Wush & Co.,’ 206. 

Yerkes, 166. 

Young India, 295. 

Zola (Emile), 151, 202, 206-7.